The Inside Press

Magazines serving the communities of Northern Westchester

performing arts

Old School Players to New School Tools – How the Well Executed Pivot Made all the Difference

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Dance Students from the Division of Fine and Performing Arts at Manhattanville College

To write that Covid was terrible for all educational programming, colleges and universities would be an understatement and perhaps not always true, so I won’t write that. Instead, I will write this: Covid forced educational programming, colleges and universities to decide whether or not they were willing and able to pivot; constantly. Those who were fortunate and creative enough to be willing and able are still open for enrollment. In fact, many admission offices are slammed with more student applicants than ever before. You can guess why….

Here I will share with you what I learned from individuals ‘in the know’ at two well respected local powerhouses of education in the area: Manhattanville College and Music Conservatory of Westchester.

“Streaming” was a common theme throughout our conversations; ranging from online performances and lessons to seminars and jam sessions, teachers and peers alike watched their audiences grow larger and larger as the viewers increased. Allowing their communities to access this functionality throughout the entire pandemic, in addition to equipping them with the proper toolbelt to do so, is truly a tribute to their dedication to education and unwavering ability to pivot. And pivot well. Enrollment and application numbers are healthier than ever!

Manhattanville College: Nurturing a Hub of ‘Intellectual Culture”

Clocking in at 180 years old (est. 1841), Manhattanville College is a private, liberal arts college offering undergraduate and graduate degrees in Purchase, New York. Music, Studio Arts, Dance, Musical Theater, and Theater are just a few of the programs offered here. Olivier Fluchaire, D.M.A. Division Chair & Associate Professor of Music at the school took some time to chat with me about what life at Manhattanville College has been like over the last 18 plus months; his life, his students’ lives, and his faculty’s well-being as well.

Tailored education

 “Our 70-member expert faculty in the Fine and Performing Arts Division stood as one, caring and engaging our students through this excruciating year,” said Dr. Fluchaire, “never allowing instruction to be altered and continuing our endeavor to deliver a tailored, individual education, while sharing our devotion to intellectual culture and the fine and performing arts.”

Enrollment for the Fine and Performing Arts at Manhattanville College started a little later than normal this year with the majority of applications received during the spring semester instead of the fall because no one knew what school was going to be like this fall. However, once that unknown fear initially subsided, Manhattanville witnessed a 25% increase in deposits for the fall of 2021, compared to last year’s enrollment rate.

While some staff was familiar with the new demands of computer integration into the classroom, plenty of professors had to learn some new skills. After all, just because you are a professional singer doesn’t mean that you know how to turn a zoom call into a “gallery” view. Art galleries went from on-foot to in-pixel and video editing became just as important as posting to social media accounts across multiple platforms. This massive new online presence is certainly to blame for the uptick in enrollment. Staff adapted, upgraded their skills, and also grew in numbers as additional and new talent was necessary.  

Auditions at Manhattanville are very stringent and require three different videos from different works or three different paintings, dances, etc. Because everything was done online, with all live auditions canceled, applicants had to upload their video submissions, there was an added layer of difficulty for some of the students; or so, they thought. BUT more applicants and email inquiries than ever gave proof through the pandemic that their school was still there. 

Dr. Fluchaire credits online word of mouth, students having time at home, behind the scenes tapings, and a devoted community as some of the gold tokens to take away. Programs here will keep up this aspect of streaming as much as possible regardless of where the teaching takes place moving forward. It was THAT impactful. Nice pivot.

Music Conservatory of Westchester: Intensive Training and Stand Out Students

Clocking in at 92 years old (est. 1929), the Music Conservatory of Westchester provides quality music education for students of all ages, abilities and backgrounds, with one-on-one instruction, performing ensembles, theory, composition, early childhood classes, lifelong learning for adults, and free community performances. Adriana Rivera, Manager of Communications & Marketing at MCW, spent time highlighting excellence within their community and a few remarkable students who are about to set forth on some incredible new beginnings.

MCW offers an intensive pre-college training program for talented high school instrumentalists and singers called MCW Prep. Similar to the other programming, these students too are selected by audition. Students enrolled in the program are offered a unique opportunity to study with master performers of the New York Philharmonic, Metropolitan Opera, and Chamber Music Society of Lincoln Center. There is no other program in the New York State region that offers the chance for high school students to study with master teachers of this caliber.

