theater

The Armonk Players: Community Theatre at its Best

April 18, 2019 by Ella Ilan

The Armonk Players (the “Players”), a true embodiment of high-quality theatre and community participation, is Armonk’s local community theatre group, which has been putting on productions at the 186-seat Whippoorwill Theater Hall adjacent to The North Castle Public Library for more than 22 years. Staging two full productions every year, one of which is a musical, along with free staged readings, the Players offer a plethora of opportunities for people to see great theatre, perform in shows, or work behind the scenes.

Key Players

The Players was the brainchild of three longtime Armonk residents, Barbara and Hal Simonetti and Susan Geffen. Geffen’s and Mrs. Simonetti’s friendship developed in the 1980s when they were both living in Tokyo while their husbands were on work assignments for IBM. Simonetti, whose passion had always been theatre, was directing a staged reading for the Tokyo International Players, and asked Geffen, an interior designer by profession, for help with producing, staging, and costumes. Geffen loved the experience and there began a great friendship and shared love of theatre.

Upon returning to Armonk, the women learned that the library was adding on a theatre complex to the building. Once it was built, they decided they needed a community theatre group. “My husband Hal, Susan and I sat in my kitchen and said ‘Let’s put on a show!’ and that’s how it all started,” recalls Simonetti.

“First I thought it was a crazy idea because even though we knew about theatre, we didn’t know about the making theatre end of it,” says Mr. Simonetti. “But after we started it, we found that out of the woodwork from every direction came people who were interested in it. We gave them an opening and in they came.”

The Armonk Players is sponsored by The Friends of the North Castle Library (“The Friends”), a non-profit organization whose mission is to raise money for purchasing “extras” for The North Castle Public Library. One of the Friends’ biggest fundraisers is the annual Armonk Outdoor Art Show, which benefits the library and the Whippoorwill Hall theatre. Geffen was on the board of the Friends and was instrumental in arranging the early funding for the Players.

“When you have a theatre group, you need an angel and there was the magic confluence of the Friends having as their mission to bring culture and education to the community, having a theatre, and putting together a theatre group,” explains Geffen.

“We’re very blessed to have the facility that we have at the library and we’re extremely blessed to have the Friends be our patrons and supporters – that’s an unusual situation and a very lucky one,” says longtime Armonk resident Rodd Berro, board member and former president of the Players. Berro, who is the president and co-owner of Pegasus Asset Management, has been involved with the Players since performing and doing lighting for them in their very first show.

Let’s Put on a Show

For that first staged reading, the Players chose 84 Charing Cross Road, a play about a writer and an antique bookseller, for its literary focus since the theatre was at the library. Mrs. Simonetti played the lead and Mr. Simonetti directed it. It was a community effort from the very beginning.

“For the set, we took furniture from people’s houses… a desk, bookcases, books, an old fashioned typewriter… Everybody involved brought something from their home,” remembers Mrs. Simonetti. “Everyone that came out that day, either in the show or doing tech or costumes or props for the show, ultimately stayed as long as they could over the years to help us with all the shows we did.”

Current Artistic Director Pia Haas was brought in as a director soon thereafter to direct Lovers and Strangers and has stayed on ever since to help any way she can. She currently handles publicity for the Players in addition to her role as Director of Press and Public Relations at Westchester Broadway Theatre.

“I was immediately accepted as part of the family and it really was a family at that point,” says Haas.

Delivering High Quality Theatre

“We supply good theater to the community –remember, we are within a stone’s throw of Broadway so in order to get people to come, there have to be a couple of reasons and one of them is to see your friends and one of them may be the price, but at the end of the day you need to put on quality performances,” says Berro.

“I think we’ve achieved a quality that is kind of remarkable for a community theatre. I think our shows have really high quality productions and we pride ourselves on that,” says Haas.

“Many of us go into New York to go to the theatre. It can be a multi-hundred dollar event–we are either taking a train or driving a car in and paying fifty dollars to park, we’re going out to dinner, we buy tickets, and we get home after midnight.

“Here, you can go to the theatre within 10 or 15 minutes, you don’t pay for parking, you’re home by 10:30, and you’ve seen excellent theatre,” proffers Geffen.

Amazing Volunteers

It takes an enormous amount of effort to put on a show. The Players are grateful for all their devoted helpers and are always looking for more volunteers. From early on, they were lucky to have Haas and Christine DiTota, both experienced directors, on the theatrical side. Berro, besides his contributions as a leader, on the board, and on the stage, was critical in setting up lighting for the shows. Berro’s father, Nat Berro, designed and supervised the construction of authentic-looking sets.

