Ella Ilan

Spotlight on Joanna Mongiardo: An Incredible Operatic Talent in our Midst

April 18, 2019 by Ella Ilan

People are sometimes caught off guard when they discover that fellow Chappaqua resident and mother of two, Joanna Mongiardo, is a glamorous opera singer.

Describing her career, Mongiardo says, “there’s nothing that makes me happier than hearing the overture, getting ready and going out for my first entrance. Putting on the costume, the makeup, and the wig, I feel transformed. I’ve always felt some sort of visceral energy from the audience, and I try to connect into that to communicate to them. I just feel tremendous joy when I’m singing.”

The Making of an Opera Singer

Mongiardo is an American soprano of Italian, Greek, and Armenian heritage. From a young age, she loved to sing. Growing up in New Jersey and attending a performing arts-focused elementary school, she frequently went to musicals with her parents, who loved musical theatre. Performing in a community theatre production of the “Sound of Music” at age twelve, Mongiardo was approached and offered voice lessons by a classically trained vocalist and opera singer who recognized her potential. This teacher soon had 12-year old Mongiardo vocalizing up to high C’s. Suddenly she was hooked on opera and introduced to a whole new world.

After earning a Bachelor of Music from the Peabody Conservatory at Johns Hopkins University and a Master of Music from Yale University, Mongiardo procured a manager who promptly started getting her work. In between roles, she took temp jobs at various banking firms in Manhattan. Coming home at the end of each long day, she diligently practiced singing and studied roles even if she did not have an upcoming engagement. Eventually, her career began to flourish.

Career Highlights

Mongiardo has done a wide mix of both concert work and opera engagements. Recent concert performances include her NY solo recital debut at Opera America, Handel’s Messiah at David Geffen Hall with National Chorale and multiple concerts with Novus NY and conductor Julian Wachner.

Pressed to declare her favorite opera role, she chooses her performance as Sophie in Strauss’ Der Rosenkavalier, which was the last role she sang when she was under a festival contract in Germany at Deutsche Oper am Rhein.

“I spent two years as a house ensemble singer in Düsseldorf and got to sing eight extraordinary roles and this was the culmination of that. Strauss’ music intimidated me at first but I ended up loving it. I loved the character and it was a traditional Viennese production with gilded walls and sets and beautiful ball gowns. It was the pinnacle of my time there and really magical,” reminisces Mongiardo.

Mongiardo has been engaged in over thirty performances of Blonde in Mozart’s Abduction from the Seraglio with houses including Grande Théâtre de Genève, Opéra Nice Côte d’Azur, and Deutsche Oper am Rhein. Her Rosalina in Il Re with Teatro Grattacielo was named “Best Individual Performance of 2011” by Das Opernwelt Jahrbuch.

Embracing Challenges

Mastering pronunciation in her first Russian opera as Brigitta in Tchaikovsky’s Iolanta at the Dallas Opera was challenging. Performers are expected to arrive at rehearsals 100% memorized with proper diction. Not knowing the Russian language well, Mongiardo worked with a Russian diction specialist to learn the music and correct pronunciations before arriving on set.

Embarking on taking on new challenges, Mongiardo recently taught classes and voice lessons as guest faculty at the University of Kentucky.

“This was an eye-opening and humbling experience. Tapping into my 20 plus years of experience, I was able to share a lot. I got nervous with each new student that came in, but once they started singing, I always knew what to say, so that was exciting for me. Perhaps teaching could be a future path. We’ll see what the future holds,” ponders Mongiardo.

Balancing Career and Motherhood

Like many working moms, Mongiardo struggles to strike that delicate balance between committing enough time to her children and enough time to her career. “It’s easy to get wrapped up in the day to day with the kids but being a mom has helped me discipline myself because I’ve got to find 45 minutes a day or more to practice. I’m lucky to have a very supportive husband and extended family…who have traveled with me and helped with childcare while I work.”

Mongiardo’s son and husband love attending her shows and have traveled to her international engagements. Her daughter, whose playpen sits by the piano, will often hum along while she sings.

Mongiardio in costume on her knees
Photo courtesy of Deutsche Oper am Rhein

Pleasurable Pastimes

In between opera engagements, Mongiardo focuses on family life. She loves cooking, exercising, yoga, and spending time with her girlfriends.

