Pleasantville Cover Stories

Behind the Scenes Scoop with Andrew Jupin at The Jacob Burns Film Center

March 8, 2019 by Stacey Pfeffer

Bo Burnham and Andrew Jupin in Eighth Grade
PHOTO BY ED CODY

Creating A Local & Cultural Mecca for Film Lovers of All Ages

Back in the day when I lived in the city and was child-free, I had plenty of options to see independent or foreign films. I could traipse downtown to the Angelika Film Center to catch the latest Merchant Ivory film or head crosstown to Lincoln Plaza Cinemas to immerse myself in the latest Pedro Almodovar release. There were a few other art houses and independent movie theaters that I could go to but the Angelika and Lincoln Plaza still stand out vividly in my mind.

Fast forward to a decade later and as a suburban mom with kids, I am lucky enough to live mere miles from the Jacob Burns Film Center (JBFC), a five-screen cinema offering a full range of programming from films, events, community screenings, visiting artists and special guests. I like to think of it as an art house theater with 92 Street Y caliber lectures and classes all rolled into one. And although I don’t get to go there as often as I like, I have been known to sneak in an early movie while the kids are in school or plan a date night to catch an indie film with my husband. I’ve even taken my kids to Family Saturdays at the Media Arts Lab just a stone’s throw away where they’ve made amazing hands-on projects.

Programming Reigns Supreme

“The breadth of programming is what makes us so unique,” explains Andrew Jupin, a Senior Programmer at the JBFC who started working there in 2006 as a projectionist. The movie theater landscape has changed significantly in Westchester in recent years with the Saw Mill Multiplex in Hawthorne shutting down and an anticipated closing of the Greenburgh Multiplex in Elmsford later this year. In addition, new players such as ultra-luxe iPic in Dobbs Ferry and a recently renovated Bedford Playhouse have been attracting moviegoers.

But Jupin argues that seeing movies at these places is an “anonymous experience.” And he’s right. It is not uncommon to see people milling about in the JBFC lobby post-screening discussing a film they just saw. As a programmer, Jupin also works on planning director Q & As and curating films that engage moviegoers throughout Westchester. Each year more than 200,000 people visit the JBFC to see more than 400 films from over 40 countries. Since it opened in 2001, three million people have walked through the doors of this Spanish mission-style theater to see cutting-edge cinema.

Carefully Curated Series

One of Jupin’s responsibilities is programming an ongoing series called Retro Revival sponsored by Wine Enthusiast. It is now in its third year and Jupin is passionate about selecting the films that become part of the series. We discuss a recent showing of I Am Cuba and Jupin’s excitement about the movie which he dubs a “lost treasure” is palatable. “This movie from the former USSR was virtually unseen here.” Martin Scorcese and Francis Ford Coppola were champions of the film and Milestone Films had to fight legal battles to get it shown here.” Jupin loves introducing something like this to an audience. “They [the moviegoers] trust us and our selections.” Jupin likes to choose tried and true classics like It’s a Wonderful Life to offerings that are for “adventurous hardcore cinephiles.”

And Jupin is well-qualified to make those selections. He’s an adjunct professor at the School of Film and Media Studies at Purchase College and also teaches at Westchester Community College. In his spare time, he also hosts a popular weekly podcast called We Hate Movies with several friends where they discuss terrible movies. He’s seen hundreds of “trashy films” and likes the dichotomy of working at JBFC where he gets to “bring worthwhile films to an audience.”

Jupin laments that sell out crowds for a screening are often viewed as a barometer of success. “I’ve been to film screenings where there are ten people but those ten people are blown away and they want to see more films by that director or on a certain subject and they then tell their friends.” Jupin, along with other programmers at the theater, finds it incredibly rewarding when they can open their audience to new ideas or new films not seen in a mainstream moviehouse.

Two other ongoing series at the Burns include Global Watch: Crisis and Social Action and Remix: The Black Experience in Film, Media and Art. “The films in these series are often not the most easiest to watch,” Jupin says but they hold true to board member and curator Jonathan Demme’s vision of the JBFC “as a force for social change disguised as a movie theater.”

Thought-Provoking Q & As and Lectures

As part of his programming responsibilities, Jupin also conducts Q & As with filmmakers, actors or other movie industry veterans. This past year he particularly enjoyed meeting first time director Bo Burnham of Eighth Grade and Alex Winter, the director of the documentary film, The Panama Papers. “The Q & As were so different. Burnham was a former comedian and the discussion was funny and light-hearted. With Winter, we spoke about journalism ethics.”

