The Inside Press

Magazines serving the communities of Northern Westchester

culture

Cozy at Home

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I’m writing this on a grey, damp day in October, cozy in my loose ‘at home’ clothes. I guess the gloomier, chillier weather had to arrive sooner or later after one of the most spectacular Septembers on record. I was grateful for the extra stretch of summer, but equally so for the rains that help us transition through seasons, too. Mother Nature knows what she’s doing if we don’t mess with her too much! And as we head full full steam ahead into fall and winter temps, I do ponder the comforts of home, and feel ever grateful for my own. When it’s grey, there are fewer temptations. I get more of my ‘serious’ work done (like writing this column!). But I can also opt for lazy.

I might surf more, catch up on a grocery item list or other errands. If I’m feeling social, I’ll check movie listings at the Jacob Burns Film Center and inquire with a friend or two. But no matter what I do, I always feel that at home days maximizing your time solo or with family are every bit as precious as time out on the sunniest of days.

If you’re reading your second edition of Inside Biarcliff & Ossining on a grey day too, I have some good news. I promise it will give you plenty of reasons to smile, whether it’s Carine Feist’s ‘Friendsgiving Menu’ or Peter Chatzky’s ‘etcetera’ humor essay on ‘Loving Briarcliff.’

Please enjoy our second edition which celebrates two town histories-aside from our cover story on the fabulous historical society in Briarcliff Manor, don’t miss learning about the ambitious educational undertakings of the Sing Sing Prison Museum and also the inspiring vision of the Bethany Arts Community. We hope to continue trying to capture different slices of life and culture in the area… rain or shine. Happy Thanksgiving!

Revitalizing the Glamour of Old Cinema: The Bedford Playhouse Reopens its Doors

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Passing under the iconic arches flanking the entrance of the Bedford Playhouse, Home of the Clive Davis Arts Center, one is instantly transported to the era of old Hollywood glamour. From the old fashioned box office that greets guests to Paul Shaffer’s grand piano from the set of “The Late Show” with David Letterman gracing the foyer, it’s evident that the Playhouse boasts a rich history. The meticulous detail, however, beguiles the fact that it’s been mere months since the grand reopening of this cultural hub that’s now emerging as a bright star after a questionable future.

A Grassroots Movement

The Bedford Playhouse first opened its doors in April 1947 to much fanfare. In 1983, the theater was acquired by Bow Tie Cinemas and divided into two smaller theaters, losing much of its historic nature. In early 2015, when Bow Tie opted not to renew its lease, the beloved theater closed. That’s when the community unified to take action. Lindsay Hearon, director of marketing of the Playhouse recounts, “The community banded together in a ‘Save the Playhouse’ grassroots movement of sorts and reached out to local resident, John Farr, who was instrumental in resurrecting the Avon Theater in Stamford. The landlord gave us 120 days to raise $2M to prove there was significant interest in the project. That goal was accomplished in six weeks. That’s when they began taking us seriously.”

If the first phase of revitalizing the Playhouse was about generating support, then the second phase can be characterized by reimagining, rebuilding and redesigning the structure. According to Hearon, “Since a movie theater didn’t work, we needed to redefine the Playhouse’s role in this phase of its evolution. The local communities were craving a cultural hub. To tap into that void, we conceived of a space anchored by films, but with the capability to function as so much more. The introduction of a wine tasting room and café, where people grab a smoothie or meet friends for a drink was instrumental in the transformation.” Armonk resident and founding donor, Robert Greenfield concurs, saying, “My wife and I absolutely fell in love with the renovation and the overall experience. It’s this intimate, luxurious cultural destination that’s right in our backyard. It’s different from a movie theater or a concert hall. It’s about bringing the community together to have a dialogue, listen to directors speak about films, attend family programming or just have a drink with friends. You simply can’t beat this.”