On living in Chappaqua, she says, “It is such a beautiful and friendly community, and we’ve made such good friends. With all the travel that we do, we appreciate the chance to return to our home here.”

Always Perfecting her Craft

Mongiardo regularly takes voice lessons. “A classically trained voice never stops developing,” she explains. “A voice teacher once described it to me like a diamond that starts off rough and needs to be honed, cut and polished. The more you polish it and put the right cuts into it, the more brilliant it becomes. That’s the goal with vocal training–that you keep uncovering more color, more depth, and more richness to the voice. I’m able to do things now that I couldn’t do 15 years ago.”

To truly appreciate Mongiardo’s talent, check out clips of her past performances at www.joannamongiardo.com.

The Armonk Players: Community Theatre at its Best

April 18, 2019 by Ella Ilan

The Armonk Players (the “Players”), a true embodiment of high-quality theatre and community participation, is Armonk’s local community theatre group, which has been putting on productions at the 186-seat Whippoorwill Theater Hall adjacent to The North Castle Public Library for more than 22 years. Staging two full productions every year, one of which is a musical, along with free staged readings, the Players offer a plethora of opportunities for people to see great theatre, perform in shows, or work behind the scenes.

Key Players

The Players was the brainchild of three longtime Armonk residents, Barbara and Hal Simonetti and Susan Geffen. Geffen’s and Mrs. Simonetti’s friendship developed in the 1980s when they were both living in Tokyo while their husbands were on work assignments for IBM. Simonetti, whose passion had always been theatre, was directing a staged reading for the Tokyo International Players, and asked Geffen, an interior designer by profession, for help with producing, staging, and costumes. Geffen loved the experience and there began a great friendship and shared love of theatre.

Upon returning to Armonk, the women learned that the library was adding on a theatre complex to the building. Once it was built, they decided they needed a community theatre group. “My husband Hal, Susan and I sat in my kitchen and said ‘Let’s put on a show!’ and that’s how it all started,” recalls Simonetti.

“First I thought it was a crazy idea because even though we knew about theatre, we didn’t know about the making theatre end of it,” says Mr. Simonetti. “But after we started it, we found that out of the woodwork from every direction came people who were interested in it. We gave them an opening and in they came.”

The Armonk Players is sponsored by The Friends of the North Castle Library (“The Friends”), a non-profit organization whose mission is to raise money for purchasing “extras” for The North Castle Public Library. One of the Friends’ biggest fundraisers is the annual Armonk Outdoor Art Show, which benefits the library and the Whippoorwill Hall theatre. Geffen was on the board of the Friends and was instrumental in arranging the early funding for the Players.

“When you have a theatre group, you need an angel and there was the magic confluence of the Friends having as their mission to bring culture and education to the community, having a theatre, and putting together a theatre group,” explains Geffen.

“We’re very blessed to have the facility that we have at the library and we’re extremely blessed to have the Friends be our patrons and supporters – that’s an unusual situation and a very lucky one,” says longtime Armonk resident Rodd Berro, board member and former president of the Players. Berro, who is the president and co-owner of Pegasus Asset Management, has been involved with the Players since performing and doing lighting for them in their very first show.

Let’s Put on a Show

For that first staged reading, the Players chose 84 Charing Cross Road, a play about a writer and an antique bookseller, for its literary focus since the theatre was at the library. Mrs. Simonetti played the lead and Mr. Simonetti directed it. It was a community effort from the very beginning.

“For the set, we took furniture from people’s houses… a desk, bookcases, books, an old fashioned typewriter… Everybody involved brought something from their home,” remembers Mrs. Simonetti. “Everyone that came out that day, either in the show or doing tech or costumes or props for the show, ultimately stayed as long as they could over the years to help us with all the shows we did.”

Current Artistic Director Pia Haas was brought in as a director soon thereafter to direct Lovers and Strangers and has stayed on ever since to help any way she can. She currently handles publicity for the Players in addition to her role as Director of Press and Public Relations at Westchester Broadway Theatre.

“I was immediately accepted as part of the family and it really was a family at that point,” says Haas.