An Economic Engine for 10570 and Beyond

Having worked in Pleasantville for more than a decade, Jupin loves the tight-knit community aspect of the neighborhood. The Inwood resident enjoys the restaurants, book store and small local shops nearby. The JBFC has strong relationships with several local businesses offering discounts to JBFC members through a program called Reel Partners. This past summer, the JBFC released a study The Economic Close-Up showcasing how it is a cultural magnet and economic driver in the region. As we look out the windows of the Media Arts Lab, there are several multi-unit condos being built within walking distance of the JBFC. In 2018, 80 units of transit-oriented housing were under construction in Pleasantville and six new restaurants had opened within the past year.

An Exciting Future

It is an exciting time for the JBFC with a recent Regional Economic Development Council initiative from Governor Cuomo providing $506,500 to the JBFC for capital improvements. The theater requires a lot of upkeep and they hope to use some of the funds for new seating and other things that will continue to make coming to the JBFC a top-notch experience. “A flat screen TV or a film being screened on Netflix still can’t compare with seeing a film on the big screen.” Throw in the fact that the JBFC is a true cultural and community hub and you’ll know why this five-screen theater continues to be one of the most successful suburban art houses in the country.

Jacob Burns Staff

Edie Demas, Executive Director

Edie joined the JBFC as executive director in May 2014. Previously, she worked with the Wallis Annenberg Center for the Performing Arts in Los Angeles and was Director of Education at New York’s New Victory Theater, where under her direction, its education programs were honored with the Americans for the Arts award for Arts Education. She also spent several years in Ireland, where she worked as an education officer with Graffiti Theatre Company, founded UnReel, an international film festival for young people, developed scripts for children’s film and television, and served as an Associate Artist for Education and Outreach at The Abbey Theatre. Edie holds an MA and PhD from NYU’s Program in Educational Theatre.

Dominick Balletta, Managing Director

Dominick joined the JBFC in May 2008, following seven years as General Manager of NYC’s Film Forum. Since 2011, he has served as an advisor to the DeVos Institute of Arts Management. As a producer his credits include Another Telepathic Thing and I’m Carolyn Parker, both directed by Jonathan Demme, and Moisés Kaufman’s 33 Variations, starring Jane Fonda (Tony Award nomination). He has served as a grant panelist for NEA, NYSCA, ArtsWestchester, and CEC/ArtsLink.

Brian Ackerman, Director of Programming

Brian joined the JBFC as the Founding Programming Director in 2001, which followed several years in an advisory capacity assisting the planning and development of the theaters. He designed the programming template that presents over 400 films annually to include special events, new releases, documentary, foreign-language, retrospective films, as well as thematic series, under one roof. He has worked for over 30 years in the New York cinema arts scene–building, programming, and operating art houses. He also serves on juries at film festivals including SXSW and Full Frame.

Judy Exton, Director of Development

Judy joined the JBFC as Director of Development in December 2001. Prior to this, she raised money for a number of nonprofits, including New York City Ballet, Caramoor, and Boys & Girls Clubs of America. Judy holds a B.A. in Communications from The College of Wooster.

Emily Keating, Director of Education

Emily has overseen the JBFC education programs since their inception in 2001. She has consulted for non-profit film centers on the development of their school programs, and has presented at many national education and literacy conferences. She is an adjunct faculty member at Pace University’s School of Education.

Sean Weiner, Director of Creative Culture

Sean received his M.F.A. from Hunter College in Integrated Media Arts and a B.A. in Cinema Studies from SUNY Purchase, where he is now a faculty member. At the JBFC, Sean is the director of Creative Culture, an initiative connecting emerging makers to creative careers through fellowship opportunities and residency programs.

Westchester Jewish Film Festival

Mark your calendars for one of the most popular film series featured at JBFC- the 18th Westchester Jewish Film Festival. The festival from April 2-17 features 42 entertaining, thought-provoking, and engaging film from documentaries to narratives. Plus, the festival will continue its tradition of bringing some of Israel’s fantastic television programming – 12 episodes of the hit comedy series The New Black (Shababniks) and all five episodes of the dystopian drama Autonomies.

