The Inside Press

Magazines serving the communities of Northern Westchester

Arts

Lifelong Learning Through Chappaqua’s Continuing Education Program

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For more than 40 years, Chappaqua Continuing Education has created a unique community for ongoing learning. As one of the only community-sponsored, school district run programs in Westchester County, Chappaqua’s Continuing Education program invites Chappaqua residents to come together and take enriching classes on the campus of Horace Greeley High School.

Every year, about 1,200 people take classes through the Chappaqua Continuing Education program, which is a nonprofit organization run in conjunction with the Chappaqua Central School District. “Originally, the program was designed to be a give back to the community and a thank you to empty nesters for sticking around. Their children graduated, but they still lived here, and we wanted to keep them involved in the community,” states the Director of Continuing Education, Maura Marcon. The program evolved into a community-oriented opportunity that spans all ages and crosses over to people in nearby communities who do not have access to this type of programming.

An Array of Options

“The Chappaqua program is unique because it’s community based and supportive, providing a wide range of classes for just about everything,” notes Katie Goldberg who has taught art and Mahjong classes through Chappaqua Continuing Education for the past 25 years. Goldberg is right about the range of classes. This fall, Chappaqua Continuing Education will offer 90 classes in everything from art, cooking, and dance to gardening, exercise classes, finance, and foreign languages.

According to Marcon, the 10-week Spanish, French, and Italian language classes are extremely well-attended. Many people who take Spanish joined the class as beginners and have taken all four levels of Spanish together, developing friendships with one another and with the instructors. “They even socialize outside the class, going out for drinks or dinner with the instructor.”

The most social classes, the games classes, which include Canasta and Mahjong, often bring groups of friends together who want to learn something new. And the finance classes, covering topics from retirement planning and Medicare to understanding estate taxes and financial planning for women, are particularly popular with empty-nesters.

Empty-nesters and people in their late 50’s and 60’s are the most frequent participants in the program. Senior citizens from Chappaqua can receive up to a 50 percent discount on certain classes, and Chappaqua Continuing Education even offers some free classes. The single session, 90-minute classes are favorites of many 30- and 40-something residents, who take advantage of these $30 classes as a plan for an entertaining, educational night out.

Artist and art teacher Quincy Egginton isn’t only a teacher in Chappaqua’s Continuing Education program, she is a 35-year resident who raised her two daughters here. “It feels like home when I go to Greeley to teach,” says Egginton, who enjoys running into her daughters’ teachers and credits the Greeley custodial staff with supporting the work of the program.

Egginton, whose favorite class to teach is watercolor painting, is one of several local residents who teaches in this program. Even the Chappaqua Volunteer Ambulance Corps runs a class on American Heart Association Family and Friends CPR. Marcon encourages any interested residents to submit proposals for classes, as she encourages the community to get involved in any way possible and is always open to new ideas and creative classes.

Making Lifelong Learning Accessible and Fun

“I love the positive feedback that I get from people about our teachers, classes and wide array of class offerings,” says Marcon, who loves her creative, people-oriented position. Goldberg and Egginton agree that their students are extremely positive about their experiences. “Many of my students have told me that I’ve made complicated, intimidating subjects easy and fun by breaking things down into enjoyable ‘bite-sized nuggets,’” said Goldberg.

Chappaqua Continuing Education offers classes from September through December, January through February, and March through June. Classes meet Monday through Thursday evenings for one to two hours. For more information about Chappaqua Continuing Education, visit their website, ccsd.ws/district/departments/chappaqua-continuing-education, or check out one of the seasonal catalogs that are regularly distributed throughout Chappaqua, Millwood, Armonk, Bedford, Briarcliff, Mount Kisco, and Pleasantville.

The Schoolhouse Theater: An Under the Radar Arts Venue

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Culture abounds in the northern part of our county, where theater focused on nurturing new plays and presenting live theater and art, unearth hidden talent and have become launching pads for original plays. Emphasizing teamwork, The Schoolhouse Theater successfully catapults new works to the stage due to the vision and resilience of its founders, directors, playwrights, and actors.