“Some people have been with us for 20 years…Phyllis Sederbaum, Ann Nisenholtz, Ron Aaronson, and others…these are stalwarts whose lives have been affected by this. It’s a successful cooperative community effort that’s longstanding. Not too many of those around,” says Mr. Simonetti.

“One of the biggest challenges is finding volunteers. Everybody enjoys the acting part but finding people to do the work–from the backstage to the lighting to building the sets and taking them down to getting props and costumes to just being in there to organize–the people that do this are the unsung heroes and the unsung volunteers,” says Berro. “It’s a challenge but it’s always wonderful when new people come in. The challenge creates an opportunity to meet new people and to have new ideas.”

“We really need more people to do this; to make an investment in the town where they live,” says Geffen. “I love this town and made a decision to bring in a theatre group and get involved wherever I can. I get back so much more than I give. I have met the best people because the volunteers are always the best people.”

“For me, personally, it was the start of getting involved in volunteer work and community spirit. Even though I had a love of theatre, having a BFA from a conservatory, and it was wonderful to get back into theatre, what it did most for me is allow me to recognize the importance of community outreach to make the community stronger and better through the arts and through other volunteer organizations,” reflects Berro. “It was also wonderful to have my dad, who is now 97, involved. He built some wonderful sets over the years.”

Coming Up

Their next show, Baby, a musical comedy, is scheduled to run for two weekends beginning May 10th and promises to be a great production. The musical with a book by Sybille Pearson and music by David Shire and lyrics by Richard Maltby Jr. first ran on Broadway in 1983. Poster design and graphics for the show were provided by generous volunteers, Janet and Rich Ferrante.

“Baby is a very relatable story about three couples all in different age brackets who discover they are all pregnant at the same time. The music is fantastic and the cast is phenomenal. It’s not a show that is produced too often so it should be really interesting for the audience,” says Director and Choreographer Tom Coppola.

“It’s one of my favorite musicals,” says Rachel Schulte , the actress playing the role of “Lizzie,” in the show. “I fell in love with the music after listening to a CD of it in college and it’s been a dream role of mine ever since.”

In addition to the regularly scheduled staged readings, the Players recently hosted their first “improv night,” which was a great success. They hope to do more in the future. For tickets to Baby and information about upcoming performances, please visit armonkplayers.org

VARIOUS PRODUCTIONS OF THE ARMONK PLAYERS

Behind the Scenes Scoop with Andrew Jupin at The Jacob Burns Film Center

March 8, 2019 by Stacey Pfeffer

Bo Burnham and Andrew Jupin in Eighth Grade
PHOTO BY ED CODY

Creating A Local & Cultural Mecca for Film Lovers of All Ages

Back in the day when I lived in the city and was child-free, I had plenty of options to see independent or foreign films. I could traipse downtown to the Angelika Film Center to catch the latest Merchant Ivory film or head crosstown to Lincoln Plaza Cinemas to immerse myself in the latest Pedro Almodovar release. There were a few other art houses and independent movie theaters that I could go to but the Angelika and Lincoln Plaza still stand out vividly in my mind.

Fast forward to a decade later and as a suburban mom with kids, I am lucky enough to live mere miles from the Jacob Burns Film Center (JBFC), a five-screen cinema offering a full range of programming from films, events, community screenings, visiting artists and special guests. I like to think of it as an art house theater with 92 Street Y caliber lectures and classes all rolled into one. And although I don’t get to go there as often as I like, I have been known to sneak in an early movie while the kids are in school or plan a date night to catch an indie film with my husband. I’ve even taken my kids to Family Saturdays at the Media Arts Lab just a stone’s throw away where they’ve made amazing hands-on projects.

Programming Reigns Supreme

“The breadth of programming is what makes us so unique,” explains Andrew Jupin, a Senior Programmer at the JBFC who started working there in 2006 as a projectionist. The movie theater landscape has changed significantly in Westchester in recent years with the Saw Mill Multiplex in Hawthorne shutting down and an anticipated closing of the Greenburgh Multiplex in Elmsford later this year. In addition, new players such as ultra-luxe iPic in Dobbs Ferry and a recently renovated Bedford Playhouse have been attracting moviegoers.