To make this vision a reality, the team began working fervently, assembling a group of advisors.  “We consulted with the absolute best,” according to Hearon, “from designers to architects to state-of-the-art technology teams to ensure that no detail was overlooked.” Amongst this exclusive team of advisors is local resident and music industry legend, Clive Davis. Hearon explains the icon’s role, “When Mr. Davis learned about what we were doing, he wanted to get involved both personally and philanthropically. He identified with the need to bring arts and culture back to the community. His decades of incredible experience and connections have been instrumental.” Davis’ contributions were so impactful that the Playhouse thanked him by designating the Clive Davis Art Center as its partner entity, an honor prominently reflected on the building’s façade.

“It’s different from a movie theater or a concert hall. It’s about bringing the community together to have a dialogue, listen to directors speak about films, attend family programming or just have a drink with friends. You simply can’t beat this.” – Robert Greenfield

A Marriage of Old and New

The grand opening of the Bedford Playhouse revealed an opulent interior depicting the perfect marriage of old and new. The theaters feature sumptuous, buttery-soft leather seating with trays for food and drink, vintage film posters and waterfall curtains, complemented by state-of-the art Dolby Atmos surround sound technology. “Our doors opened on September 30th, featured three days of fun-filled programming and culminated in a party with guests including Clive Davis and Paul Shaffer. We’ve been chugging along ever since,” Hearon proudly announces.

“Our programming incorporates a hybrid strategy of arts and film that touch topics that are captivating the community’s interest like the “Me Too” movement or politics–we’re not going to shy away from controversial issues,” says Hearon, further explaining, “We have a really exciting footprint where we take a movie and add a unique component to it.” One space in particular has been designed with flexible furniture to accommodate everything from a themed cocktail event to author reading event discussion to a children’s birthday party.

A series of unique events have already taken place. The Playhouse screened Always at the Carlyle, accompanied by a Q&A with the film’s directors complete with a cocktail event that recreated the hotel’s legendary Bemelmans Bar. Mary Poppins Returns featured a “Supercalifragilisticexpialidocious” Spelling Bee and costumed Mary Poppins offering spoons full of sugar up and down the aisles. Martha Stewart hosted a private event in the wine tasting room, while Glenn Close headlined a sneak preview screening of the Oscar-nominated film, The Wife, complete with a Q&A event and cocktail party; former head writer of SNL Alan Zwibel held a Q&A and a screening of Love Gilda. And, there’s no sign of the momentum slowing. In the coming months, the Playhouse is set to offer a special screening of 2001: A Space Odyssey, a Q&A with the David Boies, the subject of the documentary, The Case Against 8, and a comedy show starring comedian Robert Klein.

All of the excitement is evidence that the Bedford Playhouse has tapped into the community’s collective yearning for culture. “We’ve even seen the naysayers come out,” Hearon says, continuing, “People really want to join together in a cultural experience. The community has been hungry for this.”

Learning to Love My Dad Bod

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So apparently having a Dad Bod is now a “thing.” You can certainly Google the term or drop it in a conversation. Most likely someone will chuckle and refer to a loved one who can be described as such. A Dad Bod, essentially, is a physique of middle-age that can been described as masculine, reasonably muscular and slightly overweight. What is intriguing and, counter-intuitive, are the positive connotations almost universally associated with this common and easy to achieve body type. Putting aside years of denial, I’m prepared to admit to having a Dad Bod but also to realizing that the concept is some kind of odd societal rationalization that is in reality just vaguely insulting to men and women.

Personally, I’ve had my weight fluctuate over the years for many reasons. I can say, first hand, that being too thin or too heavy can be really unpleasant. Of course, I’d like to be as fit-looking as possible but eventually one realizes that certain physical ideals may never be fully achieved. For me, probably the best personal state of my body is to be a few pounds heavier than I’d actually like to be. Aesthetically, believe me, this is not a thrilling state of existence but with maturity (Ha!) I’ve realized that the way I look is secondary to being as healthy a person as I can reasonably manage. What’s particularly galling about the Dad Bod movement is that while I’m strenuously trying to accept myself, it somehow makes this effort more difficult by making me feel slightly patronized by an entire culture.

