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Comedy

Comedy in the Time of Corona

March 26, 2020 by Jennifer Sabin Poux

“Mind if we watch another Curb Your Enthusiasm?” my husband asks at midnight. Nobody has to get up before 8:30 a.m., so why not? It’s become something of a ritual: we started watching the new season of Larry David’s sitcom a few weeks ago, and then returned to the early episodes when Larry was – gasp – younger than we are today. And slightly less prickly than Bernie Sanders’ doppelganger is now in his seventies, making him expendable for the sake of the economy, according to some politicians. Turning off Brian Williams and turning to comedy has become a way to mitigate the stress of anxiety-tainted days. We sleep better when the night’s last note is hilarity rather than foreboding.

Comedy television is no panacea for a world on fire, but it does provide temporary relief from the flames. Some mornings I wake up and feel the weight of all the generations of my immediate and extended family. The most difficult has been my older sister’s failing health, and the barrier that the coronavirus has erected between her and a safer, healthier day-to-day life. She and her husband, who has Parkinson’s, were planning to move from Rhode Island to an assisted living community in Wisconsin near one of her daughters, a herculean effort for some of us in the days leading up to the move. The complex went on corona lockdown fifteen hours before her flight was scheduled to take off.

There seemed to be no humor in that moment– just disbelief at the unluckiness of our timing.

But isn’t that where humor is often buried? In irony, in bad luck and misfortune? My friend Eileen, one of the funniest people I know, helped me laugh at the absurdity of the situation for the first time. If you Google humor quotes, you’ll find the inspirational words of everyone from Erma Bombeck to Langston Hughes. Some are more profound than others. I like these words from (the also expendable) Mel Brooks, “Humor is just another defense against the universe.”

We need all the defenses we can muster these days. Cue Curb Your Enthusiasm’s clownish theme song. Larry David’s petty grievances, politically incorrect rants and personal interactions are so ridiculous and cringe-worthy that my husband and I can’t help but laugh for the twenty-five – forty minutes that each episode lasts. It’s enough time to forget that our college senior didn’t get to finish her final year at the school she loves and will probably have a hell of a time finding a job; or that our college freshman wasn’t able to complete his first year of independence and is now stuck with us for at least six months. (There is a silver lining in having our adult children home a little longer.)

Some people will be unable to find any silver linings in this time of crisis. Too many have already have faced unimaginable tragedy and thousands more will follow. As another elder statesman of comedy, 98-year-old Carl Reiner recently tweeted, “For the first time in memory I see nothing in this world about which I care to joke.” Agreed. But it is precisely the time that we can look to the fiction of television and film comedy for the jokes, for the respite.

Maybe Larry David the TV character can worry so freely about life’s nothings because he has no kids to worry about, and enough money to be insulated against economic anxiety. Oh to be wealthy and frivolous enough to open a coffee shop just for spite. That was so 2019.

2020 will be a year of financial reckoning for many. There is someone in our extended family whose company is struggling for survival. Another two who have been looking for a job – that task will be more difficult now than ever. We have two young nurses in our midst – one waiting for the dreaded peak, the other at home with a ten-week-old – my grand-niece – worried about going back to work in this inhospitable climate. And there’s the patriarch of our extended family who is ninety-two and in relatively good health for his age. But he is ninety-two – one can’t help but worry about him and his peers.

This virus is a multi-generational scourge: it may prefer the elderly, but it does not discriminate against the young, as we have begun to learn. And as the long arm of its economic fallout reaches into the 401k’s of our retirees, it also empties the wallets of the working class, feeds the instability of our hourly workers and undercuts the fragile economies of our newly minted high school and college grads. Many of our waiters and service workers are young or supporting young children. And many are society’s most vulnerable members.

Humor will not play a part in the economic stimulus package, of course. But humor can provide an assist in our psychological recovery plans that reaches across generations. Fleabag, Veep, Big Mouth, SNL, I think You Should Leave, Barry, Schitt’s Creek – their comedic social commentary can help us get through the night and redirect us to a future when this virus is in our rearview. (Save too-close-to-home dramas like Years and Years for post-pandemic viewing.)

There should be no guilt in alleviating the darkness of the moment for a short while, especially in the hours before we sleep.

With every episode we watch of Curb Your Enthusiasm, I hope HBO does a coronavirus season next year. Just imagine Larry David fumbling with this crisis – infuriating people, saying and doing all the wrong things, paranoid about every sniffle and cough. They probably won’t touch the subject for good reason, but maybe David is just irreverent enough that he will. And maybe it will be the balm we need when this is all over.