This year for the first time, the festival will kick off with not one but two unique programs. One theater will showcase the New York premiere of award-winning Israeli filmmaker Yair Lev’s You Only Die Twice, a suspenseful documentary thriller with splashes of humor at just the right moments. At the same time, in another theater, we’ll screen the first four episodes of The New Black (Shababniks).

Continuing to feature stunning new films from around the world, we’re also showing Shoah: Four Sisters by the late Claude Lanzmann, which reveals stunning footage not used in his epic 1985 masterpiece Shoah. The festival centerpiece is Golda’s Balcony, the Film, a cinematic event about Golda Meir’s extraordinary life and legacy, featuring a stellar performance by Tovah Feldshuh, who will appear at a post-screening discussion on April 6.

All this, plus a very special tribute to the Carl Reiner!

“This is our most popular series and several shows sell out, so book early,” advises Jupin.

Opening Night with RECEPTION

April 2

6:30 p.m. You Only Die Twice

7:00 p.m. The New Black (Shababniks)

A Bucolic Westchester Jewel that’s Fit for a Rockefeller

March 8, 2019 by Shauna Levy

Tucked away in Sleepy Hollow, only 30 miles north of New York City, the beloved jewel known as the Rockefeller State Park Preserve is resplendent in the natural beauty for which Westchester is renowned. It is, however, distinguished by a storied history and the meticulous support of the Rockefeller family.

The property, formerly the Pocantico Hills and Rockwood Hall country estates of the John D. Rockefeller family and William Rockefeller, dates back to 1886. In 1983, the Rockefeller Family generously donated over 1425 acres to the State of New York to safeguard these lands for future generations.

Today, the Preserve is home to forests, fields, streams, and wetlands that support a high diversity of native species of resident and migratory birds, mammals, insects, amphibians, reptiles, fish and aquatic species. Managed by New York State Office of Parks, Recreation, and Historic Preservation, the Preserve is open to the public year-round, sunrise to sunset.

Friends Who Are Family

In 1996, to provide additional support to protect the Preserve, George Gumina, established the Friends of the Rockefeller State Park Preserve. Serving as president and founder, Gumina is also a Rockefeller family member as his wife is the granddaughter of Nelson Rockefeller.

Preserving the land is personal for him as he explains, “Since Uncle John donated the land to the state, Aunt Peggy acted as a steward of the land. It was her primary residence and she loved the land. When she passed, with the family’s support, I began the ‘Friends’ group in her honor.” The organization actively supports educational programs, major exhibits and maintaining the preserve’s unique system of its lovely carriage roads.

Those funds are instrumental in the upkeep of the extensive network of carriage roads that characterize the park. The well-engineered 16-foot-wide, crushed-stone, network of 65-mile carriage roads were designed by John D. Rockefeller Sr. and his son, John D. Jr., over a 40-plus year period from 1910 into the 1950s. The winding roads overlook stunning vistas and serve as the signature feature of the preserve.

Gumina adds, “The carriage roads are what bring everyone here. From Day One, these roads were built for the public to enjoy–they were never just for the family. They are ideal for runners, pedestrians, horseback and carriage riding. You could walk on wide, manicured roads for miles and bring your dogs without worrying about ticks.” Over 400,000 visitors concur and visit the roads from all around the world each year.

Noble Endeavors

The Friends group hosts several fundraising events throughout the year, but the Peony Celebration, an annual cocktail event held in May, is one of the largest fundraisers. The peony garden was donated by a town in Shimane Prefecture, Japan following the tragedy of September 11th to express a gesture of healing and solidarity towards the United States. They sent a gift of 500 peonies, considered to be Japan’s “most noble of flowers.”

Planting this garden was a culmination of true partnership. The Friends initiated a major landscaping project around the park’s gateway to provide a worthy site for this generous gift, while gardeners from Japan came to plant the flowers and teach the preserve staff how to care for them. Each year, it serves as the stunning backdrop to raise funds for the Friends’ ongoing initiatives.

Gumina explains the importance of such events saying, “The state has an $8M endowment donated by the family that many parks do not enjoy that supplements budgetary needs, but maintaining the intricate details of this special property is costly. That’s why the family remains present to provide as much support as we can with four family members actively on the board. This year, we hope to raise enough funds to refurbish Brother’s Path, named for Uncle David and Uncle Laurance, which circles Swan Lake.”

Preserving Beauty for Generations

Rockefeller State Park Preserve recently celebrated a major milestone! The New York State Historic Review Board unanimously designated it as a State National Registry of Historic Places listed in Washington D.C., in recognition of the unique beauty and character of the carriage roads.

