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Sing Sing Prison Museum

Sing Sing Prison Acquires a New Story and Preps for Museum Opening

February 22, 2020 by Jennifer Sabin Poux

Archival image of the Powerhouse Photos courtesy of Sing Sing Museum

In 1929, the New York Yankees played an exhibition game in an unusual location. It wasn’t a major league stadium or even a famous park. And Babe Ruth, Lou Gehrig and their teammates weren’t playing a team known for its athletic prowess.

That game on September 5th was between the Yankees and the Ossining Orioles. The venue? Sing Sing Prison.The Orioles were the best team in the Mutual Welfare League, a.k.a. a prison team.

The Yankees toured the prison before playing in their iconic pinstripes. One man who was incarcerated at Sing Sing was too ill to watch the game, so Ruth autographed his cell wall. Apparently, the Yankees signed a number of baseballs and handed them out. One ball from that momentous game, signed by Ruth and Gehrig, was acquired by Sing Sing Prison Museum just before this past New Year at an auction in Seattle.

The baseball signed by Babe Ruth and Lou Gehrig during a game between the Yankees and the inmates. The ball was recently acquired for the museum.
Photo Credit: MBA Auctions

Brent Glass is the Interim Director of the museum which will open in part in late 2020. He says that ball, which will be on exhibit along with its history, is significant to the museum because it connects several prison stories.

The ball will “help us tell the story of one approach…to try to encourage men who are incarcerated to partake in recreation, and to become integrated in society when they leave.”

It also helps tell the stories of Sing Sing in popular culture.

Glass says Warden Lewis E. Lawes, who was in charge of Sing Sing at the time of the game, implemented a progressive theory about the importance of rehabilitating the men under his watch in part by making life more interesting for them and giving them recreational and athletic opportunities. He was also connected to Hollywood; Lawes had written several screenplays including, “Over the Wall,” about a man incarcerated at Sing Sing of course.

Over the prison walls is where three Ruth homeruns landed that day in 1929. The Orioles wore hand-me-down NY Giants uniforms to face their professional opponents, but that didn’t help. No surprise– the game was a rout. The Yankees won 17-3. And they gave the men of Sing Sing a great show.

A rendering of the powerhouse
Photos courtesy of Sing Sing Museum

A New Cultural Institution

When we think about Westchester’s many cultural institutions, Sing Sing Prison does not come to mind. It doesn’t make any Hudson Valley must-see lists, yet. But that will change in this next decade, with the creation of the Sing Sing Prison Museum, opening in full in 2025. The museum’s founders are on a mission to make the museum one of Westchester’s great cultural tourism destinations.

You might go for the history, or you might go to gain a greater understanding of America’s prison complex. You might be interested in the more macabre aspects of the fabled penitentiary. Or you might go for the baseball.

The Sing Sing museum will be devoted to telling stories like the Yankees game, as well as the full story of the institution and its evolution. It will highlight stories of its brutal past and most infamous prisoners like Ethel and Julius Rosenberg, and those of the ordinary men incarcerated there, as well as their families, and the rehabilitation work occurring there in the 21st century. And the museum’s installations will be designed to encourage visitors to examine the greater social justice issues of the prison system.

“That’s one of our major goals for the museum is to challenge people to reimagine the criminal justice system and to take action to create a more just society,” says Glass.

Glass, who is also Director Emeritus of Smithsonian’s National Museum of American History, says all stakeholders will be included in the creation of the museum. “We want to tell the story of how incarceration has affected everyone at Sing Sing. We want to talk to the men who are incarcerated. What stories do they think are important to tell? We want to talk to people who have been victims of crimes. We don’t want to leave their stories out.” And he says the museum will include the stories of the people who have worked there over the years.

Why build a museum at Sing Sing now? Glass says, “Every chapter in criminal justice history has a few pages written at Sing Sing.” Unlike a popular museum like Alcatraz, Sing Sing is still operating. And he adds that its proximity to New York City and historic sites in the Hudson Valley makes it a perfect location. It will also bring tourism and millions of tourist dollars to Ossining. The museum founders estimate that 260 jobs in the museum and the wider community will be created, as well as 100 construction jobs.

The Sing Sing Prison Museum will open a preview center in 2020 at the Powerhouse on the prison campus. The Powerhouse provided electricity to the prison from the 1930’s to the 1960’s and will be repurposed with the construction of exhibition spaces, classrooms and a theater, as well as space for re-entry programs to help released prisoners acclimate to society.

When the full museum opens in 2025, Glass says visitors will be able to enter the historic cellblock. “We would break into the prison in effect through a secure corridor that would connect the Powerhouse to the historic cellblock which is about 100 yards south of the Powerhouse. The historic cellblock, built in 1825, would be the centerpiece of the visitor experience because it is an extraordinary ruin that nobody gets to see at this point.”