But Jupin argues that seeing movies at these places is an “anonymous experience.” And he’s right. It is not uncommon to see people milling about in the JBFC lobby post-screening discussing a film they just saw. As a programmer, Jupin also works on planning director Q & As and curating films that engage moviegoers throughout Westchester. Each year more than 200,000 people visit the JBFC to see more than 400 films from over 40 countries. Since it opened in 2001, three million people have walked through the doors of this Spanish mission-style theater to see cutting-edge cinema.

Carefully Curated Series

One of Jupin’s responsibilities is programming an ongoing series called Retro Revival sponsored by Wine Enthusiast. It is now in its third year and Jupin is passionate about selecting the films that become part of the series. We discuss a recent showing of I Am Cuba and Jupin’s excitement about the movie which he dubs a “lost treasure” is palatable. “This movie from the former USSR was virtually unseen here.” Martin Scorcese and Francis Ford Coppola were champions of the film and Milestone Films had to fight legal battles to get it shown here.” Jupin loves introducing something like this to an audience. “They [the moviegoers] trust us and our selections.” Jupin likes to choose tried and true classics like It’s a Wonderful Life to offerings that are for “adventurous hardcore cinephiles.”

And Jupin is well-qualified to make those selections. He’s an adjunct professor at the School of Film and Media Studies at Purchase College and also teaches at Westchester Community College. In his spare time, he also hosts a popular weekly podcast called We Hate Movies with several friends where they discuss terrible movies. He’s seen hundreds of “trashy films” and likes the dichotomy of working at JBFC where he gets to “bring worthwhile films to an audience.”

Jupin laments that sell out crowds for a screening are often viewed as a barometer of success. “I’ve been to film screenings where there are ten people but those ten people are blown away and they want to see more films by that director or on a certain subject and they then tell their friends.” Jupin, along with other programmers at the theater, finds it incredibly rewarding when they can open their audience to new ideas or new films not seen in a mainstream moviehouse.

Two other ongoing series at the Burns include Global Watch: Crisis and Social Action and Remix: The Black Experience in Film, Media and Art. “The films in these series are often not the most easiest to watch,” Jupin says but they hold true to board member and curator Jonathan Demme’s vision of the JBFC “as a force for social change disguised as a movie theater.”

Thought-Provoking Q & As and Lectures

As part of his programming responsibilities, Jupin also conducts Q & As with filmmakers, actors or other movie industry veterans. This past year he particularly enjoyed meeting first time director Bo Burnham of Eighth Grade and Alex Winter, the director of the documentary film, The Panama Papers. “The Q & As were so different. Burnham was a former comedian and the discussion was funny and light-hearted. With Winter, we spoke about journalism ethics.”

An Economic Engine for 10570 and Beyond

Having worked in Pleasantville for more than a decade, Jupin loves the tight-knit community aspect of the neighborhood. The Inwood resident enjoys the restaurants, book store and small local shops nearby. The JBFC has strong relationships with several local businesses offering discounts to JBFC members through a program called Reel Partners. This past summer, the JBFC released a study The Economic Close-Up showcasing how it is a cultural magnet and economic driver in the region. As we look out the windows of the Media Arts Lab, there are several multi-unit condos being built within walking distance of the JBFC. In 2018, 80 units of transit-oriented housing were under construction in Pleasantville and six new restaurants had opened within the past year.

An Exciting Future

It is an exciting time for the JBFC with a recent Regional Economic Development Council initiative from Governor Cuomo providing $506,500 to the JBFC for capital improvements. The theater requires a lot of upkeep and they hope to use some of the funds for new seating and other things that will continue to make coming to the JBFC a top-notch experience. “A flat screen TV or a film being screened on Netflix still can’t compare with seeing a film on the big screen.” Throw in the fact that the JBFC is a true cultural and community hub and you’ll know why this five-screen theater continues to be one of the most successful suburban art houses in the country.

Jacob Burns Staff

Edie Demas, Executive Director

Edie joined the JBFC as executive director in May 2014. Previously, she worked with the Wallis Annenberg Center for the Performing Arts in Los Angeles and was Director of Education at New York’s New Victory Theater, where under her direction, its education programs were honored with the Americans for the Arts award for Arts Education. She also spent several years in Ireland, where she worked as an education officer with Graffiti Theatre Company, founded UnReel, an international film festival for young people, developed scripts for children’s film and television, and served as an Associate Artist for Education and Outreach at The Abbey Theatre. Edie holds an MA and PhD from NYU’s Program in Educational Theatre.