A New Life for a Former School

Formerly the Croton Falls elementary school, the beautiful 99-seat Schoolhouse Theater in North Salem is Westchester’s longest continually operating Actor’s Equity professional theater and art gallery. In 1983, founder Lee Pope transformed the building into a visual arts center, turning classrooms into galleries showcasing the artwork of talented local artists. At that time the dining hall, gym, and auditorium space was simply a white walled room with no risers and twelve borrowed lights.

In 1986, kicking off a bright future for this theatre, Brooke Palance, daughter of Hollywood scion Jack Palance, and actor/producer Michael Wilding, son of Elizabeth Taylor, performed “Bedroom Farce” to rave reviews. Modern theatrical amenities were gradually added and the theater came to life. The Schoolhouse has produced more than 120 plays over the past thirty-two years.

Cultivating Theatrical World Premieres

Under the leadership of Artistic Director Bram Lewis, the Schoolhouse presents four original plays each year. “This is a place where things begin,” says Lewis.

The Schoolhouse has successfully launched multiple productions to Off-Broadway: Love Linda about the life of Mrs. Cole Porter, The Enlightenment of Mr. Mole, Arthur Miller’s The Crucible, Ingmar Bergman’s Nora, S.N. Behrman’s Biography, Elaine Del Valle’s Brownsville Bred, The Dog in the Dressing Room by Deborah Savadge, and L.O.V.E.R. by Lois Robbins.

Additional theatrical pieces birthed here include Axiel Himalo’s Christmas Fish Tale, The Mask of Jaguar King, The Cambodian Lullaby, How to Bury a Saint, and The Gift of the Magi.

Last month, The Schoolhouse presented The Color of Light by renowned journalist, author and screenwriter Jesse Kornbluth. The play explores the love between artist Henri Matisse and a young nursing student and how their relationship inspired his final piece of work, the design and building of the Chapelle du Rosaire in Vence, France.

Relying on Instinct

Selecting plays to develop, Lewis relies on experience and instinct. Before coming to the Schoolhouse, he ran The Phoenix Theatre at SUNY Purchase for a decade.

“Somewhere along the line I decided if theatre was going to get made, I wanted to be the one taking the responsibility, picking the plays, hiring the actors. It suited me because I’m bossy and opinionated and if someone was going to fail, I wanted it to be me–and I’ve certainly failed many times. But the great love I’ve had with doing this is I get to stand at the back of this beautiful theatre, and I can listen to my audience who teaches me over and over again why they’re interested and care or why they don’t…and it’s been a great journey,” Lewis reflects.

Trusting his gut when choosing plays, sometimes Lewis is right and sometimes he is wrong. “You try to pare away the dross and shine up the gold and see what you can do to make it work. But it’s also very dependent on teamwork because an artistic director can pick a play, a director can direct it and eventually it must be demonstrated in the hands of the actors and supported,” explains Lewis.

Community Support

For many years, Pope, who recently received ArtsWestchester’s 2018 Lifetime Arts Community Award, was the theatre’s sole source of support. As a nonprofit organization, the Schoolhouse has been fortunate to receive grants from ArtsWestchester in White Plains, and generous donations from the community and board members.

Every August, the Schoolhouse holds a fundraising gala called The Scottish Tattoo, modeled after the annual arts festival in Edinburgh, Scotland, called the Royal Edinburgh Military Tattoo. The celebration features Celtic performers, Scottish dancing, comedy, great food and flights of whiskey.

Happening Soon

Their next play, Gladstone Hollow by Dorothy Lyman opens on June 13th. The play explores the takeovers of small family-run farms by corporations and how these families struggle with the decision between preserving or monetizing their heritage. “It’s a bit like King Lear because it’s about selling out the kingdom and whether or not it’s a good deal,” suggests Lewis.

The Schoolhouse regularly hosts stand-up comedy, live music, slam poetry, and artwork in the galleries. To learn more about upcoming events, buy tickets, or get directions, please visit schoolhousetheater.org

Arc Stages – A Magical Place

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Teens during last year’s SummerStage production of Woody Guthrie’s American Song photo by Liza Margulies

As a theatre lover, I could not have dreamed up a more perfect place for arts enrichment for the community. Arc Stages, whose tagline is “theatre for every stage,” hits the mark in providing theatre education and opportunities for every stage of life and all stages of development. Arc Stages, located in Pleasantville, runs three theatre companies that currently share the same stage; the educational stage, the community theatre, and the professional theatre. It is a place where you can learn about theatre, be in theatre, or see theatre.