Filed Under: Surviving COVID-19 Tagged With: Column, Comedy, Coronavirus, crisis, Curb Your Enthusiasm, HBO, Humor, Larry David, Silver Linings

Hot Ticket: ‘An Evening With Robert Klein’ on June 30th at the Chappaqua Performing Arts Center

June 22, 2018 by Julia Bialek

Rolling Stones Magazine Named Robert Klein one of the Top 50 Comedians of All Time

Robert Klein

 

 

 

 

 

 

 

Robert Klein will be performing at the Chappaqua Performing Arts Center on June 30th at 8 p.m.. An iconic comedian, Robert Klein has been in the comedy business for over 40 years and continues to have an acclaimed career in comedy, on Broadway, and in film and television. Passionate about making people laugh and sharing his love of comedy with audiences, comedy-legend Robert Klein’s show, “An Evening With Robert Klein,” should not be missed.

Purchase tickets at Ticketmaster: 

https://www.ticketmaster.com/Robert-Klein-tickets/artist/702598

or at: www.chappaquapac.org

Recently I had the opportunity to speak with Robert Klein about his upcoming show and his career in comedy:

 Julia Bialek: Tell me about your new show! What is it about?

 Robert Klein: It’s actually not a “new” show. I’ve written 14 hours of material in my career, but everything seems to be new when people hear about it for the first time! I have developed a large repertoire from the nine HBO specials I did, but I always improvise a little during shows. And this show is particularly fun because it’s local! I live right by the venue.

JB: From where did you draw your inspiration when creating the material?

RK: Everything. When I was starting out, I talked about my short experience as a substitute teacher, which I did after Yale Drama School. Now I talk about being old. There isn’t one theme to my comedy. A million people look at an event or situation, and I look at it, and I find a funny thing in it. That’s my talent, that’s what I have been doing for nearly 50 years. Actually I have been doing it since I was a young boy, but now I don’t get in trouble for it.

JB: Were you a jokester growing up?

RK: Yes. My father was too. I think being a jokester runs in my family. But that is often the case with comedians. It’s an odd way to make a living, but making people laugh is a really wonderful thing. Everyone loves to laugh in good and bad times, and I love to make them laugh. Currently in comedy, a lot of people utilize political satire. I just recently worked with Alec Baldwin on a few episodes of Will and Grace. I reminded him that if he did the material that he does on Saturday Night Live in some other countries, he would be in jail or dead!

JB: Do you have any favorite political material that you have created?

RK: I have often utilized political satire, especially around the time of Watergate. Mind Over Matter was my first comedy album which I devoted a lot of to the Watergate scandal. That is actually the album that influenced a lot of other comedians (Bill Maher, Jay Leno, John Stewart, etc.) to go into comedy since there wasn’t a lot of political satire at the time. The culture was different then, you couldn’t just say whatever you wanted. In fact when I was in a summer replacement show in 1970 with Glen Campbell, I got eight shows and was warned not to do Vietnam materials. My career has spanned all of these changes.

JB: How has stand-up comedy changed over the years?                

RK: As I said, one of the changes is that things are not censored anymore. It’s gone too far the other way actually, where profanity is used for shock value, sometimes as a substitute for wit. That’s one way it has changed–anything goes. Additionally, comedy has gotten much crueler than it used to be. They may call it political correctness, but I think caring about feelings is a value to be admired and pursued. It just means courtesy. Another big change, which is remarkable, is that when I started in the industry, stand-up comedy was not thought of as a profession. It wasn’t something where people said, “I want to be a comedian when I grow up.” Now, there are schools teaching it, and universities have stand-up courses. Tens of thousands of people pursue a profession in comedy!

JB: What made you turn to comedy?

 RK: I went to college pretty young, at 16. When I was at Alfred University in college, I started on the pre-med track, but chemistry, biology, spelling, comprehension, and physics all got in the way. While I was at Alfred, I participated in some of their amazing productions. The two men that ran the drama department told my dad that they could get me into the Yale School of Drama. My dad was incredulous, saying, “An Ivy League for acting?” But I did get in, and that year of graduate school was valuable in that it immersed me in the business, and it set me in the right direction. My biggest break was being hired by Second City in Chicago. It was, and still is, a great organization where I learned improvisation and set pieces. There was a certain amount of luck in that because I didn’t know how to get started, as I knew no one in business. One thing led to another and I’ve been doing this since I was 23. Except for a few months as substitute teacher and a few summer jobs, I’ve never done anything else in life. I am spoiled in that way: I had success quickly. I’ve been in six Broadway shows, over 40 feature films, hundreds of television shows. I’ve also written a book, a screenplay, and comedy albums. I’ve done everything you can do in show business. Working is natural for me and I’ve never thought of retiring. I love doing this and am doing it better than I have ever done it.

JB: Your work in comedy has influenced so many other successful comedians. What do you believe to be your legacy on the comedy community?

RK: That’s an interesting question. I am proud that there is a documentary about me on Starz Network! Unfortunately produced by Harvey Weinstein, it’s called, “Robert Klein Still Can’t Stop His Leg.” In it, all the famous comedians talk about how I influenced them, which I think is a big part of my legacy. I also think I try to be intelligent and tasteful and not too cruel in my work. I have always stuck to my guns. Yes, I use four letter words from time to time, but we’re adults. I like to use profanity like a good writer would. It’s a matter of class and I always thought my material was pretty intelligent. I put on a total show: I like to sing, and I use original material. In this business, there is a lot of stealing; Dickens could more easily have protected his work in 1850’s London than I can now! I always like being original, and I have never stolen from anyone else. I wrote every word of my comedy materials. It’s a legacy of intelligent, good comedy and making people feel better.