Dominick Balletta, Managing Director

Dominick joined the JBFC in May 2008, following seven years as General Manager of NYC’s Film Forum. Since 2011, he has served as an advisor to the DeVos Institute of Arts Management. As a producer his credits include Another Telepathic Thing and I’m Carolyn Parker, both directed by Jonathan Demme, and Moisés Kaufman’s 33 Variations, starring Jane Fonda (Tony Award nomination). He has served as a grant panelist for NEA, NYSCA, ArtsWestchester, and CEC/ArtsLink.

Brian Ackerman, Director of Programming

Brian joined the JBFC as the Founding Programming Director in 2001, which followed several years in an advisory capacity assisting the planning and development of the theaters. He designed the programming template that presents over 400 films annually to include special events, new releases, documentary, foreign-language, retrospective films, as well as thematic series, under one roof. He has worked for over 30 years in the New York cinema arts scene–building, programming, and operating art houses. He also serves on juries at film festivals including SXSW and Full Frame.

Judy Exton, Director of Development

Judy joined the JBFC as Director of Development in December 2001. Prior to this, she raised money for a number of nonprofits, including New York City Ballet, Caramoor, and Boys & Girls Clubs of America. Judy holds a B.A. in Communications from The College of Wooster.

Emily Keating, Director of Education

Emily has overseen the JBFC education programs since their inception in 2001. She has consulted for non-profit film centers on the development of their school programs, and has presented at many national education and literacy conferences. She is an adjunct faculty member at Pace University’s School of Education.

Sean Weiner, Director of Creative Culture

Sean received his M.F.A. from Hunter College in Integrated Media Arts and a B.A. in Cinema Studies from SUNY Purchase, where he is now a faculty member. At the JBFC, Sean is the director of Creative Culture, an initiative connecting emerging makers to creative careers through fellowship opportunities and residency programs.

Westchester Jewish Film Festival

Mark your calendars for one of the most popular film series featured at JBFC- the 18th Westchester Jewish Film Festival. The festival from April 2-17 features 42 entertaining, thought-provoking, and engaging film from documentaries to narratives. Plus, the festival will continue its tradition of bringing some of Israel’s fantastic television programming – 12 episodes of the hit comedy series The New Black (Shababniks) and all five episodes of the dystopian drama Autonomies.

This year for the first time, the festival will kick off with not one but two unique programs. One theater will showcase the New York premiere of award-winning Israeli filmmaker Yair Lev’s You Only Die Twice, a suspenseful documentary thriller with splashes of humor at just the right moments. At the same time, in another theater, we’ll screen the first four episodes of The New Black (Shababniks).

Continuing to feature stunning new films from around the world, we’re also showing Shoah: Four Sisters by the late Claude Lanzmann, which reveals stunning footage not used in his epic 1985 masterpiece Shoah. The festival centerpiece is Golda’s Balcony, the Film, a cinematic event about Golda Meir’s extraordinary life and legacy, featuring a stellar performance by Tovah Feldshuh, who will appear at a post-screening discussion on April 6.

All this, plus a very special tribute to the Carl Reiner!

“This is our most popular series and several shows sell out, so book early,” advises Jupin.

Opening Night with RECEPTION

April 2

6:30 p.m. You Only Die Twice

7:00 p.m. The New Black (Shababniks)

Arc Stages – A Magical Place

March 8, 2019 by Ella Ilan

Teens during last year’s SummerStage production of Woody Guthrie’s American Song photo by Liza Margulies

As a theatre lover, I could not have dreamed up a more perfect place for arts enrichment for the community. Arc Stages, whose tagline is “theatre for every stage,” hits the mark in providing theatre education and opportunities for every stage of life and all stages of development. Arc Stages, located in Pleasantville, runs three theatre companies that currently share the same stage; the educational stage, the community theatre, and the professional theatre. It is a place where you can learn about theatre, be in theatre, or see theatre.

The Educational Stage

The educational stage produces youth productions and conducts workshops for kids ages 3-18 all year round, in addition to adult classes like the adult improv comedy class. In the theatre workshop program, kids register for workshops by age group and are invited to audition. What differentiates Arc Stages from other children’s theatre groups is that the show is not chosen until after the students audition. No students are cut from the program. When students return for callbacks, the director tries different shows out on the students before selecting the most appropriate show for the group.

“It is about the students first. It’s not about vying for parts,” explains Adam Cohen, Artistic Director. “We usually have a list of shows and we try different songs and sides out on the kids and see what show fits this particular group of kids because our goal is to teach them something through theatre and challenge them.”

“We do theatre games and work different types of workshops into the rehearsal process so that it’s not only about the show but about building self-confidence through theatre,” says Galit Sperling, the Director of Education. “We focus on positivity and let our students know that this is a safe space and an artistically and educationally fulfilling sanctuary.”