The Educational Stage

The educational stage produces youth productions and conducts workshops for kids ages 3-18 all year round, in addition to adult classes like the adult improv comedy class. In the theatre workshop program, kids register for workshops by age group and are invited to audition. What differentiates Arc Stages from other children’s theatre groups is that the show is not chosen until after the students audition. No students are cut from the program. When students return for callbacks, the director tries different shows out on the students before selecting the most appropriate show for the group.

“It is about the students first. It’s not about vying for parts,” explains Adam Cohen, Artistic Director. “We usually have a list of shows and we try different songs and sides out on the kids and see what show fits this particular group of kids because our goal is to teach them something through theatre and challenge them.”

“We do theatre games and work different types of workshops into the rehearsal process so that it’s not only about the show but about building self-confidence through theatre,” says Galit Sperling, the Director of Education. “We focus on positivity and let our students know that this is a safe space and an artistically and educationally fulfilling sanctuary.”

As auditioning can be nerve-wracking for some younger first time students, no one is forced to audition. “They can sing happy birthday if they want. It’s about us getting to know them,” says Sperling.

All theatre workshops culminate in two or three productions with elaborate costumes and sets at the end of the session.

Arc Stages also runs an in-school playwriting educational outreach program, Visions and Voices, in which they work with local schools teaching kids how to write plays and then produce them. A festival of plays is presented at the conclusion of the program. Visions and Voices is in its fourth year and Arc Stages would love to add more schools to its program.

SummerStage Camp

If you are looking for something for your kids to do this summer, Arc Stages holds a full day summer camp in which different age groups work on different shows. Besides rehearsals for a show, classes during the camp day include Acting Technique, Choreography, Improv & Theater Games, Stage Combat, Music and Vocal Technique, master classes and more.

Campers can choose to enroll in a six-week session or a three-week session. There is also a one-week intensive course. Early registration discounts are available if you register before April 1st.

The Community Stage

The community stage is geared towards adults in the community, whether you are brand new to theatre, returning to theatre after many years, or are professional non-union actors who want to do something in the community. They put on three productions every year. Auditions are open to anyone who wants to participate.

“It’s a mix between people who are accountants, lawyers, dentists, and everyday people that want to get into acting. Some participants are incredibly talented but just happen to do other things for a living. We try to produce a professional looking show but we’re looking for all walks of life in it so it really is the community,” says Cohen.

There are also plenty of volunteer opportunities for community members to assist backstage, design sets, work on costumes or help with technical services.

Rehearsals are currently underway for their next show, Avenue Q, which promises to be a great performance. Avenue Q will run the first two weekends of April. The community stage will also perform You’re A Good Man Charlie Brown July 19th-21st. Tickets for all shows can be purchased at arcstages.org.

The Next Stage

The Next Stage is the professional theatre company, which operates under a Small Professional Theatre Contract with Actor’s Equity Association, an actors’ union. They produce two high quality productions a year. The actors in a Next Stage show are generally all union members. Auditions are held at an open call in the city.

The next show has yet to be announced for the professional theatre company. Traditionally, Arc Stages announces their upcoming shows for both the community and professional stage at their fundraising gala in April. The gala, scheduled for April 27th, is always a fun evening where a show written especially for that night is performed for the guests by a mix of community and professional actors. Students from the educational stage also perform a number in the show.

Working Towards a Dream

Arc Stages’ facility has plenty of rehearsal spaces and its own dedicated 74-seat theatre. While having its own theatre has been incredible, a capital campaign is underway to raise money to build a bigger 175-seat proscenium theatre. They are probably a few years away from fulfilling this goal but it will surely add to the magnificence of all that their students, actors and community members accomplish at this magical place.