Korliss Uecher, a soprano with the Metropolitan Opera and teacher at MCW Prep, didn’t seem to miss a beat with students who were graduating and ready to move in to the next chapter of their musical career. With the new inclusion of virtual lessons/ portals on their website and technology assistance as well, all aspects of the organization are churning out award-winning students whose academic achievements are also attributed to their study of music.

Two stand-out students that took this opportunity and experience, and who are about to set forth on new beginnings, are Palani DeMario and Ava Gallo-Grosskreuz. Both freshly graduated from high school during the most difficult of times and are ready to spread their talent and love for the fine and performing arts.

Palani is 18-years-old graduating from New Rochelle High School; a musical theater/pop singer who will be attending American Musical & Dramatic Academy in Fall 2021, Palani lives with his single mother who immigrated from Haiti. His mother is disabled, and Palani is the caretaker for her and two younger siblings. He sings in his school’s Select Choir and plays guitar.

Ava is also 18-years-old graduating from Hopewell Junction High School; a jazz/pop/contemporary singer, Ava will be attending Belmont University in Nashville to study in the Music Industry Program in Fall 2021.

So we conclude: Artists, Performers, Creators-alike burst with the type of passion that could never be silenced; not even by a pandemic. Driven by devotion, perseverance, art, and music, Manhattanville College and the Music Conservatory of Westchester not only survived but thrived. In the newly famous words of Eric Ries,“a pivot is a change in strategy without a change in vision.” Applause to a Proper Pivot.

Arc Stages – A Magical Place

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Teens during last year’s SummerStage production of Woody Guthrie’s American Song photo by Liza Margulies

As a theatre lover, I could not have dreamed up a more perfect place for arts enrichment for the community. Arc Stages, whose tagline is “theatre for every stage,” hits the mark in providing theatre education and opportunities for every stage of life and all stages of development. Arc Stages, located in Pleasantville, runs three theatre companies that currently share the same stage; the educational stage, the community theatre, and the professional theatre. It is a place where you can learn about theatre, be in theatre, or see theatre.

The Educational Stage

The educational stage produces youth productions and conducts workshops for kids ages 3-18 all year round, in addition to adult classes like the adult improv comedy class. In the theatre workshop program, kids register for workshops by age group and are invited to audition. What differentiates Arc Stages from other children’s theatre groups is that the show is not chosen until after the students audition. No students are cut from the program. When students return for callbacks, the director tries different shows out on the students before selecting the most appropriate show for the group.

“It is about the students first. It’s not about vying for parts,” explains Adam Cohen, Artistic Director. “We usually have a list of shows and we try different songs and sides out on the kids and see what show fits this particular group of kids because our goal is to teach them something through theatre and challenge them.”

“We do theatre games and work different types of workshops into the rehearsal process so that it’s not only about the show but about building self-confidence through theatre,” says Galit Sperling, the Director of Education. “We focus on positivity and let our students know that this is a safe space and an artistically and educationally fulfilling sanctuary.”

As auditioning can be nerve-wracking for some younger first time students, no one is forced to audition. “They can sing happy birthday if they want. It’s about us getting to know them,” says Sperling.

All theatre workshops culminate in two or three productions with elaborate costumes and sets at the end of the session.

Arc Stages also runs an in-school playwriting educational outreach program, Visions and Voices, in which they work with local schools teaching kids how to write plays and then produce them. A festival of plays is presented at the conclusion of the program. Visions and Voices is in its fourth year and Arc Stages would love to add more schools to its program.

SummerStage Camp

If you are looking for something for your kids to do this summer, Arc Stages holds a full day summer camp in which different age groups work on different shows. Besides rehearsals for a show, classes during the camp day include Acting Technique, Choreography, Improv & Theater Games, Stage Combat, Music and Vocal Technique, master classes and more.

Campers can choose to enroll in a six-week session or a three-week session. There is also a one-week intensive course. Early registration discounts are available if you register before April 1st.

The Community Stage

The community stage is geared towards adults in the community, whether you are brand new to theatre, returning to theatre after many years, or are professional non-union actors who want to do something in the community. They put on three productions every year. Auditions are open to anyone who wants to participate.

“It’s a mix between people who are accountants, lawyers, dentists, and everyday people that want to get into acting. Some participants are incredibly talented but just happen to do other things for a living. We try to produce a professional looking show but we’re looking for all walks of life in it so it really is the community,” says Cohen.

There are also plenty of volunteer opportunities for community members to assist backstage, design sets, work on costumes or help with technical services.

Rehearsals are currently underway for their next show, Avenue Q, which promises to be a great performance. Avenue Q will run the first two weekends of April. The community stage will also perform You’re A Good Man Charlie Brown July 19th-21st. Tickets for all shows can be purchased at arcstages.org.