According to Gumina, the accolade is well-earned, “I call it the Central Park of Westchester, although I think it’s much nicer than Central Park–I’ve been there. From the carriage roads to Swan Lake to the wonder of its natural setting, it’s just absolutely stunning. It’s a beautiful backdrop for being active as well as those who simply wish to sit and meditate. It’s quite magnificent.”

Spinning for the Win – Against Rare Cancers

March 8, 2019 by Beth Besen

Chances are, you know someone affected by cancer. Maybe a parent, a sibling, child, cousin, best friend. Maybe you, yourself. If so, you deeply understand that it’s a battle against a cunning and deadly foe. That said, through a combination of early detection and new and better treatment options, these days it’s a battle people are winning.

But new and better treatment options don’t just happen; they’re based on years of research and development, followed by clinical trials with carefully selected patients. And, yes, all this science comes at a price. While government spending and grants provide some of the necessary funding*, a huge piece of the funding pie comes from individual donations and fundraising. What’s more, government dollars aren’t allocated equally and rare cancers**, in particular, rely heavily on private fund-raising and donations.

Enter Pleasantville resident Justine Fontinell. Together with her husband Tom Becker and their ten-year-old son Hank, she moved to Pleasantville nearly nine years ago and, though a born-and-bred Manhattan girl, Justine shares that she could not be happier.

Among the reasons? “Pleasantville is an amazingly generous town filled with people who go out of their way to help each other.”

Justine first became aware of Cycle for Survival about six years ago. Both her parents are rare cancer survivors, and Cycle for Survival’s founders’ story, mission, and collaboration with top-tier cancer research center Memorial Sloane Kettering (MSK) – along with their commitment to use every dollar for research and allocate every one of those dollars within six months of every event – spoke to Justine’s desire to support others in their respective fights. Coincidentally, Justine discovered that co-founder Jennifer Goodman Linn suffered from the same rare sarcoma as her father. Feeling compelled to join and contribute to this worthy cause, Justine quickly put together her first Sit and Spin team and, in 2013, raised over $8k. Since that first year, Sit and Spin has grown in membership and, importantly, grown exponentially in funds raised. To date, they have raised over $260k, and this year’s goal of at least $40k would bring the grand total to over $300k! As a former non-profit Director of Development, Justine knows that asking for money isn’t something that comes naturally to most people. She further acknowledges that a ‘personal ask’ feels and is different from a ‘corporate ask.’ That said, she points out that the common principle is a simple one: “people won’t give if you don’t ask.” And, in keeping with this philosophy, she asks every team member to remember that they are “giving people an opportunity to invest in lifesaving research, a donation that will have a direct impact on cancer treatments.” Sit and Spin’s success has been recognized for the last three years with a 10K grant from the Crimson Lion Lavine Family Foundation, as a bonus for achievement in recruiting new donors and increased gifts.

However cliché it may sound, giving to others truly does empower the giver. Justine describes every four-hour fundraising spin relay event as nothing short of extraordinary. A simple look at her accompanying photos leaves no doubt that there is fun and laughter, but, as she also shared, then too there are tears. It’s an emotional as well as physical experience; every gym is tightly packed with bikes and riders, riders write and proudly “wear” on their bodies the names of those they’re honoring, speakers share their personal stories between each leg of the ride, and the collective energy of working together for a cause is an overwhelmingly positive experience.

However cliché it may sound, giving to others truly does empower the giver. Justine describes every four-hour fundraising spin relay event as nothing short of extraordinary. “It’s an overwhelmingly positive experience.”

Justine counts old friends (from as far back as High School) as well as many Pleasantville mom friends as regular participants of her annual teams. Karen McCarthy has lived in Pleasantville and known Justine since their two boys were in preschool together. This will be her fourth year with Cycle for Survival. “I ran into Justine and another team member on my Metro North train ride from NYC to P’ville; they were coming back from a pre-event and I had just seen my doctor at MSK for my six month visit. I always donated to the team, but thought my way of giving back would be to join them. In 2015, I had part of my thyroid removed at MSK due to Thyroid Cancer. Thyroid Cancer is a rare cancer without a lot of funding, but, when discovered early, has a very high cure rate. I now get checked once a year to make sure there is no recurrence.”

