The Inside Press

Magazines serving the communities of Northern Westchester

Chappaqua

‘Memories Live Here’

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Maggie sipped her tea, then said, “But I’ve lived here for 45 years. This is my home. All my memories live here.”

This is just a scene from my recently published novel, Memories Live Here. Maggie is just a fictional character. 

Despite its title, Memories Live Here (available on Amazon and locally at Scattered Books) is not a book about “memories” of my life in Chappaqua or Brooklyn or Chicago or any of the other places I’ve lived. It’s a thriller mystery and family drama about three brothers who uncover their dead mother’s diaries (her friend Maggie’s been keeping them), and how a “rendezvous” with artificial intelligence helps them discover the hidden truth behind their father’s mysterious death. While not autobiographical, each character does seem to carry traits of the people I’ve known throughout my life.

Two years removed from our life in Chappaqua, I realize the title of my book is very much true. Our “memories” do reside in the places we’ve lived, ready to jump back into our heads.

My wife Hildy and I raised our two children on Deerfield Road, where we lived for over twenty years. In Chappaqua, I often thought my nickname was “Oh, you’re Hildy’s husband!” After all, Hildy was the recognizable figure around town: Board member of the Horace Greeley Scholarship Fund, substitute nurse at Roaring Brook, car-pool mom, not to mention head lice checker. Hildy was everywhere.

As for me, I had the typical crazy, high pressure job. Even if you didn’t know me, you had to recognize the pattern. You know, I was the one who worked long hours; hosted too many client dinners; amassed frequent flier miles. 

But when my day or week was done, I was always comforted to come home to Deerfield Road, turn everything off, and just be “Hildy’s husband” and “Noah and Perri’s dad.” Our home in Chappaqua was a place to decompress, do the dishes, play in the snow, go for long walks, drive the kids around to whatever activity of the day, enjoy family meals. I felt so fortunate. It was a great time in our lives. 

Every time I return to town, whether to pick up food at Old Stone or eat with friends at Le Jardin (“outside, please, Joe”), memories from the past are “triggered,” and multiple scenes emerge from the recesses of my mind.

I blinked my eyes and the children became adults and moved on to follow their own passions.Yet still, every time I return to town, whether to pick up food at Old Stone or eat with friends at Le Jardin (“outside, please, Joe”), memories from the past are “triggered,” and multiple scenes emerge from the recesses of my mind. 

Driving down King Street, I can still see Noah and Perri coming out of the old Chappaqua diner, or running around the baseball and softball diamonds in front of Bell Middle School. Making my way up route 120, I can see my two dogs, Pixie and Clyde, racing and splashing through the wooded trails of Gedney Park; and that’s my family cruising up the north county bike trail. On the ballfield behind Rocky’s, there I am with the neighborhood guys playing touch football (I still have my “Deerfield and Dave” baseball cap). 

Even scary memories can conjure up positive reflections. For me, it’s the scene of my car accident where Reader’s Digest Road crosses the Saw Mill Parkway (Please, everyone. Look both ways, even after that light turns green)! While I walked away with minor bruises from that collison, I can still see those professional and dedicated volunteers from the Chappaqua Volunteer Ambulance Corp. coming to help. I will always be grateful.

These days, in the words of John Lennon, I’m “no longer riding on the merry-go-round.” While Hildy started a private geriatric care management practice, I get to spend my time traveling on a path full of stories and characters and ideas, certain there are more books to write in the years ahead. 

As far as the past, well, I’m comforted to know my memories will always be there, waiting for me in Chappaqua.

It’s a Wonderful Life for Ian and Lauren Karr

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Lauren and Ian Karr
PHOTO BY CAROLYN SIMPSON

Ian Karr, who grew up in White Plains, always thought he’d live in Chappaqua. Lauren, his wife, was a city girl who was never leaving the city. One day in 1997 Ian came home to their 52nd Street apartment to find Lauren with the Real Estate section of The New York Times. “I’m looking for houses in Chappaqua,” she told him not long after they had visited some friends who had moved up from the city. “It was a nesting thing,” says Ian. “We had a baby. She was six months old and we felt like we needed more space and a nice place to live.”

The Karr’s story is like many who find themselves living in the town. “We liked the location. It’s close enough to the city. It’s sophisticated but country,” says Ian. “One of the big factors is the great school system,” adds Lauren. “We’ve seen the full cycle in Chappaqua from pre-school, playgroups to empty nests.”