As auditioning can be nerve-wracking for some younger first time students, no one is forced to audition. “They can sing happy birthday if they want. It’s about us getting to know them,” says Sperling.

All theatre workshops culminate in two or three productions with elaborate costumes and sets at the end of the session.

Arc Stages also runs an in-school playwriting educational outreach program, Visions and Voices, in which they work with local schools teaching kids how to write plays and then produce them. A festival of plays is presented at the conclusion of the program. Visions and Voices is in its fourth year and Arc Stages would love to add more schools to its program.

SummerStage Camp

If you are looking for something for your kids to do this summer, Arc Stages holds a full day summer camp in which different age groups work on different shows. Besides rehearsals for a show, classes during the camp day include Acting Technique, Choreography, Improv & Theater Games, Stage Combat, Music and Vocal Technique, master classes and more.

Campers can choose to enroll in a six-week session or a three-week session. There is also a one-week intensive course. Early registration discounts are available if you register before April 1st.

The Community Stage

The community stage is geared towards adults in the community, whether you are brand new to theatre, returning to theatre after many years, or are professional non-union actors who want to do something in the community. They put on three productions every year. Auditions are open to anyone who wants to participate.

“It’s a mix between people who are accountants, lawyers, dentists, and everyday people that want to get into acting. Some participants are incredibly talented but just happen to do other things for a living. We try to produce a professional looking show but we’re looking for all walks of life in it so it really is the community,” says Cohen.

There are also plenty of volunteer opportunities for community members to assist backstage, design sets, work on costumes or help with technical services.

Rehearsals are currently underway for their next show, Avenue Q, which promises to be a great performance. Avenue Q will run the first two weekends of April. The community stage will also perform You’re A Good Man Charlie Brown July 19th-21st. Tickets for all shows can be purchased at arcstages.org.

The Next Stage

The Next Stage is the professional theatre company, which operates under a Small Professional Theatre Contract with Actor’s Equity Association, an actors’ union. They produce two high quality productions a year. The actors in a Next Stage show are generally all union members. Auditions are held at an open call in the city.

The next show has yet to be announced for the professional theatre company. Traditionally, Arc Stages announces their upcoming shows for both the community and professional stage at their fundraising gala in April. The gala, scheduled for April 27th, is always a fun evening where a show written especially for that night is performed for the guests by a mix of community and professional actors. Students from the educational stage also perform a number in the show.

Working Towards a Dream

Arc Stages’ facility has plenty of rehearsal spaces and its own dedicated 74-seat theatre. While having its own theatre has been incredible, a capital campaign is underway to raise money to build a bigger 175-seat proscenium theatre. They are probably a few years away from fulfilling this goal but it will surely add to the magnificence of all that their students, actors and community members accomplish at this magical place.

Axial Theater Benefit: March 30th

March 8, 2019 by The Inside Press

Pleasantville-based Axial Theatre will be celebrating its 20th anniversary on March 30 at its annual benefit by paying tribute to its founder, Howard Meyer. Meyer, the original artistic director of Axial and an award-winning playwright, is also the founder of the Howard Meyer Acting program, the County’s first major multi-tiered acting program for children through adults. Last year, Meyer turned the keys of the ensemble company over to Catherine “Cat” Banks and Linda Giuliano, now Axial’s co-artistic directors, who form a trio working closely with managing director/general counsel Elizabeth “Betsy” Klampert. Giuliano remains the company’s literary manager.

The benefit will offer a cornucopia of gourmet bites, savory and sweet, plus libations and a silent auction featuring a one-week getaway in Cinque Terre on the Mediterranean coastline of the Italian Riviera, Broadway tickets, and other exciting items. Past and present members of Axial Theatre will pay tribute to Howard Meyer through a variety of entertainment formats.

For more info, visit axialtheater.org

Revitalizing the Glamour of Old Cinema: The Bedford Playhouse Reopens its Doors

March 8, 2019 by Shauna Levy

Passing under the iconic arches flanking the entrance of the Bedford Playhouse, Home of the Clive Davis Arts Center, one is instantly transported to the era of old Hollywood glamour. From the old fashioned box office that greets guests to Paul Shaffer’s grand piano from the set of “The Late Show” with David Letterman gracing the foyer, it’s evident that the Playhouse boasts a rich history. The meticulous detail, however, beguiles the fact that it’s been mere months since the grand reopening of this cultural hub that’s now emerging as a bright star after a questionable future.