Adds P’ville teammate and survivor Vanessa Catalano, “I joined Justine’s team three years ago as a way to celebrate the end of my fight with Stage III Triple Negative Breast Cancer. Throughout my operations and treatments I continued to go to my step and spin classes at the gym. It was my part in keeping myself as healthy and strong as possible. When I heard about Cycle for Survival I knew it would be a great match for me.” Thrilled to have celebrated two years in remission this past December, Vanessa, noting that she and her family received tremendous love and support throughout her battle, adds, “part of my survival is remembering that and paying it forward through this event.” To date, Vanessa’s brother is the only male to have joined team Sit and Spin. However, Justine welcomes all who are willing to work hard to join her!

For further Cycle for Survival information, please visit: cycleforsurvival.org

*Current Fiscal Year (FY 2019) Budget: The FY 2019 Department of Defense and Labor, Health and Human Services, and Education Appropriations Act included $5.74 billion for NCI, a $79 million increase over FY 2018. Source NIH/NCI website
**Described by Cycle for Survival as: brain, pancreatic, ovarian, thyroid, and stomach cancers; leukemia and lymphoma; all pediatric cancers; and many others.

The Making of the Pleasantville Music Festival

March 8, 2019 by David Propper

Managing ‘a zillion moving parts’ to create an all-day music extravaganza

Save the Date: July 13, 2019

When longtime Pleasantville resident Bruce Figler attended his first ever Pleasantville Music Festival, it was in 2005. That happened to be the inaugural year for the event, and Figler, who has been in the radio business, helped the original founders hook in a music station to be part of the all-day affair.

“I was perfectly happy sitting backstage with a beer hanging out with the radio station people, with the bands, going on stage introducing an act, hanging out with my family in the field for awhile,” Figler said.

“That was my life, it was a pretty easy life.”

Fast-forward more than a decade later, and Figler, who owns Creative Sound Works on Wheeler Avenue, is now the executive director of the yearly music festival that brings about 4,000 people to Parkway Field to hear a jam packed lineup of musical talent perform. His life is a little busier now than back in 2005 with months of planning going into the creation of the festival.

Figler works with an executive staff of about ten people and a volunteer base of more than 100 that live in the region (mostly Pleasantville and Chappaqua). Each year, he and staff members discuss what worked and what didn’t work that year with the desire to be more efficient the following year. A survey is also sent to attendees so Figler can receive feedback.

Once a review of the previous year is over, finding a new set of bands gets underway as early as December. Figler said he and the other staff members try to nail down different musicians that will please a wide range of demographics with Figler compiling a “wish list” of about 30 bands and musicians he’d love to go after.

But because the festival is a municipally run–rather than private–event, there are limitations Figler has to grapple with. Other festivals can offer more money to performers and some festivals have exclusivity rights, which means a band can’t perform within a certain radius within a certain time frame. He estimated that for every ten more prominent bands/musicians he reaches out to, seven reject him.

For the bigger bands, Figler said he tells them if they come to Pleasantville, it would be “an easier festival, it’s very manageable, you can be in and out pretty quickly.”

Additionally, because the festival is involved with a radio station (107.1 The Peak), that station supports the booked musicians which result in airtime for them leading up to the festival. A band could find a new base of fans in the suburbs, Figler said.

While the pursuit of big acts can be an arduous task, the festival also needs to find smaller bands and musicians, which begins two or three months before the festival.

Up and coming bands can submit through the festival’s website with staff members taking trips to hear different contending bands. “We’re becoming very diverse musically so I try to find something for everyone,” Figler said.

Pleasantville resident Jim Zimmerman, who founded the music festival in 2005 with Bernie Gordon and the late Lisa Wenzel, said the first year he helped put it together, it was like a second full-time job. Part of his motivation to start the festival was to give smaller bands and musicians a larger stage to perform. Some bands have gone on to bigger and better things, he pointed out.

“I had to develop all the systems and recruit so it was quite a project nevertheless,” Zimmerman said. “Everything had to be done by scratch.” Figler joked he doesn’t have to create the wheel like Zimmerman did, only keep it spinning.

While the music lineup is the most significant set to put together, Figler has to secure sponsors and vendors, many of which are eateries from Pleasantville and surrounding towns. There is also a push by a recycling group to ensure it is a zero waste event. Law enforcement and the department of public works are conferred with considering this is the largest public gathering in the small village each year.