Twenty-four years later they are empty nesters. Their baby Jayden is now 24 years old and living in the city pursuing a career in eCommerce. Their son Gregory is a Junior at Syracuse University majoring in Finance and Real Estate.

Ian is an award-winning producer and director and the founder of IKA Collective a production company that celebrated its 35th anniversary on March 11th. Ian began his career on country radio stations in New Orleans and New York, but storytelling, photography and filmmaking were in his system since his childhood. He got his first production job in 1986 with Merrill Lynch. From Merrill Lynch he took on commercial clients in the late 90s doing promos for TV clients and then in the late 2000s original content and commercials. The company has grown to include such clients as the Hallmark Channel. “We do a lot of work with Hallmark Channel,” says Ian. “We do promos, behind the scenes for a majority of their movies, bonus content with stars, and we originated the podcasts. Hallmark is near and dear, and they are incredibly nice people.” Ian kept up his radio work and joined comedian Jackie Martling for the “Joke Hunt” on SiriusXM Radio for eight years.

Lauren had a career as a Print Broker and opened her own printing business which she had for ten years. When she fell in love with Pilates after Gregory was born in 2000, she was encouraged by her instructor Lesly Levy to become an instructor herself. Lauren is now a certified Pilates Trainer and Pilates Teacher Trainer. She has worked in several studios in Westchester and has been with Breathe Pilates & Yoga in Chappaqua nearly ten years. Helping people gives Lauren great satisfaction. “Most of my clients have some issue with their back or their spine. I feel good making them feel better and strengthened.”

Once Lauren embraced the suburban life, she became involved in the PTA. She ran the Westorchard Spring Fair for many years and continued to be involved with PTA when her children were at Seven Bridges Middle School and Horace Greeley High School. She took to gardening and planted a vegetable garden. Raising chickens was always on Lauren’s bucket list so she and Ian found some Pullets on Craig’s List and set up a coop in their backyard for several years. “It was a learning experience,” says Lauren. “And they loved me because I fed them.”

Skiing bonded the Karrs and it became a favorite family activity. Since 2003 they have gone out to Utah with the family. “We really loved the feeling, the vibe of it, the people, and all the people coming from all over to be there,” says Lauren.

A love of cars created a bond for Ian and his son Gregory. “When Greg was nine years old we restored a 1965 Mustang. I wanted a fun father-son activity. Little did I know it would unlock the inner mechanic in me,” says Ian. Ian brought the car to the Auto Center at Reader’s Digest to mechanic Stu Silverman. “Stu would put it on the lift and check my work. He was very encouraging through the process–a great mentor and neighbor helping neighbor.”

The Pandemic has impacted both their careers. For Ian there is a lot less travel. “Production is a team sport, it’s a hive. So we had to develop new protocols which allowed for collaboration at a distance. Once those were in place, it’s amazing how quickly our crews adapted.”

Lauren does virtual Pilates training now. “For me it’s great because I still have the connection with the clients. It’s different in that I can’t be there with them,” says Lauren. “It’s making the best of whatever the situation is. I’m still getting that level of satisfaction of making people feel good.”

COVID-19 brought some other changes to their family. Jayden, their 24-year-old daughter was furloughed from her job at Bergdorf when NY Pause began. It was a challenging time for many young people who were without work. Not knowing what the future held Lauren encouraged Jayden’s creativity and Jayden launched ZIP’D Wear, a casual clothing line. “It took her mind off things, and fortunately in July Jayden was called back to Bergdorf,” says Lauren. Always the entrepreneur, Jayden still keeps up with her business.

The Karrs reflected on their 27-year marriage, their careers and their life in Chappaqua.

“Laughing is a huge part of our marriage,” says Ian. His advice: “Don’t take yourself too seriously and create circumstances for you to grow together.” Lauren adds, “The key is mutual respect and to be on the same page about parenting.”

“With the pace of things today, it’s easy to feel like we’re on a hamster wheel,” says Ian. “One day I watched a hamster in a pet store. You know how hamsters get off the wheel? They jump. I learned from that little rodent that if you want to get off the hamster wheel you have to take a leap, you can’t just slow it down.”