Delivering High Quality Theatre

“We supply good theater to the community –remember, we are within a stone’s throw of Broadway so in order to get people to come, there have to be a couple of reasons and one of them is to see your friends and one of them may be the price, but at the end of the day you need to put on quality performances,” says Berro.

“I think we’ve achieved a quality that is kind of remarkable for a community theatre. I think our shows have really high quality productions and we pride ourselves on that,” says Haas.

“Many of us go into New York to go to the theatre. It can be a multi-hundred dollar event–we are either taking a train or driving a car in and paying fifty dollars to park, we’re going out to dinner, we buy tickets, and we get home after midnight.

“Here, you can go to the theatre within 10 or 15 minutes, you don’t pay for parking, you’re home by 10:30, and you’ve seen excellent theatre,” proffers Geffen.

Amazing Volunteers

It takes an enormous amount of effort to put on a show. The Players are grateful for all their devoted helpers and are always looking for more volunteers. From early on, they were lucky to have Haas and Christine DiTota, both experienced directors, on the theatrical side. Berro, besides his contributions as a leader, on the board, and on the stage, was critical in setting up lighting for the shows. Berro’s father, Nat Berro, designed and supervised the construction of authentic-looking sets.

“Some people have been with us for 20 years…Phyllis Sederbaum, Ann Nisenholtz, Ron Aaronson, and others…these are stalwarts whose lives have been affected by this. It’s a successful cooperative community effort that’s longstanding. Not too many of those around,” says Mr. Simonetti.

“One of the biggest challenges is finding volunteers. Everybody enjoys the acting part but finding people to do the work–from the backstage to the lighting to building the sets and taking them down to getting props and costumes to just being in there to organize–the people that do this are the unsung heroes and the unsung volunteers,” says Berro. “It’s a challenge but it’s always wonderful when new people come in. The challenge creates an opportunity to meet new people and to have new ideas.”

“We really need more people to do this; to make an investment in the town where they live,” says Geffen. “I love this town and made a decision to bring in a theatre group and get involved wherever I can. I get back so much more than I give. I have met the best people because the volunteers are always the best people.”

“For me, personally, it was the start of getting involved in volunteer work and community spirit. Even though I had a love of theatre, having a BFA from a conservatory, and it was wonderful to get back into theatre, what it did most for me is allow me to recognize the importance of community outreach to make the community stronger and better through the arts and through other volunteer organizations,” reflects Berro. “It was also wonderful to have my dad, who is now 97, involved. He built some wonderful sets over the years.”

Coming Up

Their next show, Baby, a musical comedy, is scheduled to run for two weekends beginning May 10th and promises to be a great production. The musical with a book by Sybille Pearson and music by David Shire and lyrics by Richard Maltby Jr. first ran on Broadway in 1983. Poster design and graphics for the show were provided by generous volunteers, Janet and Rich Ferrante.

“Baby is a very relatable story about three couples all in different age brackets who discover they are all pregnant at the same time. The music is fantastic and the cast is phenomenal. It’s not a show that is produced too often so it should be really interesting for the audience,” says Director and Choreographer Tom Coppola.

“It’s one of my favorite musicals,” says Rachel Schulte , the actress playing the role of “Lizzie,” in the show. “I fell in love with the music after listening to a CD of it in college and it’s been a dream role of mine ever since.”

In addition to the regularly scheduled staged readings, the Players recently hosted their first “improv night,” which was a great success. They hope to do more in the future. For tickets to Baby and information about upcoming performances, please visit armonkplayers.org

VARIOUS PRODUCTIONS OF THE ARMONK PLAYERS

The Schoolhouse Theater: An Under the Radar Arts Venue Worth a Visit

April 18, 2019 by Ella Ilan

Culture abounds in the northern part of our county, where theater focused on nurturing new plays and presenting live theater and art, unearth hidden talent and have become launching pads for original plays. Emphasizing teamwork, The Schoolhouse Theater successfully catapults new works to the stage due to the vision and resilience of its founders, directors, playwrights, and actors.

A New Life for a Former School

Formerly the Croton Falls elementary school, the beautiful 99-seat Schoolhouse Theater in North Salem is Westchester’s longest continually operating Actor’s Equity professional theater and art gallery. In 1983, founder Lee Pope transformed the building into a visual arts center, turning classrooms into galleries showcasing the artwork of talented local artists. At that time the dining hall, gym, and auditorium space was simply a white walled room with no risers and twelve borrowed lights.