Revitalizing the Glamour of Old Cinema: The Bedford Playhouse Reopens its Doors

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Passing under the iconic arches flanking the entrance of the Bedford Playhouse, Home of the Clive Davis Arts Center, one is instantly transported to the era of old Hollywood glamour. From the old fashioned box office that greets guests to Paul Shaffer’s grand piano from the set of “The Late Show” with David Letterman gracing the foyer, it’s evident that the Playhouse boasts a rich history. The meticulous detail, however, beguiles the fact that it’s been mere months since the grand reopening of this cultural hub that’s now emerging as a bright star after a questionable future.

A Grassroots Movement

The Bedford Playhouse first opened its doors in April 1947 to much fanfare. In 1983, the theater was acquired by Bow Tie Cinemas and divided into two smaller theaters, losing much of its historic nature. In early 2015, when Bow Tie opted not to renew its lease, the beloved theater closed. That’s when the community unified to take action. Lindsay Hearon, director of marketing of the Playhouse recounts, “The community banded together in a ‘Save the Playhouse’ grassroots movement of sorts and reached out to local resident, John Farr, who was instrumental in resurrecting the Avon Theater in Stamford. The landlord gave us 120 days to raise $2M to prove there was significant interest in the project. That goal was accomplished in six weeks. That’s when they began taking us seriously.”

If the first phase of revitalizing the Playhouse was about generating support, then the second phase can be characterized by reimagining, rebuilding and redesigning the structure. According to Hearon, “Since a movie theater didn’t work, we needed to redefine the Playhouse’s role in this phase of its evolution. The local communities were craving a cultural hub. To tap into that void, we conceived of a space anchored by films, but with the capability to function as so much more. The introduction of a wine tasting room and café, where people grab a smoothie or meet friends for a drink was instrumental in the transformation.” Armonk resident and founding donor, Robert Greenfield concurs, saying, “My wife and I absolutely fell in love with the renovation and the overall experience. It’s this intimate, luxurious cultural destination that’s right in our backyard. It’s different from a movie theater or a concert hall. It’s about bringing the community together to have a dialogue, listen to directors speak about films, attend family programming or just have a drink with friends. You simply can’t beat this.”

To make this vision a reality, the team began working fervently, assembling a group of advisors.  “We consulted with the absolute best,” according to Hearon, “from designers to architects to state-of-the-art technology teams to ensure that no detail was overlooked.” Amongst this exclusive team of advisors is local resident and music industry legend, Clive Davis. Hearon explains the icon’s role, “When Mr. Davis learned about what we were doing, he wanted to get involved both personally and philanthropically. He identified with the need to bring arts and culture back to the community. His decades of incredible experience and connections have been instrumental.” Davis’ contributions were so impactful that the Playhouse thanked him by designating the Clive Davis Art Center as its partner entity, an honor prominently reflected on the building’s façade.

“It’s different from a movie theater or a concert hall. It’s about bringing the community together to have a dialogue, listen to directors speak about films, attend family programming or just have a drink with friends. You simply can’t beat this.” – Robert Greenfield

A Marriage of Old and New

The grand opening of the Bedford Playhouse revealed an opulent interior depicting the perfect marriage of old and new. The theaters feature sumptuous, buttery-soft leather seating with trays for food and drink, vintage film posters and waterfall curtains, complemented by state-of-the art Dolby Atmos surround sound technology. “Our doors opened on September 30th, featured three days of fun-filled programming and culminated in a party with guests including Clive Davis and Paul Shaffer. We’ve been chugging along ever since,” Hearon proudly announces.

“Our programming incorporates a hybrid strategy of arts and film that touch topics that are captivating the community’s interest like the “Me Too” movement or politics–we’re not going to shy away from controversial issues,” says Hearon, further explaining, “We have a really exciting footprint where we take a movie and add a unique component to it.” One space in particular has been designed with flexible furniture to accommodate everything from a themed cocktail event to author reading event discussion to a children’s birthday party.

A series of unique events have already taken place. The Playhouse screened Always at the Carlyle, accompanied by a Q&A with the film’s directors complete with a cocktail event that recreated the hotel’s legendary Bemelmans Bar. Mary Poppins Returns featured a “Supercalifragilisticexpialidocious” Spelling Bee and costumed Mary Poppins offering spoons full of sugar up and down the aisles. Martha Stewart hosted a private event in the wine tasting room, while Glenn Close headlined a sneak preview screening of the Oscar-nominated film, The Wife, complete with a Q&A event and cocktail party; former head writer of SNL Alan Zwibel held a Q&A and a screening of Love Gilda. And, there’s no sign of the momentum slowing. In the coming months, the Playhouse is set to offer a special screening of 2001: A Space Odyssey, a Q&A with the David Boies, the subject of the documentary, The Case Against 8, and a comedy show starring comedian Robert Klein.