The Next Stage

The Next Stage is the professional theatre company, which operates under a Small Professional Theatre Contract with Actor’s Equity Association, an actors’ union. They produce two high quality productions a year. The actors in a Next Stage show are generally all union members. Auditions are held at an open call in the city.

The next show has yet to be announced for the professional theatre company. Traditionally, Arc Stages announces their upcoming shows for both the community and professional stage at their fundraising gala in April. The gala, scheduled for April 27th, is always a fun evening where a show written especially for that night is performed for the guests by a mix of community and professional actors. Students from the educational stage also perform a number in the show.

Working Towards a Dream

Arc Stages’ facility has plenty of rehearsal spaces and its own dedicated 74-seat theatre. While having its own theatre has been incredible, a capital campaign is underway to raise money to build a bigger 175-seat proscenium theatre. They are probably a few years away from fulfilling this goal but it will surely add to the magnificence of all that their students, actors and community members accomplish at this magical place.

Revitalizing the Glamour of Old Cinema: The Bedford Playhouse Reopens its Doors

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Passing under the iconic arches flanking the entrance of the Bedford Playhouse, Home of the Clive Davis Arts Center, one is instantly transported to the era of old Hollywood glamour. From the old fashioned box office that greets guests to Paul Shaffer’s grand piano from the set of “The Late Show” with David Letterman gracing the foyer, it’s evident that the Playhouse boasts a rich history. The meticulous detail, however, beguiles the fact that it’s been mere months since the grand reopening of this cultural hub that’s now emerging as a bright star after a questionable future.

A Grassroots Movement

The Bedford Playhouse first opened its doors in April 1947 to much fanfare. In 1983, the theater was acquired by Bow Tie Cinemas and divided into two smaller theaters, losing much of its historic nature. In early 2015, when Bow Tie opted not to renew its lease, the beloved theater closed. That’s when the community unified to take action. Lindsay Hearon, director of marketing of the Playhouse recounts, “The community banded together in a ‘Save the Playhouse’ grassroots movement of sorts and reached out to local resident, John Farr, who was instrumental in resurrecting the Avon Theater in Stamford. The landlord gave us 120 days to raise $2M to prove there was significant interest in the project. That goal was accomplished in six weeks. That’s when they began taking us seriously.”

If the first phase of revitalizing the Playhouse was about generating support, then the second phase can be characterized by reimagining, rebuilding and redesigning the structure. According to Hearon, “Since a movie theater didn’t work, we needed to redefine the Playhouse’s role in this phase of its evolution. The local communities were craving a cultural hub. To tap into that void, we conceived of a space anchored by films, but with the capability to function as so much more. The introduction of a wine tasting room and café, where people grab a smoothie or meet friends for a drink was instrumental in the transformation.” Armonk resident and founding donor, Robert Greenfield concurs, saying, “My wife and I absolutely fell in love with the renovation and the overall experience. It’s this intimate, luxurious cultural destination that’s right in our backyard. It’s different from a movie theater or a concert hall. It’s about bringing the community together to have a dialogue, listen to directors speak about films, attend family programming or just have a drink with friends. You simply can’t beat this.”

To make this vision a reality, the team began working fervently, assembling a group of advisors.  “We consulted with the absolute best,” according to Hearon, “from designers to architects to state-of-the-art technology teams to ensure that no detail was overlooked.” Amongst this exclusive team of advisors is local resident and music industry legend, Clive Davis. Hearon explains the icon’s role, “When Mr. Davis learned about what we were doing, he wanted to get involved both personally and philanthropically. He identified with the need to bring arts and culture back to the community. His decades of incredible experience and connections have been instrumental.” Davis’ contributions were so impactful that the Playhouse thanked him by designating the Clive Davis Art Center as its partner entity, an honor prominently reflected on the building’s façade.

“It’s different from a movie theater or a concert hall. It’s about bringing the community together to have a dialogue, listen to directors speak about films, attend family programming or just have a drink with friends. You simply can’t beat this.” – Robert Greenfield

A Marriage of Old and New

The grand opening of the Bedford Playhouse revealed an opulent interior depicting the perfect marriage of old and new. The theaters feature sumptuous, buttery-soft leather seating with trays for food and drink, vintage film posters and waterfall curtains, complemented by state-of-the art Dolby Atmos surround sound technology. “Our doors opened on September 30th, featured three days of fun-filled programming and culminated in a party with guests including Clive Davis and Paul Shaffer. We’ve been chugging along ever since,” Hearon proudly announces.