And has their life been like a Hallmark movie? “Typically, in a Hallmark movie one of the important themes is rediscovering yourself and what’s important in your life after you’ve been sidetracked or led astray. It becomes a tug of war and the characters always choose people over things,” Ian says. “The parallel for me in my life with Hallmark is I tend to choose relationships and the happiness of the people around me over almost everything else.”

As a friend once told Ian, “Marriage is like a great movie. Ninety percent of it is casting.” It looks like Ian and Lauren Karr are the stars of their own inspiring journey.

A STAR ON THE RISE: Interview with Chappaqua’s Emma Freeman

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Emma Freeman’s First Single, ‘Verona’, Debuts, and another Single, ‘Do You’, is being Released this Month.

Emma Freeman PHOTO By Face By Dee Photography

First, the stats! Tell me a little about yourself.

I’m 24, a Greeley grad Class of 2014, and I went to the University of Miami where I got a BFA in musical theatre. 

When did you know you were interested in music?

Since I was tiny!  I’d wake up in the morning and start singing from my bed to announce that I was awake! If music was ever playing around the house, apparently I would immediately stop whatever I was doing to listen and just focus on the music. My parents even had to stop playing music around me to get me to do  other things! This eventually turned into an interest in musical theater and acting. But my love for pop music remained and stayed strong through all the years, and even within the theater I always loved the more contemporary and pop-driven musicals. 

Where did you hone your musical skills?

Fortunately, I had a very artistic life at Greeley. I took advantage of every performing and musical opportunity – and there were many- chorus, acting, Theatre Rep, and music theory. I performed in every show possible, and was a member  of the Enchords a cappella group. I am so lucky to have grown up in a town and with parents that presented me with so many opportunities. These experiences made me grow as an artist and performer and motivated me to continue with the arts through college and beyond. I took voice lessons, and even trained classically at an NYU Steinhardt program when I was in high school. I continued with vocal training and performing at the University of Miami, and that’s where I began songwriting as well. 

How would you describe your sound? Who are your musical influences?

My all-time favorite is Joni Mitchell. I also love Regina Spektor, Ingrid Michaelson, Phoebe Bridgers and dodie. My songwriting professor from the University of Miami taught me so much and inspired me to keep writing.

Generally, my music is usually indie-pop or indie-folk style, but varies song to song. I try not to limit myself and just write where the story and feel of the song takes me. But my songs still feel like “me” even with different genres–they are usually very melodic with a wide vocal range, and often change up typical song structure.  I like to include a lot of harmonies in my music, with multiple vocal lines of me singing harmonies and backup vocals with myself. 

In addition to vocals, do you play instruments?

Yes! I learned piano as a kid, and I also play ukulele and recently started guitar. 

What do you generally write about?

I write a lot about love and heartbreak, self-discovery and self-struggle. I try to keep my music relatable but with an air of mystery, in hopes that anyone can hear my music and find it specific to them. I love it when people reach out to me and tell me how they related to my music, or how they interpreted something in my song, because sometimes it’s something that I hadn’t even thought of yet, but completely makes sense. It’s just an amazing feeling to know you connected with someone. 

Still shot from video taken at 54 Below by Famous in NY Video

Tell me about your new (and first!) single, Verona.

Verona is an indie-pop song about longing for love and seeing it everywhere. I had just finished playing Juliet in a production of Romeo and Juliet when I wrote it, and was inspired by the story and the language–I even included some of the text in the song. I wanted to capture the feeling that someone might have of reading the story and wishing for their own Romeo (or Juliet)–seeing other people in love and watching them and wishing they could have it too. 

How did you get it made?

I had been recording vocals for a very talented musician’s own project. I showed him some of my original music and he became interested in producing it for me! It was a very rewarding process working on it during the pandemic when everything was being done virtually. We worked back and forth until we got it just right, but I knew from the very beginning that I was working with excellent people who understood the song and that it was in good hands. This was the first song of mine that anyone worked on and I cried when I heard it all put together for the first time–it was everything I wanted. 

What’s next?

An album is the goal. I can’t wait to share more of my music; a new single “Do You” comes out April 1!