All of the excitement is evidence that the Bedford Playhouse has tapped into the community’s collective yearning for culture. “We’ve even seen the naysayers come out,” Hearon says, continuing, “People really want to join together in a cultural experience. The community has been hungry for this.”

ChappPAC Destined to be a Center For the Arts and Family Entertainment

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Tucked away beyond the construction crews and heavy equipment that have been plowing away for the last two years at Chappaqua Crossing lies the recently transformed Chappaqua Performing Arts Center (ChappPAC). Once named the Wallace Auditorium and used primarily for Readers Digest meetings and conferences, the intimate playhouse has been reincarnated as a performing arts center, cultural destination and mecca for educational children’s theatre.

Initially slated for demolition when Summit Development and Greenfield Partners designed Chappaqua Crossing’s retail and residential community, the small theatre was saved through negotiations with Deputy Town Supervisor Lisa Katz and the help of the New Castle Arts and Culture Committee. Summit Greenfield offered to donate the theatre to the Town of New Castle for one dollar.

When the town asked experienced theatre professional and educator John Fanelli’s opinion about saving the theatre, he said, “You don’t find 425 seat theatres in your backyard every day. You couldn’t build this. It would cost way too much money. It’s like a beautiful country playhouse and it’s pretty awesome that it’s still here.”

After issuing a request for proposal for a theatre manager, the town chose Fanelli as the theatre manager. Scott Campbell of Soup’s On Entertainment was also chosen as a promoter. Fanelli was well acquainted with the facility and well aware of its potential as he had already been renting it for productions of his own Armonk-based educational children’s theatre company, Lighthouse Youth Theatre and Standing Ovations Studio, where he serves as artistic director. His responsibilities at ChappPAC include managing bookings, rentals of the space, volunteers, vendors and maintaining the integrity of the structure. Clearly the right man for the job, Fanelli, whose passion is educational theatre, has been directing, teaching and creating programs for children and teens in theatre for almost 25 years.

“If you ask me,” Fanelli professes, “the most important education you can give your child is a performing arts education because it teaches them so much about who they are as people and gives them such great confidence. If they can stand up in front of 400 people and do a show, then they certainly can do a book report or run for class president…they can do pretty much anything they want. We are teaching life skills.”

The theatre has ushered in its second year of children’s theatre programming with a collection of fall children’s workshops presented by the Town of New Castle, Standing Ovation Studios, and Soup’s On Entertainment. Most recently this November, Tony Award winner Lindsay Mendez (Carousel, Wicked, Godspell, Grease) and Broadway star Derek Klena (Anastasia, Wicked, Bridges of Madison County) led a workshop about musical theatre technique and audition preparation. The session ended with the students performing on stage for parents and friends and a “talkback session” with the actors about their own Broadway experiences. Earlier this fall, Broadway actors and former cast members of Wicked, Arielle Jacobs and Alicia Albright, led a children’s Wicked workshop which also culminated in an on-stage performance and an informative Q & A session with the actors.

The season kicked off with a free musical theatre workshop open house where students learned to perform songs and dances from Peter Pan and Hamilton.

Three additional free workshops are planned for the new year to help get people in the door and get them excited about the programs offered.

As part of these workshops, students are split up according to age and then further divided into three small groups that rotate among a musical director, choreographer, and acting teacher. Students are then able to focus on all three disciplines.

Bringing theatre education to our youngest citizens, ChappPAC also hosts Drama Bee, an educational weekly theatre program for preschoolers, in partnership with New Castle Recreation. “My goal is to educate kids and teach them things about themselves using musical theatre,” says Fanelli. “When a parent calls and asks me how to get their child on Broadway, I always tell them to call someone else because that’s not my goal. I think the way to get to Broadway is to go to college and then be a professional and go as an adult. Being a child actor on Broadway doesn’t necessarily translate to becoming a professional actor.”