The day of the event, Figler said weather is always an uncontrolled variable that has to be monitored. The last three years there has either been rain or a threat of a storm so the village recreational offices become a makeshift weather station. Said Figler: “There’s a zillion moving parts to this thing.”

Arc Stages – A Magical Place

March 8, 2019 by Ella Ilan

Teens during last year’s SummerStage production of Woody Guthrie’s American Song photo by Liza Margulies

As a theatre lover, I could not have dreamed up a more perfect place for arts enrichment for the community. Arc Stages, whose tagline is “theatre for every stage,” hits the mark in providing theatre education and opportunities for every stage of life and all stages of development. Arc Stages, located in Pleasantville, runs three theatre companies that currently share the same stage; the educational stage, the community theatre, and the professional theatre. It is a place where you can learn about theatre, be in theatre, or see theatre.

The Educational Stage

The educational stage produces youth productions and conducts workshops for kids ages 3-18 all year round, in addition to adult classes like the adult improv comedy class. In the theatre workshop program, kids register for workshops by age group and are invited to audition. What differentiates Arc Stages from other children’s theatre groups is that the show is not chosen until after the students audition. No students are cut from the program. When students return for callbacks, the director tries different shows out on the students before selecting the most appropriate show for the group.

“It is about the students first. It’s not about vying for parts,” explains Adam Cohen, Artistic Director. “We usually have a list of shows and we try different songs and sides out on the kids and see what show fits this particular group of kids because our goal is to teach them something through theatre and challenge them.”

“We do theatre games and work different types of workshops into the rehearsal process so that it’s not only about the show but about building self-confidence through theatre,” says Galit Sperling, the Director of Education. “We focus on positivity and let our students know that this is a safe space and an artistically and educationally fulfilling sanctuary.”

As auditioning can be nerve-wracking for some younger first time students, no one is forced to audition. “They can sing happy birthday if they want. It’s about us getting to know them,” says Sperling.

All theatre workshops culminate in two or three productions with elaborate costumes and sets at the end of the session.

Arc Stages also runs an in-school playwriting educational outreach program, Visions and Voices, in which they work with local schools teaching kids how to write plays and then produce them. A festival of plays is presented at the conclusion of the program. Visions and Voices is in its fourth year and Arc Stages would love to add more schools to its program.

SummerStage Camp

If you are looking for something for your kids to do this summer, Arc Stages holds a full day summer camp in which different age groups work on different shows. Besides rehearsals for a show, classes during the camp day include Acting Technique, Choreography, Improv & Theater Games, Stage Combat, Music and Vocal Technique, master classes and more.

Campers can choose to enroll in a six-week session or a three-week session. There is also a one-week intensive course. Early registration discounts are available if you register before April 1st.

The Community Stage

The community stage is geared towards adults in the community, whether you are brand new to theatre, returning to theatre after many years, or are professional non-union actors who want to do something in the community. They put on three productions every year. Auditions are open to anyone who wants to participate.

“It’s a mix between people who are accountants, lawyers, dentists, and everyday people that want to get into acting. Some participants are incredibly talented but just happen to do other things for a living. We try to produce a professional looking show but we’re looking for all walks of life in it so it really is the community,” says Cohen.

There are also plenty of volunteer opportunities for community members to assist backstage, design sets, work on costumes or help with technical services.

Rehearsals are currently underway for their next show, Avenue Q, which promises to be a great performance. Avenue Q will run the first two weekends of April. The community stage will also perform You’re A Good Man Charlie Brown July 19th-21st. Tickets for all shows can be purchased at arcstages.org.

The Next Stage

The Next Stage is the professional theatre company, which operates under a Small Professional Theatre Contract with Actor’s Equity Association, an actors’ union. They produce two high quality productions a year. The actors in a Next Stage show are generally all union members. Auditions are held at an open call in the city.

The next show has yet to be announced for the professional theatre company. Traditionally, Arc Stages announces their upcoming shows for both the community and professional stage at their fundraising gala in April. The gala, scheduled for April 27th, is always a fun evening where a show written especially for that night is performed for the guests by a mix of community and professional actors. Students from the educational stage also perform a number in the show.

Working Towards a Dream

Arc Stages’ facility has plenty of rehearsal spaces and its own dedicated 74-seat theatre. While having its own theatre has been incredible, a capital campaign is underway to raise money to build a bigger 175-seat proscenium theatre. They are probably a few years away from fulfilling this goal but it will surely add to the magnificence of all that their students, actors and community members accomplish at this magical place.