Sing Sing has a notorious past–including 614 executions in the 20th century–but it is working to bring a sense of humanity to its prisoners through a variety of arts and educational programs. Rehabilitation Through the Arts provides year-round theater workshops and performance to the prisoners of Sing Sing. They also run workshops in dance, visual arts, music and creative writing. Hudson Link for Higher Education provides college educational opportunities to prisoners through private funding. The correctional facility has a garden and a professional master gardener, Douglass DeCandia, who works with the prisoners. There are also programs for the families of prisoners.

Perhaps some of the families of early twentieth century prisoners might still have their signed baseballs from the 1929 game against the Yankees. Glass is hoping the museum might be able to acquire a few more. In the meantime, this one will be on view at Sing Sing’s new museum later this year, a wonderful testament to the idea that people who are incarcerated benefit from the occasional diversion and a reminder of what’s possible on the outside.

Six Tidbits About Sing Sing

  • The 1,200 cells in the historic cellblock built in 1825 were seven-feet long, six-and-a-half feet high, and three-feet, seven inches wide.
  • In the 19th century, some prisoners were subjected to punishments like the “shower bath,” similar to waterboarding.
  • David Berkowitz, aka “the Son of Sam,” was incarcerated at Sing Sing.
  • Some Hollywood movies filmed scenes at Sing Sing including “Breakfast at Tiffany’s.”
  • Julius and Ethel Rosenberg were executed at Sing Sing
  • Bruce Springsteen, Joan Baez, Harry Houdini and B.B. King have all performed at Sing Sing

Filed Under: Cover Stories Tagged With: Babe Ruth, Criminal Justice System, Lou Gehjrig, Museum Opening, Mutual Welfare League, Ossining, Ossining History, Ossining Orioles, Prison Stories, Sing Sing Museum, Sing Sing Prison, Sing Sing Prison Museum, social justice, Stories, Victims, Visitor Experience, yankees

How We Talk About Incarceration

October 26, 2019 by Jennifer Sabin Poux

The Sing Sing Prison Museum Hopes to Impact the Conversation-and Ossining

Here’s what we don’t talk about when we talk about incarceration: the women left behind when a husband, father or son is imprisoned. The Wait Room, a dance and acrobatic production held outside Sing Sing Prison in September, directed the audience’s focus to those women who suffer the emotional, physical and economic burdens of the prison system, as well as the burden of shame. The production was poignant and effective: it was impossible to watch the dancers move and fly (with the help of harnesses) around the tilt-a-whirl stage without thinking more empathetically about the women whose loved ones reside up the hill at Sing Sing.

The Wait Room, a Flyaway Production out of San Francisco, was brought to Louis Engel Park on the Hudson River in Ossining by the future Sing Sing Prison Museum and the Bethany Arts Community. The production meshes seamlessly with the museum’s broader mission. Opening in part in 2020, and in full in 2025, the museum will be devoted to telling the story of the institution and its evolution. It will highlight not only the stories of its brutal past and most infamous prisoners like Ethel and Julius Rosenberg, but of the ordinary prisoner and his family, and the rehabilitation work occurring there in the 21st century. And the museum’s installations will be designed to encourage visitors to thoughtfully examine the greater social justice issues of the prison system.

Powerhouse Rendering

“That’s one of our major goals for the museum is to challenge people to reimagine the criminal justice system and to take action to create a more just society,” says Brent Glass, Interim Executive Director of the museum.

Glass, who is also Director Emeritus of Smithsonian’s National Museum of American History, says all stakeholders will be included in the creation of the museum. “We want to tell the story of how incarceration has affected everyone at Sing Sing. We want to talk to the men who are incarcerated. What stories do they think are important to tell? We want to talk to people who have been victims of crimes. We don’t want to leave their stories out.” He also says the museum will include the engaging stories of the people who’ve worked there over the years.

Photo By Fred Elmes

The Wait Room is one example of how the Sing Sing Prison Museum is deftly utilizing art and storytelling to educate audiences. The dancers performed to music and voice recordings of women whose loved ones are or have been incarcerated. The Wait Room’s choreographer, Jo Kreiter, is herself married to a man who was imprisoned for six years. Hearing the voices of marginalized women talk about the exorbitant expense of driving hours to visit someone in prison, the interminable wait in line to see them, being turned away because of an underwire bra or the wrong pants, all of it resonates because it becomes so personal as the backdrop to mesmerizing dance performances. The dancers sometimes fly, but they are also tethered to the oversized chairs on the clock-faced stage.