Verona can be found on all streaming platforms. Follow Emma @emmaraldcity and emmapfreeman.com

Chappaqua’s Térron Richardson Creates Candles and Soaps to Please in the Age of E-Commerce

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Térron Richardson, founder, Chandel Atelier Photo Credit: Randi Childs

When I want to create a cozy and inviting ambience in my home, I often light candles. The glowing light, the soft scents permeating the room, the candle’s wax melting ever so slowly offers a sense of serenity in a chaotic world. Apparently, I’m not alone in my love for candles as prestige (or what industry experts call premium) candle sales totaled $101.9 million in the US in 2018, according to market research firm the NPD Group. Growth in this category particularly from fashion and fragrance companies who are entering the market is expected to continue. And COVID hasn’t put a strain yet on consumer spending of candles. In fact, premium candle sales grew by 6% this March when COVID hit compared to the previous year, as consumers hunkered down in their homes.

A recent arrival to Chappaqua from Harlem, Térron Richardson knows a thing or two about prestige candles (and soap) as the owner of newly launched e-commerce site, Chandel Atelier. The site sells candles and soaps and Richardson’s background in luxury fashion and design has served him well as he seeks to expand his business. Richardson says that he has always been enamored with fragrance. At any given moment, he owns a “perfume library” with a roster of 20+ rotating scents.

Prior to launching his company, Richardson worked for Marc Jacobs, Ralph Lauren, Calvin Klein, Coach and luxury home décor company Jay Strongwater. A graduate of the Fashion Institute of Technology, he credits his professors in igniting an interest in sustainability. Richardson uses eco-friendly slow-burning coconut wax and wooden wicks which burn much cleaner, and don’t get the carbon build-up that needs to be trimmed off of cotton wicks.

In addition, he works with a wooden wick supplier that partners with Trees for the Future, an organization working to end hunger and poverty for small farmers through revitalizing degraded lands.

Many less expensive candles contain paraffin which can release toxins. “Paraffin is not regulated in the US,” explains Richardson and candle companies are not required to disclose it as an ingredient. Richardson wants customers to know what his products are made from and that his products are safe.

A self-taught candle maker, Richardson watched YouTube videos to learn the craft of candle making. “It was a quick process. I knew how to source suppliers from my experience with Jay Strongwater and then I spent 3-4 weeks figuring out how to make candles,” notes Richardson. Before he would settle though on a fragrance for the candle, he sometimes created 20 versions using a scent blotter and then used feedback from friends and family to help him solidify the scents.

Each candle retails for $45 and has a top, middle and base notes and these many layers lead to a sophisticated aroma. He offers new varieties of candles seasonally as well as a core collection of three products. Anguilla, one of the core products was created to pay homage to his birthplace and offers notes of linen, freesia, eucalyptus and moss.

Ever passionate about scent, Richardson decided to expand his product line with bar soaps that are sulfate and paraben-free using either goat’s milk or shea butter and flaxseed while still having a beautiful aroma. These natural ingredients increase the skin’s moisture level which can help combat dry skin during the harsh Northern Westchester winter months.

When not promoting his line, Richardson and his partner are enjoying exploring the area and dining locally. He notes that he is also an active member of New Castle’s Council on Race and Equity. Citing the challenges that BIPOC business owners face such as receiving small business loans, Richardson is hopeful that the Black Lives Matter movement will educate consumers on the importance of supporting Black-owned businesses such as Chandel Atelier.

Plans are in the works for a Chappaqua-inspired candle this spring featuring notes of wet fern, moss, musk, gardenia, ylang ylang, and jasmine.

To learn more, follow Richardson on Instagram, @chandelatelier and visit www.chandelatelier.com.

A Star is Born… in Chappaqua: Meet Skyla

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A still from Skyla Schreter’s film, Unbecoming

During these difficult times, it’s important to come together–even when coming together is/must be a virtual reality. As a community, we can support one another and share the beauty; finding solace in that beauty, we can still enjoy our world. Enter Chappaqua’s own Skyla Schreter, dancer and choreographer, most recently with the San Francisco Ballet Company.

Skyla, daughter of Sena Baron and Daniel Schreter and older sister to Brice, grew up in town and, like most Chappaqua children, attended the local schools–in her case, Westorchard Elementary School and Seven Bridges Middle School. But, there and then, the similarities ended. Skyla, who “knew early-on what I wanted” chose and pursued a self-determined dance path when she was but ten years old.