In 1986, kicking off a bright future for this theatre, Brooke Palance, daughter of Hollywood scion Jack Palance, and actor/producer Michael Wilding, son of Elizabeth Taylor, performed “Bedroom Farce” to rave reviews. Modern theatrical amenities were gradually added and the theater came to life. The Schoolhouse has produced more than 120 plays over the past thirty-two years.

Cultivating Theatrical World Premieres

Under the leadership of Artistic Director Bram Lewis, the Schoolhouse presents four original plays each year. “This is a place where things begin,” says Lewis.

The Schoolhouse has successfully launched multiple productions to Off-Broadway: Love Linda about the life of Mrs. Cole Porter, The Enlightenment of Mr. Mole, Arthur Miller’s The Crucible, Ingmar Bergman’s Nora, S.N. Behrman’s Biography, Elaine Del Valle’s Brownsville Bred, The Dog in the Dressing Room by Deborah Savadge, and L.O.V.E.R. by Lois Robbins.

Additional theatrical pieces birthed here include Axiel Himalo’s Christmas Fish Tale, The Mask of Jaguar King, The Cambodian Lullaby, How to Bury a Saint, and The Gift of the Magi.

Last month, The Schoolhouse presented The Color of Light by renowned journalist, author and screenwriter Jesse Kornbluth. The play explores the love between artist Henri Matisse and a young nursing student and how their relationship inspired his final piece of work, the design and building of the Chapelle du Rosaire in Vence, France.

Relying on Instinct

Selecting plays to develop, Lewis relies on experience and instinct. Before coming to the Schoolhouse, he ran The Phoenix Theatre at SUNY Purchase for a decade.

“Somewhere along the line I decided if theatre was going to get made, I wanted to be the one taking the responsibility, picking the plays, hiring the actors. It suited me because I’m bossy and opinionated and if someone was going to fail, I wanted it to be me–and I’ve certainly failed many times. But the great love I’ve had with doing this is I get to stand at the back of this beautiful theatre, and I can listen to my audience who teaches me over and over again why they’re interested and care or why they don’t…and it’s been a great journey,” Lewis reflects.

Trusting his gut when choosing plays, sometimes Lewis is right and sometimes he is wrong. “You try to pare away the dross and shine up the gold and see what you can do to make it work. But it’s also very dependent on teamwork because an artistic director can pick a play, a director can direct it and eventually it must be demonstrated in the hands of the actors and supported,” explains Lewis.

Community Support

For many years, Pope, who recently received ArtsWestchester’s 2018 Lifetime Arts Community Award, was the theatre’s sole source of support. As a nonprofit organization, the Schoolhouse has been fortunate to receive grants from ArtsWestchester in White Plains, and generous donations from the community and board members.

Every August, the Schoolhouse holds a fundraising gala called The Scottish Tattoo, modeled after the annual arts festival in Edinburgh, Scotland, called the Royal Edinburgh Military Tattoo. The celebration features Celtic performers, Scottish dancing, comedy, great food and flights of whiskey.

Happening Soon

Their next play, Gladstone Hollow by Dorothy Lyman opens on June 13th. The play explores the takeovers of small family-run farms by corporations and how these families struggle with the decision between preserving or monetizing their heritage. “It’s a bit like King Lear because it’s about selling out the kingdom and whether or not it’s a good deal,” suggests Lewis.

The Schoolhouse regularly hosts stand-up comedy, live music, slam poetry, and artwork in the galleries. To learn more about upcoming events, buy tickets, or get directions, please visit schoolhousetheater.org

Arc Stages – A Magical Place

March 8, 2019 by Ella Ilan

Teens during last year’s SummerStage production of Woody Guthrie’s American Song photo by Liza Margulies

As a theatre lover, I could not have dreamed up a more perfect place for arts enrichment for the community. Arc Stages, whose tagline is “theatre for every stage,” hits the mark in providing theatre education and opportunities for every stage of life and all stages of development. Arc Stages, located in Pleasantville, runs three theatre companies that currently share the same stage; the educational stage, the community theatre, and the professional theatre. It is a place where you can learn about theatre, be in theatre, or see theatre.