“Our programming incorporates a hybrid strategy of arts and film that touch topics that are captivating the community’s interest like the “Me Too” movement or politics–we’re not going to shy away from controversial issues,” says Hearon, further explaining, “We have a really exciting footprint where we take a movie and add a unique component to it.” One space in particular has been designed with flexible furniture to accommodate everything from a themed cocktail event to author reading event discussion to a children’s birthday party.

A series of unique events have already taken place. The Playhouse screened Always at the Carlyle, accompanied by a Q&A with the film’s directors complete with a cocktail event that recreated the hotel’s legendary Bemelmans Bar. Mary Poppins Returns featured a “Supercalifragilisticexpialidocious” Spelling Bee and costumed Mary Poppins offering spoons full of sugar up and down the aisles. Martha Stewart hosted a private event in the wine tasting room, while Glenn Close headlined a sneak preview screening of the Oscar-nominated film, The Wife, complete with a Q&A event and cocktail party; former head writer of SNL Alan Zwibel held a Q&A and a screening of Love Gilda. And, there’s no sign of the momentum slowing. In the coming months, the Playhouse is set to offer a special screening of 2001: A Space Odyssey, a Q&A with the David Boies, the subject of the documentary, The Case Against 8, and a comedy show starring comedian Robert Klein.

All of the excitement is evidence that the Bedford Playhouse has tapped into the community’s collective yearning for culture. “We’ve even seen the naysayers come out,” Hearon says, continuing, “People really want to join together in a cultural experience. The community has been hungry for this.”

ChappPAC Destined to be a Center For the Arts and Family Entertainment

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Tucked away beyond the construction crews and heavy equipment that have been plowing away for the last two years at Chappaqua Crossing lies the recently transformed Chappaqua Performing Arts Center (ChappPAC). Once named the Wallace Auditorium and used primarily for Readers Digest meetings and conferences, the intimate playhouse has been reincarnated as a performing arts center, cultural destination and mecca for educational children’s theatre.

Initially slated for demolition when Summit Development and Greenfield Partners designed Chappaqua Crossing’s retail and residential community, the small theatre was saved through negotiations with Deputy Town Supervisor Lisa Katz and the help of the New Castle Arts and Culture Committee. Summit Greenfield offered to donate the theatre to the Town of New Castle for one dollar.

When the town asked experienced theatre professional and educator John Fanelli’s opinion about saving the theatre, he said, “You don’t find 425 seat theatres in your backyard every day. You couldn’t build this. It would cost way too much money. It’s like a beautiful country playhouse and it’s pretty awesome that it’s still here.”

After issuing a request for proposal for a theatre manager, the town chose Fanelli as the theatre manager. Scott Campbell of Soup’s On Entertainment was also chosen as a promoter. Fanelli was well acquainted with the facility and well aware of its potential as he had already been renting it for productions of his own Armonk-based educational children’s theatre company, Lighthouse Youth Theatre and Standing Ovations Studio, where he serves as artistic director. His responsibilities at ChappPAC include managing bookings, rentals of the space, volunteers, vendors and maintaining the integrity of the structure. Clearly the right man for the job, Fanelli, whose passion is educational theatre, has been directing, teaching and creating programs for children and teens in theatre for almost 25 years.

“If you ask me,” Fanelli professes, “the most important education you can give your child is a performing arts education because it teaches them so much about who they are as people and gives them such great confidence. If they can stand up in front of 400 people and do a show, then they certainly can do a book report or run for class president…they can do pretty much anything they want. We are teaching life skills.”

The theatre has ushered in its second year of children’s theatre programming with a collection of fall children’s workshops presented by the Town of New Castle, Standing Ovation Studios, and Soup’s On Entertainment. Most recently this November, Tony Award winner Lindsay Mendez (Carousel, Wicked, Godspell, Grease) and Broadway star Derek Klena (Anastasia, Wicked, Bridges of Madison County) led a workshop about musical theatre technique and audition preparation. The session ended with the students performing on stage for parents and friends and a “talkback session” with the actors about their own Broadway experiences. Earlier this fall, Broadway actors and former cast members of Wicked, Arielle Jacobs and Alicia Albright, led a children’s Wicked workshop which also culminated in an on-stage performance and an informative Q & A session with the actors.

The season kicked off with a free musical theatre workshop open house where students learned to perform songs and dances from Peter Pan and Hamilton.