She recalls, “I started with jazz, and I loved it. My mom suggested ballet as she understood it to be a foundation for many kinds of dance, and could provide the tools I needed to enhance the local jazz classes I was taking at the time.” Skyla says she tried a few classes here and there, but nothing felt somehow “right”, until she found Diana White in Scarsdale. With Diana, things “felt serious, structured and classic. It was like a light bulb went off for me.” So, at ten years old, she auditioned for and was accepted into the School of American Ballet (SAB) in Manhattan.

By middle school, Skyla was going in three times weekly; her parents took turns driving her in to the city and back home until she and they were comfortable with her taking the train by herself. In eighth grade, she was invited into SAB’s advanced training classes. This was another watershed moment in her young life, as the additional training time meant that her academic/dance balance would need to be revisited.

In order to make both work, Skyla transferred to the Professional Children’s School on the Upper West Side. For two years, she “took the 6:35 a.m. train with all (my) friends’ dads on Wall Street.” She’d attend academic classes from 8 a.m.–10:30 a.m., then take dance classes for two to three hours, followed by afternoon academics and then a return to dance. She’d finally take an evening train home in the 9 p.m. hour, starting her homework immediately on the return commute. Then she’d get up and do it all again.

This grueling pace finally slowed and became more manageable when she moved into the city at age sixteen, sharing an apartment with fellow dancers. Still, she’d come back to Chappaqua on weekends to spend time with her family with whom she has always been very close.

At her parents’ urging, Skyla took the SATs and completed the Common App in order to have options after high school graduation. However, as her 2013 graduation approached, she was offered a contract with the Boston Ballet in their second company and immediately accepted.

Skyla danced one season with Boston and, “almost on a lark but based on their first-tier reputation” attended an open audition for the San Francisco Ballet which was held in New York City. To her complete surprise, she was not only offered a position, but a contract with their prestigious corps de ballet. She admits that she had never thought of leaving the east coast for the west, but made the leap (or grand jete if you will) and quickly settled in to her new life there.

Skyla danced with the San Francisco Ballet for six seasons. While she had planned to retire this year to focus on choreography– “one of the things that most intrigues and inspires me about choreography is that it is self-made whereas dance is trained. Choreography is something I feel privileged to be able to share”–and move back to New York where she said: “performing arts is still best and most diverse.” The pandemic stepped up her schedule.

Pandemic Pivot

Skyla allowed that her biggest challenge is the “lack of collaboration available, at least physically.” She loves and misses the “real-time energy and ideas that happen and flow in the studio, working together with the dancers.” But creativity won out; Skyla used the initial lock-down period as one of introspection for herself and work. She began experimenting with different ideas, “taking a lot of time to explore details and nuances in my own personal movement that I normally would not allow myself the time or attention for.” She also began creating new outlines for future dance works, choreography she is “ready to translate to real bodies when the time comes.”

All that said, another challenge is the lack of audience. Skyla believes dance to “be a powerful experience not only for those who dance and create it, but for those who witness and watch it.” She found herself questioning the “point” of her work if it was no longer accessible, and determined that she must find a way to adapt dance to the virtual world. She had doubts about the power of dance on camera vs live, but “dove into creating dance that would end up not just on camera, but created for camera.” She was pleased to discover that “dance on camera can be very interesting and powerful in ways that differ from its live self.” One such dance of which she is quite proud is titled Unbecoming* and explores the many inner voices we all have, whether contradicting or difficult to face, and working to respect and ultimately accept them as part of our whole identity as individuals. It is about how these inner voices shape who we become.” Skyla also felt that Unbecoming was inspired by increased pandemic “alone time”, and the idea that alone time could provoke “a certain level of curiosity in the multi-faceted self.” She adds, “especially with all of the racial and social injustice that is finally coming to light, I feel that artists have a responsibility to speak to and mirror the times that we live in.”

Skyla rehearsing her choreography with fellow dancers of San Francisco Ballet
PHOTO BY ©Reneff-Olson Productions

Identity, Community and ‘In:Between’

Speaking of new choreography, prior to the pandemic, Skyla had planned to bring new dance works to New York: “I knew I wanted to launch my choreography by bringing it to a New York audience, and when I heard that the new Chappaqua Performing Arts Center was interested, I thought it would be the perfect anchor and springboard…In:Between was born out of much of my work which explores and deals with the space in between what we know and what we’re told. Dance can tap into a place that words can’t approach. This choreography explores the grey area between our thoughts.”