The Educational Stage

The educational stage produces youth productions and conducts workshops for kids ages 3-18 all year round, in addition to adult classes like the adult improv comedy class. In the theatre workshop program, kids register for workshops by age group and are invited to audition. What differentiates Arc Stages from other children’s theatre groups is that the show is not chosen until after the students audition. No students are cut from the program. When students return for callbacks, the director tries different shows out on the students before selecting the most appropriate show for the group.

“It is about the students first. It’s not about vying for parts,” explains Adam Cohen, Artistic Director. “We usually have a list of shows and we try different songs and sides out on the kids and see what show fits this particular group of kids because our goal is to teach them something through theatre and challenge them.”

“We do theatre games and work different types of workshops into the rehearsal process so that it’s not only about the show but about building self-confidence through theatre,” says Galit Sperling, the Director of Education. “We focus on positivity and let our students know that this is a safe space and an artistically and educationally fulfilling sanctuary.”

As auditioning can be nerve-wracking for some younger first time students, no one is forced to audition. “They can sing happy birthday if they want. It’s about us getting to know them,” says Sperling.

All theatre workshops culminate in two or three productions with elaborate costumes and sets at the end of the session.

Arc Stages also runs an in-school playwriting educational outreach program, Visions and Voices, in which they work with local schools teaching kids how to write plays and then produce them. A festival of plays is presented at the conclusion of the program. Visions and Voices is in its fourth year and Arc Stages would love to add more schools to its program.

SummerStage Camp

If you are looking for something for your kids to do this summer, Arc Stages holds a full day summer camp in which different age groups work on different shows. Besides rehearsals for a show, classes during the camp day include Acting Technique, Choreography, Improv & Theater Games, Stage Combat, Music and Vocal Technique, master classes and more.

Campers can choose to enroll in a six-week session or a three-week session. There is also a one-week intensive course. Early registration discounts are available if you register before April 1st.

The Community Stage

The community stage is geared towards adults in the community, whether you are brand new to theatre, returning to theatre after many years, or are professional non-union actors who want to do something in the community. They put on three productions every year. Auditions are open to anyone who wants to participate.

“It’s a mix between people who are accountants, lawyers, dentists, and everyday people that want to get into acting. Some participants are incredibly talented but just happen to do other things for a living. We try to produce a professional looking show but we’re looking for all walks of life in it so it really is the community,” says Cohen.

There are also plenty of volunteer opportunities for community members to assist backstage, design sets, work on costumes or help with technical services.

Rehearsals are currently underway for their next show, Avenue Q, which promises to be a great performance. Avenue Q will run the first two weekends of April. The community stage will also perform You’re A Good Man Charlie Brown July 19th-21st. Tickets for all shows can be purchased at arcstages.org.

The Next Stage

The Next Stage is the professional theatre company, which operates under a Small Professional Theatre Contract with Actor’s Equity Association, an actors’ union. They produce two high quality productions a year. The actors in a Next Stage show are generally all union members. Auditions are held at an open call in the city.

The next show has yet to be announced for the professional theatre company. Traditionally, Arc Stages announces their upcoming shows for both the community and professional stage at their fundraising gala in April. The gala, scheduled for April 27th, is always a fun evening where a show written especially for that night is performed for the guests by a mix of community and professional actors. Students from the educational stage also perform a number in the show.

Working Towards a Dream

Arc Stages’ facility has plenty of rehearsal spaces and its own dedicated 74-seat theatre. While having its own theatre has been incredible, a capital campaign is underway to raise money to build a bigger 175-seat proscenium theatre. They are probably a few years away from fulfilling this goal but it will surely add to the magnificence of all that their students, actors and community members accomplish at this magical place.

Delectable Dishes & A Growing Music Scene at Winston

March 8, 2019 by Ella Ilan

With a few years behind him on the Mount Kisco dining scene, Executive Chef Michael Williams diligently goes about the business of running a successful kitchen and restaurant. Winston, named after Williams’ pitbull terrier, is a beautiful three level restaurant with a rooftop bar and lounge serving innovative modern American fare. Besides the steady stream of diners coming for the food, a growing music scene has enticed new guests to visit and enjoy live music offered on Tuesdays and Wednesdays.