Photo by Fred Elmes

In addition to personal stories like those in The Wait Room, Glass says the museum is meant to give visitors history and context about the American justice system as a whole, and how it’s changed over time. What was a crime 100 years ago might not necessarily be a crime today. As a society, our concept of punishment has evolved over time.

Why build a museum at Sing Sing now? Glass says, “Every chapter in criminal justice history has a few pages written at Sing Sing.” Unlike a popular museum like Alcatraz, Sing Sing is still operating. And he adds that its proximity to the cultural mecca of New York City and historic sites in the Hudson Valley makes it a perfect location. It will also bring tourism and millions of tourist dollars to Ossining. The museum creators estimate that 260 jobs in the museum and the wider community will be created, as well as 100 construction jobs.

Photo by Fred Elmes

The Sing Sing Prison Museum will open a preview center in 2020 at the Powerhouse on the prison campus. The Powerhouse provided electricity to the prison from the 1930’s to the 1960’s and will be repurposed with the construction of exhibition spaces, classrooms and a theater, as well as space for re-entry programs to help released prisoners acclimate to society. Even young people on the outside will benefit: the museum has developed a curriculum on criminal justice for Ossining and Peekskill high school students.

When the full museum opens in 2025, Glass says visitors will be able to enter the historic cellblock. “We would break into the prison in effect through a secure corridor that would connect the Powerhouse to the historic cellblock which is about 100 yards south of the Powerhouse. The historic cellblock, built in 1825, would be the centerpiece of the visitor experience because it is an extraordinary ruin that nobody gets to see at this point.”

It’s what we don’t see that we can pretend isn’t happening, and that’s what art like The Wait Room examines. There has been a growing national conversation about the racial inequities of the prison system, and “Race” is the title of one of the production’s dances. But there are other issues inherent in the system that place an incredible burden on the women who visit their loved ones in prison. The cost of driving eight hours roundtrip, or more likely taking an expensive bus to a prison visit. The wild markup on items inside the prison commissary. The shame when friends ask, why are you still married to that criminal? The difficulty of raising a child with an imprisoned father, of suddenly being a one parent, one income household. The often condescending and dismissive treatment of the women by the prison guards as if they too have committed a crime.

Photo by Austin Forbord

Sing Sing has a notorious past – including 614 executions in the 20th century – but it is working to bring a sense of humanity to its prisoners through a variety of arts and educational programs. Rehabilitation Through the Arts provides year-round theater workshops and performance to the prisoners of Sing Sing. They also run workshops in dance, visual arts, music and creative writing. Hudson Link for Higher Education provides college educational opportunities to prisoners through private funding. The correctional facility has a garden and a professional master gardener, Douglass DeCandia, who works with the prisoners. There are also programs for the families: for example, they were invited to see The Wait Room free of charge.

Photo by Austin Forbord

The Wait Room ends with an ode to the women’s love for their husbands, partners, sons and fathers, no matter the egregiousness of their crime or the injustice of their innocence. A lone dancer flies high like a trapeze artist above the stage and above the audience, free, for the moment, of the binds of prison. The dance is called, “This is a Love Story.” It’s difficult to imagine a story about imprisonment as a love story, but the story of prison is, after all, about people. The Sing Sing Museum will examine the history of violence and crime, of justice and injustice, cruelty and redemption. It will also tell the story of men, women and children trying to survive in a system that flouts love but will never fully extinguish it.

Five Facts about Sing Sing

  • The 1,200 cells in the historic Cellblock built in 1825 were seven-feet long, six-and-a-half feet high, and three-feet, seven inches wide.
  • In the 19th century, some prisoners were subjected to punishments like the “shower bath,” similar to waterboarding.
  • David Berkowitz, aka “the Son of Sam,” was incarcerated at Sing Sing.
  • Some Hollywood movies filmed scenes at Sing Sing including “Breakfast at Tiffany’s.”
  • Julius and Ethel Rosenberg were executed at Sing Sing

Filed Under: Briarcliff Cover Stories Tagged With: Historic Cellblock, Incarceration, museum, Powerhouse, prisoners, Racial Inequities, Sing Sing, Sing Sing Prison Museum, The Wait Room

Cozy at Home

October 26, 2019 by Grace Bennett

I’m writing this on a grey, damp day in October, cozy in my loose ‘at home’ clothes. I guess the gloomier, chillier weather had to arrive sooner or later after one of the most spectacular Septembers on record. I was grateful for the extra stretch of summer, but equally so for the rains that help us transition through seasons, too. Mother Nature knows what she’s doing if we don’t mess with her too much! And as we head full full steam ahead into fall and winter temps, I do ponder the comforts of home, and feel ever grateful for my own. When it’s grey, there are fewer temptations. I get more of my ‘serious’ work done (like writing this column!). But I can also opt for lazy.