While many of the children’s programs have been made possible through a generous private grant, the reinvention of this hidden gem has been facilitated through a combined effort of the town, dedicated theatre professionals like Fanelli and private citizens. 

Deputy Town Supervisor Katz spearheaded the acquisition of this theatre for the town.  “Personally, making this theatre a reality has been very fulfilling for me. It’s really just an exciting opportunity for the town to be able to utilize it and do something incredible for not just our residents, but all of the surrounding communities as well,” she says.  “The goal is to eventually make it a preeminent destination for theatre, dance, music and visual arts in Northern Westchester,” she adds.

A foundation comprised of volunteers, The Friends of Chappaqua Performing Arts Center, has been formed to provide funding for capital improvements, programming, special projects and sponsorship opportunities to support ChappPAC. At the time of writing this article, the group was seeking and awaiting 501(c)(3) status so they can begin fundraising. Michele Gregson and Tracy Stein, Chairs of the Friends group, have been instrumental in engaging volunteers and potential donors, developing marketing strategies, and planning for the theatre’s future as a premier performing arts center.

“We have a great model in the Jacob Burns Film Center in Pleasantville, a highly regarded cinematic destination, where the surrounding merchants have benefited. We hope to do the same here where you can see a show, make an evening out of it, and go to one of our local restaurants downtown,” suggests Gregson.

Some of the exciting ideas that Gregson says have been discussed for the theatre are to organize a lecture series with prominent speakers along the lines of the offerings at the 92nd Street Y in Manhattan, to use the theatre as a developmental space for prospective Broadway shows, and to host art exhibits.

Gregson, who also serves as Chair of Westchester Women at UJA-Federation of New York, has helped secure a grant from UJA to produce three Jewish-related programs at the theatre, which will likely be presented in the spring.

(L-R): At a ChappPac celebration following its opening: Jonathan Leibner, David Restivo,
Jeff Kuduk, Michele Gregson, Scott Campbell, Lisa Katz and John Fanelli.

The leaders behind this theatre are also open to suggestions. Their goal is to provide programming that the community craves. As they move forward, they will continually assess what is successful and optimize programming to bring in audiences.

Besides producing shows, maintaining the space is also at the top of the agenda for the town and the volunteers. Luckily the building was in good shape and already beautifully laid out as a theater when the town acquired it. Fanelli put in new LED lighting, upgraded the lighting board and the acoustic equipment, and renovated the stage. With the help of the Friends group, he hopes to continue improving the space. “Within three years it will be just like the Ridgefield Playhouse. That’s the goal,” he says, referring to the 500-seat venue in Connecticut. 

As the front of the building is in need of repairs, Gregson hopes to undertake a fundraising initiative where donors can purchase bricks engraved with their names on them to adorn the building. She also anticipates planning a fundraising gala in the near future. Additional plans for the theatre include adding a box office and a concession stand. Organizers hope to hire and train workers with special needs to work at the concession stand.

With various improvements yet to be made, exciting ideas yet to bear fruit, and despite the surrounding construction, the theatre has been open for business and successfully putting on programming.

Recent performances in November have run the gamut from family fun with Tim Kubart and the Space Cadets, an indie pop dance party for all ages, to fodder for adult audiences like folk/rock singer-songwriter and former Chappaqua resident Dar Williams. On December 1st, comedians and co-hosts of the popular parenting podcast What Fresh Hell: Laughing in the Face of Motherhood performed.

“The funny thing is that nobody really knew this place was sitting here for 30 years,” remarks Fanelli. “I hope that we can establish ourselves as the number one place for family entertainment and for educational theatre programming in the area.  If you want to go see a great show for the whole family, Chappaqua Performing Arts Center is your place,” he says.

RESERVE YOUR TICKETS:

An interactive screening of the Christmas film Elf will take place on Saturday, December 8.

Junie B. Jones will be performed by Theatreworks USA on Saturday, February 9.

On March 9, the Chappaqua Orchestra will perform an interactive, inclusive family concert spotlighting the special needs community playing with the orchestra.

For program information, visit www.chappaquapac.org. For fundraising inquires, email the Friends of Chappaqua Performing Arts Center at friendsofchapppac@gmail.com.