The Chef

A veteran of some of the finest kitchens in Manhattan including Park Avenue Café, DB Bistro, Oceana, and Mirezi, Williams paid his dues working methodically up the kitchen hierarchy. Raised in Korea in a food-focused home by his Korean mother and American father, who worked at the U.S. military base there, Williams learned to appreciate good food at a young age. His mother taught him Korean cooking and his father, a bit of a gourmand, taught him American and international cooking.

Honing his skills and pursuing as much experience as possible, he worked at many New York City restaurants over the course of a decade, always seeking new challenges and cuisines.

“I gravitated more to the French kitchens because they were natural teachers. When you work in a French restaurant, in which I worked quite a few, the chefs would go out of their way to explain the process of what you were doing and why each step was important,” he explains.

Sweet Treat
‘The Sampler’
Warm Chocolate Lava Cake, White Chocolate Mousse, Banana Bread Pudding, Mango Cheesecake

The Food

Williams’ years of experience and training with some of the best chefs is evident in his food. While they call themselves modern American, the French technique is behind a lot of Williams’ dishes, and there are flairs of Italian, Asian and other cuisines.

“The menu is a reflection of my experiences and comes from my palate which was developed working in various kitchens and my cooking is heavily influenced by French kitchens,” says Williams.

“The menu is also dictated by the palate of our guests. As Michael has been the chef of this kitchen for over four and a half years, his menu has evolved to what our guests like, still using his techniques and ideas but tweaking them in the direction that our audience is really looking for,” says general manager Jimmy Branigan.

Keeping things fresh, there are always seasonal offerings and specials. Williams visits local farmers markets regularly and tries to utilize as many local products that he can.

My favorite dishes on a recent visit there were the Spicy Tuna and Avocado Toast off the bar menu and the whole roasted trout as an entrée. My husband thought that the mushroom spring roll was the best he had ever had. The Asian hanger steak was delicious with just the right amount of Asian-inspired seasoning.

Having trained in the pastry program at the French Culinary Institute, Williams’ expertise shines through in his desserts. All desserts, including ice cream and sorbet, are made fresh on site in a dedicated pastry kitchen. The crème brulee trio was perfection.

The Space

The beautiful townhouse setting designed by Grandberg & Associates Architects lends to the comfortable and sophisticated atmosphere. The tri-level restaurant has a casual feel but with tablecloth type service. In warmer weather, they open up the indoor/outdoor rooftop area. In the winter, the space is enclosed and is available for private events. Private parties can also be accommodated throughout the restaurant.

The Music

Bringing in guests on traditionally slower nights, live music is performed on Tuesdays and Wednesdays from 6pm-9pm. Drew Bordeaux, who was born and raised in Mt Kisco, is their resident Tuesday artist. Bordeaux’s solo performances, influenced by blues and popular radio, are made up of percussive acoustic guitar and soulful vocals, entwined with live loops and violin solos. He “has a Sinatra way about him and really plays to the crowd,” according to Branigan.

Winston hosts four other musical acts on a regular basis on rotating Wednesdays. The lineup includes original music, jazz, pop, R & B and Latin sounds from performers such as Mojo, Pete Malinverni, Swirl, and the John Basile Trio. For a complete schedule of upcoming performances, check out their website at www.winstonrestaurant.com

Winery Nights

Every other Thursday, Winston brings in a guest sommelier from an importer, distributorship or vineyard and they feature a handful of their wines, inviting guests to taste the wines and suggesting pairings with the menu. This is a fun opportunity for guests to try new wines and cultivate their wine knowledge.

Adding to their diversity of offerings, Winston also has a large format program, where they serve wine aged in large bottles ranging from 1.5 liters to 5 liters. Guests can experience wine bottled in a larger vehicle, which ages slower and results in a smoother and rounder finish. It’s no wonder that the restaurant has received an Award of Excellence from Wine Spectator magazine.

If you haven’t already been, Winston is worth a visit and may soon become your local favorite spot. Reservations are recommended.

Winston
130 East Main Street, Mount Kisco, NY
(914) 244-9780