I’d love to be writing this as an exotically rare middle-aged Dad with wash-board abs, 20:20 vision and a fast metabolism but I most definitely have to check none-of-the-above on those. From that super-fit perspective, I imagine it would be so easy to be enthusiastically supportive about the Dad Bod thing precisely because I wouldn’t be stuck in one. However, living in this body, as I must, I refuse to smile politely if someone wants to essentially say that the very same body I am regularly struggling to learn to accept is now, (drumroll please) objectively attractive. I just don’t buy it. There is some kind of passive-aggressive condescension connected with the embracing of Dad Bods.

As for the female members of our culture, I can only imagine how they must feel about the acceptance and celebration of Dad Bods. It’s something of a cliché but I’ve heard women confirm the difficulty in dealing with their own aging process in comparison to men. You know, men become more distinguished, the lines on their face only add character, etc. This is a societal reality. Look at movie stars. Clooney & Pitt will be leading men for decades to come because they’re perceived as only getting better looking as they age. Leading ladies of the movies hit the age of 40 and abruptly must decide between character parts, plastic surgery or professional oblivion.

Why is there no female version of the Dad Bod? The closest thing I can think of is Mom Jeans and that association is quite the opposite of the now sexy Dad Bod. Why are we, culturally, not prepared to embrace women with a female version of the Dad Bod as universally attractive? Obviously, in 2018, there’s still a lot of work to be done on gender roles in society. If Dad Bods are, presumably, built upon men who have worked hard professionally and, perhaps, parented as well, then why aren’t women afforded the same leeway in how their bodies evolve? Especially considering how child-birth can affect one’s physical being. It just doesn’t seem fair.

I suppose what really irks me with the whole Dad Bod phenomenon is the reality of analyzing someone’s physical appearance and imparting a judgement upon that particular bodily state. There is an impermanence of one’s physicality that is just a fact of human existence. I question why we assume that being kind about chubby Dads is any more appropriate than telling a woman she looks sexy or criticizing someone for being too fat or thin.

Don’t get me wrong. I know attaching the Dad Bod moniker to a middle-aged gentleman is essentially a way of saying we love you just the way you are. That’s a great lesson. We should all learn to love acceptingly as best we can. However, as a reluctant member of the Dad Bod club, I implore you to think about what you are actually saying when you label your slightly corpulent loved one as such. Might I suggest a karaoke dedication of Billy Joel’s “Just The Way You Are” instead? Just not Dad Bod. Please.

Caramoor’s Summer Schedule Spans Musical Genres & Delights Audiences

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PHOTO BY GABE PALACIO

While Caramoor Center for Music and the Arts in nearby Katonah needn’t be compared to anywhere else, some visitors do see favorable similarities between Caramoor and a certain other renowned site for music in the Berkshires. Does Tanglewood come to mind?

But music aficionados need not battle traffic to the Berkshires. Caramoor, located on an historic estate owned by Walter and Lucie Rosen, is one of northern Westchester’s great cultural treasures.

A look at the summer calendar–available at www.caramoor.org–reveals a tremendously wide selection of musical events.  From Mozart’s The Secret Gardener, which will be performed in Caramoor’s Sunken Garden, to American Songbook, classical and world music and even sound art installations, there’s a summer full of music planned from many eras and genres.

Music In Chappaqua
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Family-Friendly Fun

Caramoor’s schedule includes, as always, many events for families that are truly kid-friendly and a perfect introduction to music for little ones. One perennial favorite is Dancing At Dusk. “It’s a really lovely family program,” Barbara Prisament, who handles outreach for Caramoor, said of the program, now in its 10th year. “It’s from late afternoon to early evening and it’s very reasonably priced.” This summer, favorites from other years will be featured. Dancing At Dusk will be held on Wednesdays, June 27, July 18 and July 25 at 5 p.m., and includes music and dancing; tickets are $14 for adults and $7 for children 12 and under.

The Knights, an orchestral collective from Brooklyn, will perform a family concert at 1 p.m. on Sunday, June 17. Tickets are $20 for adults and $10 for children. “That’s going to be great,” Prisament said. The group includes a “steel pan virtuoso.”