Three additional free workshops are planned for the new year to help get people in the door and get them excited about the programs offered.

As part of these workshops, students are split up according to age and then further divided into three small groups that rotate among a musical director, choreographer, and acting teacher. Students are then able to focus on all three disciplines.

Bringing theatre education to our youngest citizens, ChappPAC also hosts Drama Bee, an educational weekly theatre program for preschoolers, in partnership with New Castle Recreation. “My goal is to educate kids and teach them things about themselves using musical theatre,” says Fanelli. “When a parent calls and asks me how to get their child on Broadway, I always tell them to call someone else because that’s not my goal. I think the way to get to Broadway is to go to college and then be a professional and go as an adult. Being a child actor on Broadway doesn’t necessarily translate to becoming a professional actor.”

While many of the children’s programs have been made possible through a generous private grant, the reinvention of this hidden gem has been facilitated through a combined effort of the town, dedicated theatre professionals like Fanelli and private citizens. 

Deputy Town Supervisor Katz spearheaded the acquisition of this theatre for the town.  “Personally, making this theatre a reality has been very fulfilling for me. It’s really just an exciting opportunity for the town to be able to utilize it and do something incredible for not just our residents, but all of the surrounding communities as well,” she says.  “The goal is to eventually make it a preeminent destination for theatre, dance, music and visual arts in Northern Westchester,” she adds.

A foundation comprised of volunteers, The Friends of Chappaqua Performing Arts Center, has been formed to provide funding for capital improvements, programming, special projects and sponsorship opportunities to support ChappPAC. At the time of writing this article, the group was seeking and awaiting 501(c)(3) status so they can begin fundraising. Michele Gregson and Tracy Stein, Chairs of the Friends group, have been instrumental in engaging volunteers and potential donors, developing marketing strategies, and planning for the theatre’s future as a premier performing arts center.

“We have a great model in the Jacob Burns Film Center in Pleasantville, a highly regarded cinematic destination, where the surrounding merchants have benefited. We hope to do the same here where you can see a show, make an evening out of it, and go to one of our local restaurants downtown,” suggests Gregson.

Some of the exciting ideas that Gregson says have been discussed for the theatre are to organize a lecture series with prominent speakers along the lines of the offerings at the 92nd Street Y in Manhattan, to use the theatre as a developmental space for prospective Broadway shows, and to host art exhibits.

Gregson, who also serves as Chair of Westchester Women at UJA-Federation of New York, has helped secure a grant from UJA to produce three Jewish-related programs at the theatre, which will likely be presented in the spring.

(L-R): At a ChappPac celebration following its opening: Jonathan Leibner, David Restivo,
Jeff Kuduk, Michele Gregson, Scott Campbell, Lisa Katz and John Fanelli.

The leaders behind this theatre are also open to suggestions. Their goal is to provide programming that the community craves. As they move forward, they will continually assess what is successful and optimize programming to bring in audiences.

Besides producing shows, maintaining the space is also at the top of the agenda for the town and the volunteers. Luckily the building was in good shape and already beautifully laid out as a theater when the town acquired it. Fanelli put in new LED lighting, upgraded the lighting board and the acoustic equipment, and renovated the stage. With the help of the Friends group, he hopes to continue improving the space. “Within three years it will be just like the Ridgefield Playhouse. That’s the goal,” he says, referring to the 500-seat venue in Connecticut. 

As the front of the building is in need of repairs, Gregson hopes to undertake a fundraising initiative where donors can purchase bricks engraved with their names on them to adorn the building. She also anticipates planning a fundraising gala in the near future. Additional plans for the theatre include adding a box office and a concession stand. Organizers hope to hire and train workers with special needs to work at the concession stand.

With various improvements yet to be made, exciting ideas yet to bear fruit, and despite the surrounding construction, the theatre has been open for business and successfully putting on programming.

Recent performances in November have run the gamut from family fun with Tim Kubart and the Space Cadets, an indie pop dance party for all ages, to fodder for adult audiences like folk/rock singer-songwriter and former Chappaqua resident Dar Williams. On December 1st, comedians and co-hosts of the popular parenting podcast What Fresh Hell: Laughing in the Face of Motherhood performed.

“The funny thing is that nobody really knew this place was sitting here for 30 years,” remarks Fanelli. “I hope that we can establish ourselves as the number one place for family entertainment and for educational theatre programming in the area.  If you want to go see a great show for the whole family, Chappaqua Performing Arts Center is your place,” he says.