The plans included six pieces; five of Skyla’s own and one from guest choreographer and principal dancer with the San Francisco Ballet, Wei Wang. Skyla emphasized the team-effort involved with the creation of In:Between which, in addition to featuring dancers from the SF Ballet Corps de Ballet, also included 13 new costumes created exclusively for the show by both San Francisco–and NY-based designers.

In addition to dance, Skyla had lately been turning her creative energies to other artistic media–specifically, both film and painting. Her short film, A Flower, which was an official selection of the San Francisco Dance Film Festival in 2019 and the Utah Dance Film Festival in 2020) shows the journey of a flower through dance, and had been planned as part of the In:Between performance lineup. She had also planned to display her painting at the Chappaqua Performing Arts Center. “Ballet can be thought of as inaccessible or elite, but it’s really just another form of artistic expression,” she said. “I enjoy emphasizing a multi-faceted approach to artistic expression as more inclusive overall.”

Finally, and because art doesn’t just inform and inspire but can gather people for a cause, Skyla has devoted time to the New York-based non-profit Dancers Responding to Aids (DRADance.org), which is a part of the larger Broadway Cares/Equity Fights Aids program. DRA was founded in 1991 by Denise Roberts Hurlin, former Paul Taylor Dance Company member and mother of Skyla’s school-friend and fellow dancer Catherine. Skyla recalls attending annual DRA benefits at SUNY Purchase and “feeling the power, even as a kid, of everyone on stage and in the audience coming together.” She notes that “AIDS is very relevant to the performing arts community” and feels it’s important to do her part to support her community.  When audience members and dancers can safely congregate again, Skyla hopes to move forward with In:Between and DRA, perhaps, even as originally planned, at ChappPac!

Encore, Encore

It was impossible to resist asking Skyla many questions, or sharing them further here:

Skyla, you’ve accomplished so much in your young life, kudos to you! People must wonder if you ever felt you were missing out…on a more typical or normal childhood?

Skyla: No, I do not. I feel privileged to have known from an early age what I wanted. My thinking was “I just love to dance!” I recognize what I gave up, but I’m ok with it. There really is no “normal.”

Have you stayed in touch with Chappaqua friends?

Skyla: I left right before high school, and high school is a time when most kids find their paths and deepen friendships, so I don’t really have those friends. But I do keep in touch with my elementary school friends; these were real childhood friendships and they have lasted.

Do you have any advice for today’s kids who, like you, discover a passion early in life?

Skyla: Don’t be afraid to take an unconventional path. It’s not scary, it’s exciting! And, with specific regards to ballet, I think kids should know that you don’t have to be a “tutu ballerina” but can also go in with gym shorts and no makeup. There is no one way to do ballet! Whatever it is you love, go for it!

Finally and before you go–though you’ve graciously shared how you’ve personally pivoted with the pandemic and found new outlets for your creativity, can you briefly discuss your thoughts on how things have changed for the dance community at large?

Skyla: Not being able to train, rehearse, and create together in person has been a huge challenge for the dance community, and not being able to perform for an audience has been such a heartbreaking loss for all of us during this time, on many levels. But dancers are creative, and determined to keep working on their craft in one form or another. I have been taking and teaching dance classes online, virtually. One good thing that has come out of the pandemic is that it has broadened and connected the dance community. What used to be clusters of dancers, kept more or less isolated in their own companies, schools or cities, has spread to become a worldwide community. For example, right now, I am teaching a long-distance “Choreography Workshop” from my apartment living room. Though teaching class over Zoom has its many challenges, I wouldn’t normally be able to connect with these students otherwise at this time! This virtual dance community has so many opportunities for new and fulfilling connections that it takes a bit of the sting away from the physical collaboration we have lost during this time.

I also think what many people miss most, other than working in-person with their friends and dancers, is having the space to move freely. I can’t say that dancing in my living room is anything like an open ballet studio or stage. It is limiting in many ways. I personally have been trying to find ways to dance outside when possible, which is why I chose to shoot my film in various places around San Francisco, all of which were uncrowded enough to be safe for Covid-19 restrictions. Dancers like to be free and expansive with their movements and I think for those who can, finding time to spend in nature in some way or another, is a common choice for helping ease that feeling of being stuck or stagnant.