A Grassroots Movement

The Bedford Playhouse first opened its doors in April 1947 to much fanfare. In 1983, the theater was acquired by Bow Tie Cinemas and divided into two smaller theaters, losing much of its historic nature. In early 2015, when Bow Tie opted not to renew its lease, the beloved theater closed. That’s when the community unified to take action. Lindsay Hearon, director of marketing of the Playhouse recounts, “The community banded together in a ‘Save the Playhouse’ grassroots movement of sorts and reached out to local resident, John Farr, who was instrumental in resurrecting the Avon Theater in Stamford. The landlord gave us 120 days to raise $2M to prove there was significant interest in the project. That goal was accomplished in six weeks. That’s when they began taking us seriously.”

If the first phase of revitalizing the Playhouse was about generating support, then the second phase can be characterized by reimagining, rebuilding and redesigning the structure. According to Hearon, “Since a movie theater didn’t work, we needed to redefine the Playhouse’s role in this phase of its evolution. The local communities were craving a cultural hub. To tap into that void, we conceived of a space anchored by films, but with the capability to function as so much more. The introduction of a wine tasting room and café, where people grab a smoothie or meet friends for a drink was instrumental in the transformation.” Armonk resident and founding donor, Robert Greenfield concurs, saying, “My wife and I absolutely fell in love with the renovation and the overall experience. It’s this intimate, luxurious cultural destination that’s right in our backyard. It’s different from a movie theater or a concert hall. It’s about bringing the community together to have a dialogue, listen to directors speak about films, attend family programming or just have a drink with friends. You simply can’t beat this.”

To make this vision a reality, the team began working fervently, assembling a group of advisors. “We consulted with the absolute best,” according to Hearon, “from designers to architects to state-of-the-art technology teams to ensure that no detail was overlooked.” Amongst this exclusive team of advisors is local resident and music industry legend, Clive Davis. Hearon explains the icon’s role, “When Mr. Davis learned about what we were doing, he wanted to get involved both personally and philanthropically. He identified with the need to bring arts and culture back to the community. His decades of incredible experience and connections have been instrumental.” Davis’ contributions were so impactful that the Playhouse thanked him by designating the Clive Davis Art Center as its partner entity, an honor prominently reflected on the building’s façade.

“It’s different from a movie theater or a concert hall. It’s about bringing the community together to have a dialogue, listen to directors speak about films, attend family programming or just have a drink with friends. You simply can’t beat this.” – Robert Greenfield

A Marriage of Old and New

The grand opening of the Bedford Playhouse revealed an opulent interior depicting the perfect marriage of old and new. The theaters feature sumptuous, buttery-soft leather seating with trays for food and drink, vintage film posters and waterfall curtains, complemented by state-of-the art Dolby Atmos surround sound technology. “Our doors opened on September 30th, featured three days of fun-filled programming and culminated in a party with guests including Clive Davis and Paul Shaffer. We’ve been chugging along ever since,” Hearon proudly announces.

“Our programming incorporates a hybrid strategy of arts and film that touch topics that are captivating the community’s interest like the “Me Too” movement or politics–we’re not going to shy away from controversial issues,” says Hearon, further explaining, “We have a really exciting footprint where we take a movie and add a unique component to it.” One space in particular has been designed with flexible furniture to accommodate everything from a themed cocktail event to author reading event discussion to a children’s birthday party.

A series of unique events have already taken place. The Playhouse screened Always at the Carlyle, accompanied by a Q&A with the film’s directors complete with a cocktail event that recreated the hotel’s legendary Bemelmans Bar. Mary Poppins Returns featured a “Supercalifragilisticexpialidocious” Spelling Bee and costumed Mary Poppins offering spoons full of sugar up and down the aisles. Martha Stewart hosted a private event in the wine tasting room, while Glenn Close headlined a sneak preview screening of the Oscar-nominated film, The Wife, complete with a Q&A event and cocktail party; former head writer of SNL Alan Zwibel held a Q&A and a screening of Love Gilda. And, there’s no sign of the momentum slowing. In the coming months, the Playhouse is set to offer a special screening of 2001: A Space Odyssey, a Q&A with the David Boies, the subject of the documentary, The Case Against 8, and a comedy show starring comedian Robert Klein.

All of the excitement is evidence that the Bedford Playhouse has tapped into the community’s collective yearning for culture. “We’ve even seen the naysayers come out,” Hearon says, continuing, “People really want to join together in a cultural experience. The community has been hungry for this.”