On July 1, Caramoor will host a free slate of activities, including, at 4 p.m., a performance of an outdoor percussion work called Inuksuit by prize-winning composer John Luther Adams. The work will include more than 60 percussionists, and promises to be interesting to all ages.

“It’s meant to be performed outside–it has been performed on a mountaintop, and on the border between the US and Mexico,” Prisament explained recently. “You can come and walk through the grounds and hear the sounds of the percussionists mixed with the sounds of nature.” Children can also take advantage of a special percussion activity at 2 p.m. that day.

The event is free with reservations.

July 14 brings another family concert, at 11 a.m.: Bridge to Broadway, a journey from the music of Mozart through today’s Broadway musicals that will include the work of Schubert and Cole Porter, Verdi and Irving Berlin. Tickets are $14 for adults and $7 for children.

New Programming Director This Season

Adams is only one of 22 living composers whose work will be performed at Caramoor this summer under the new head of programming, Kathy Schuman, who is vice president, artistic programming and executive producer.

Schuman has said she intends to take advantage of the beautiful grounds at the 90-acre estate by featuring more “site-specific outdoor work” as well as more early music, world music and new music–as well as continuing to offer opera, jazz (in collaboration with Jazz at Lincoln Center) and also sound art. “It’s her first season and we’re really excited about that,” Prisament said.

The new is well-balanced with the classics, though, and visitors can come for a performance of Handel’s Atalanta by the Philharmonia Baroque Orchestra or hear Tchaikovsky performed by the Orchestra of Saint Luke’s.

This season also features an American Roots Music Festival on June 23 and a Jazz Festival on July 21, both of which feature multiple performances. “It’s such a pleasant place to be with ample free parking, and you can bring food for a picnic or order ahead from our caterer,” Prisament said. “It’s a lovely way to spend a summer day or evening.”

Café of Love: International Influences Abound

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Story and Photos By Karen Talbot

cafe of love

Café of Love is an eclectic bistro reflecting a wide range of cultural influences, run by the Executive Chef and owner, Leslie Lampert. For 10 years, Leslie was the Senior Editor of Ladies Home Journal Magazine, where she produced and wrote food features in the test kitchen of the magazine and helped develop recipes. She has created all of the menus and recipes at the Café, which change with the seasons. All meats, fruits and vegetables are locally sourced and she takes pride in being community oriented.

Café of Love is the main focus of Leslie’s culinary business in Mt. Kisco that also includes “Ladle of Love”…a 12 year old farm-to-kitchen gourmet food shop right around the corner, “Love on the Run…which caters Holiday parties and customized special events and “MarketLove”…prepared foods such as soup and stews sold at retail natural markets including Mrs. Greens, Union Market and Hudson Milk. The restaurant has a wide-ranging menu with a lot of international influences and new interpretations created by her talented Chef de Cuisine, Hector Coronel. An example is the Peruvian Ceviche with cod, shrimp, Jalapeno, lime and orange juice, cilantro and sweet potato and the very popular Farm House Salad consisting of English cucumber, beets, grape tomatoes, blue cheese, avocado, bacon, carrots, radishes, hard-boiled egg, walnut raisin croutons and white balsamic vinegar (shrimp, chicken or salmon can be added to this salad). For dinner, the John Fazio Duck is a favorite consisting of pan-roasted duck, and confit, served with roasted potatoes, figs and sauteed mustard greens. The duck and the always popular Seafood Boullabaise remain on the menu year-round. Two appetizer specialties are the flatbreads and the Truffled Chick Peas. The restaurant is currently serving a Fontina, Hen-Of-The-Woods Flatbread with sautéed onions, arugula, pomegranate molasses and scallions.

For the Holidays, the kitchen is working on a “7 Fishes Dinner,” Christmas goose, and caviar and oyster surprises.

38 Main Street, Mt. Kisco
914-242-1002
cafeofloveny.com

Karen Talbot is a Westchester-based personal shopper and restaurant reviewer. The love of cooking runs in her family! Karen’s son Alex and his wife Aki Kamozawa started a food blog “Ideas in Food” in early 2000, and they have just opened “Curiosity Donuts” in the Stockton Market in Stockton, New Jersey.