I might surf more, catch up on a grocery item list or other errands. If I’m feeling social, I’ll check movie listings at the Jacob Burns Film Center and inquire with a friend or two. But no matter what I do, I always feel that at home days maximizing your time solo or with family are every bit as precious as time out on the sunniest of days.

If you’re reading your second edition of Inside Biarcliff & Ossining on a grey day too, I have some good news. I promise it will give you plenty of reasons to smile, whether it’s Carine Feist’s ‘Friendsgiving Menu’ or Peter Chatzky’s ‘etcetera’ humor essay on ‘Loving Briarcliff.’

Please enjoy our second edition which celebrates two town histories-aside from our cover story on the fabulous historical society in Briarcliff Manor, don’t miss learning about the ambitious educational undertakings of the Sing Sing Prison Museum and also the inspiring vision of the Bethany Arts Community. We hope to continue trying to capture different slices of life and culture in the area… rain or shine. Happy Thanksgiving!

Filed Under: Just Between Us Tagged With: Bethany Arts Center, Briarcliff Manor, Carine Feist, culture, editor, Editor's Letter, grey, home, Inside Press, Jacob Burns Film Center, Just Between Us, life, Ossining, Sing Sing Prison Museum, social

The Wait Room to be Performed Outside Sing Sing

August 2, 2019 by The Inside Press

OSSINING, NY- The Sing Sing Prison Museum and Bethany Arts Community proudly present the East Coast premiere of The Wait Room, an outdoor dance program honoring the lives of women whose loved ones are incarcerated.

Commissioned by San Francisco’s Flyaway Productions, four performances will be presented Friday, September 20 at 8 pm; Saturday, September 21 at 3 pm and 8 pm; and Sunday, September 22 at 3 pm at Louis Engel Park on the Hudson River waterfront, just outside the walls of Sing Sing Correctional Facility in Ossining.

Choreographer Jo Kreiter, recipient of a 2019 Guggenheim Fellowship who has had a loved one incarcerated, says, “The Wait Room is the most personal work I’ve undertaken since founding Flyaway Productions in 1996. The dance is performed on a motorized set piece that invokes the instability experienced by wives, mothers and daughters when their loved ones are imprisoned.”

The setting in Ossining’s Louis Engel Park is near a decommissioned prison guard tower and a children’s play area, which is a comment on the theme of the dance relating to how families and children are affected by incarceration.

The first presentation of The Wait Room on the East Coast has been made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation.

Tickets to see The Wait Room are $25 each and are available online at

The Wait Room All proceeds will benefit the Sing Sing Prison Museum and are tax-deductible. Donations beyond the purchase price will be used to give free tickets to the families of incarcerated individuals. For more information, contact the Sing Sing Prison Museum at 914-236-5407 or at info@singsingprisonmuseum.org.

ABOUT FLYAWAY PRODUCTIONS

Founded in 1996 by Jo Kreiter, Flyaway Productions is an apparatus-based dance company that explores the range and power of female physicality and advances social issues in the public realm. The company uses the artistry of spinning, flying and suspension to engage political issues. Flyaway creates dances on both architectural and fabricated steel objects, with dancers suspended anywhere from two to 100 feet off the ground. Flyaway has a long history of transforming oral history into public art, articulating the experiences of unseen women. www.flyawayproductions.com

ABOUT SING SING PRISON MUSEUM

Sing Sing Prison Museum, slated to open in 2025, will be the extraordinary location where the complex and compelling stories of two hundred years of incarceration will be shared with the public on the grounds of America’s most historic active prison, Sing Sing Correctional Facility in Ossining, NY.  Through its exhibitions, collections and programs, Sing Sing Prison Museum will provide a forum for the examination of historic and contemporary issues in the criminal justice system, and their social, political and cultural impact.  www.singsingprisonmuseum.org

ABOUT BETHANY ARTS COMMUNITY

The mission of Bethany Arts Community is to create a space and environment where the many forms of art can be learned, produced and flourish. Artists of all ages and levels of experience are welcome to explore and create art that the community can experience and be engaged in while enhancing their perception and perspective of the world. BAC aims to inspire sharing, connection and collaboration in a culture designed for the benefit of the local community and beyond. www.bethanyarts.org.

REVIEWS FROM WEST COAST PERFORMANCES

SF CHRONICLE REVIEW

INDEPENDENT REVIEW

48 HILLS

IN DANCE

VIMEO TRAILER

News courtesy of Sing Sing Prison Museum and Bethany Arts Community

Filed Under: Gotta Have Arts Tagged With: Bethany Arts Council, Flyaway Productions, Louis Engel Park, Ossining, Sing Sing, Sing Sing Prison Museum, The Wait Room

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