RESERVE YOUR TICKETS:

An interactive screening of the Christmas film Elf will take place on Saturday, December 8.

Junie B. Jones will be performed by Theatreworks USA on Saturday, February 9.

On March 9, the Chappaqua Orchestra will perform an interactive, inclusive family concert spotlighting the special needs community playing with the orchestra.

For program information, visit www.chappaquapac.org. For fundraising inquires, email the Friends of Chappaqua Performing Arts Center at friendsofchapppac@gmail.com.

Chappaqua Performing Arts Center: Ambitious Plans Shape Up for a New Westchester Destination

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Frank Shiner and fellow musicians at the Chappaqua Performing Arts Center PHOTO BY Carolyn Simpson/Doublevision Photographers

By Grace Bennett

“We were so lucky to be able to save this theater,” Town Councilwoman Lisa Katz said, at the start of an animated conversation about the current uses and all the grand possibilities for the Town of New Castle’s Chappaqua Performing Arts Center (ChappPac), the stately white building previously known as the Wallace Auditorium on the old Readers Digest campus.

With its airy interior and 300-plus, plush red velvet seats, and ample outdoor parking, the ChappPac already serves as ‘home’ to the town’s beloved Chappaqua Orchestra, whose productions there have been ongoing. Most recently, the Chappaqua Orchestra performed a second Storybook Concert and a Concerto Winner’s Concert inside its doors. Early on, a simulcast from Hamilton drew 125 attendees.

ChappPac is also now officially an exciting new venue for upcoming theater productions led by John Fanelli, executive director of the Lighthouse Youth Theater that’s based in Armonk. Fanelli was brought in to begin bringing in compelling theater to inside the ChappPac. “He is highly energetic and has a lot of contacts,” said Katz. “We are allowing his organization to use the space for eight weeks.” Fanelli stated at a recent performance that he is open to feedback on the kinds of productions area residents would be most interested in.

The pursuit of a full range of performing arts offerings is just beginning, and support from the community has already proved robust. The excitement was palpable among audience members who packed the house to enjoy Chappaqua’s blues and soul singer Frank Shiner. It was a first ‘charity concert,’ with Shiner donating 100 percent of the revenue from the evening toward a variety of purchases and improvements to the Center. (See a ‘Gotta Have Arts’ profile about Shiner at theinsidepress.com). A Friends of the Chappaqua Performing Arts Center, headed by Michele Gregson and Tracy Stein, aims to raise $50,000 this summer toward programming efforts.

Steffi Nossen School of Dance
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“The building could well have been demolished,” Katz points out, “to make room for town homes at the upcoming Chappaqua Crossing on the old RD campus. Town officials ‘jumped,’ to save it, she explained, and for a pittance, the Town of New Castle became the Center’s official owner. A theater camp for kids with one-week sessions is planned on site for the summer too.

The possibilities are endless, Katz says. She listed possibilities ranging from major art exhibits and comedy nights to an A-List lecture series (such as at the 92nd Street Y) or, “who knows, maybe an a capella concert featuring high schools from around the county. My goal is to transform the Center into a pre-eminent destination for visual performing arts and music and art.”

The success of the Jacob Burns Film Center in Pleasantville inspired the members of a Town Arts and Culture committee, formed two years ago, Katz added. “We want to create here for performing arts what the Burns Center is for film in Pleasantville.”

At press time, a programming schedule was in the works, and a website for the Chappaqua Performing Arts Center is still in development.

Donations are welcome! Write to: The Friends of the Chappapaqua Performing Arts Center, P. O. Box 351, Chappapaqua, NY.

Grace Bennett, Publisher and Editor of The Inside Press, looks forward to watching ChappPac evolve.

Inside the ChappPac: the May Concerto Winners’ Concert (L-R): David Restivo, Chappaqua Orchestra Executive Director; Julian Langford, Cello: the George and Sheila Drapeau, 1st Prize winner, Senior Division; Dylan Wu, Cello: the Frank and Suzanne Shiner 1st Prize winner, Junior Division Georgia Lazaridou, Piano: the Rita Ross 2nd Prize winner, Senior Division; Sara Scanlon, Cello: The Carmen and Rafael 2nd Prize winner, Junior Division; and Radaslawa Jasik, Piano: The David and Natalia Restivo 3rd Prize winner, Senior Division. Not shown: William Tang, Piano: the Georgia and Ron Frasch 3rd Prize winner, Junior Division.
PHOTO BY LANA ROSENBLIT