JB: Is there anything particular you are looking forward to for this show?

RK: I’m looking forward to the new venue here. I know it has been open for a year, but I’ve never been inside. I’m excited to see Reader’s Digest, which I pass to go to my dentist, and perform in such an intimate theater. I love live audiences because I feel incredibly fulfilled when I perform. I think that even though I’ve been in show business for a while, I still surprise people, especially because I do some music in my show. I also still get a big kick out of it. So tell everyone to come out and watch. Not that I am worried about it for any particular reason, but comedians have a tendency to die. See me before I die! Is that a good sales pitch?  “Come watch me before I die!”

Filed Under: Gotta Have Arts Tagged With: An Evening with Robert Klein, Chappaqua Performing Arts Center, Comedian, Comedians, Comedy, Comedy Legend, Robert Klein

Comic Relief Plus Support for Planned Parenthood of Hudson Peconic

March 5, 2017 by Inside Press

Comedy Night Event Chair Susan Chatzky during her keynote talk which also featured clips from the work of her grandmother, comedian Jean Carroll

Story and Photos by Grace Bennett

An all evening January fundraiser featured a line up of wonderful women comedians and a male emcee who took no prisoners during a time when unique Planned Parenthood faces dire challenges. Headlined “Dirty Mouths Dirty Martinis Comedy Night,” the packed event in Irvington raised much needed funds for Planned Parenthood of Hudson Peconic, and was chaired by Susan Chatzky of Briarcliff Manor. I caught up with Chatzky post-even to ask her about the eve’s purpose and goals:

1. Why a Comedy Night as a theme during a time when Planned Parenthood is under attack?

SUSAN: I love stand-up comedy. It’s probably in my blood. My grandmother was a comedienne and my grandfather was Dean of The Friars Club in NYC. To me, it’s the most honest art form. I wanted to start a tradition of comedy fundraisers for Planned Parenthood. Last year we hosted a reading of The Vagina Monologues and people loved it. This year I waited until the anniversary of my Grandmother’s birth (and death 1/7/1911-1/1/2010) and had a stand up night in her honor. We’re going to make it an annual event…People who support Planned Parenthood already know what we do and the challenges we’re facing. I just want to show them a good time in exchange for their support.

2. Tell us more about why you opened the evening featuring your grandmother. Not hard to see why; I thought she was awesome, but do tell.

SUSAN: Thank you! I think she was awesome too! My grandmother was born in Paris 1/7/1911. Her family emigrated to the US in 1913. She started working in vaudeville when she was 13 as a dancer. When she would mess up or get lost, she would tell a joke. Then it became a thing. She and my grandfather, Buddy Howe, had an act together, when he went into the Army she kept it going on her own. When he got back, they realized she was better as a one-woman show.

Buddy became her manager and agent and went on to become CEO of ICM in the 1970’s. Jean was the first woman to earn $10,000 for an appearance on Sullivan!Jean was a progressive, liberal, Democrat. She spent her time and her money contributing to causes she believed in. She taught me to do the same.

3. Can you clarify what is at stake right now and why fundraisers for Planned Parenthood are critical at this juncture.

SUSAN: With Republicans in all three branches of our Executive Government, there’s little doubt that Medicaid will no longer cover Planned Parenthood health centers. This is what they mean by “defunding” us; we don’t get a blank check; we get paid by Medicaid for the services we provide. Roughly one third of our patients are on Medicaid.

Even with those Medicaid payments, we need to fundraise, because Medicaid payments do not fully cover the cost of the services. We also turn away no one. People should know that Medicaid doesn’t cover abortion services. Every abortion is paid for by the patient, or if she’s unable, Planned Parenthood will use donated funds.

4. What are your goals for the funds raised for the immediate future?

SUSAN: The comedy event was to raise funds for Planned Parenthood Hudson Peconic, the healthcare provider, and help women and men access high quality healthcare whenever they need it. The 10 Planned Parenthood centers in our affiliate. It is a C3 and has no political ties.

We are also beefing up security in light of the current political climate. Since the 2015 shooting (at a Planned Parenthood Center) in Colorado Springs, we’ve become very sensitive to the need to protect our patients and staff.

President Trump et al have also promised to defund us, meaning we’d no longer have access to title 10 funding or Medicaid reimbursement. Planned Parenthood would then have to fundraise to continue to provide care for people who would otherwise not be able to afford it.

On the political side, but having nothing to do with our C3, we hope to strengthen and update New York State law and bring it in line with Roe V Wade. The Reproductive Health Act affirms that NYS law recognizes a fundamental right of privacy and equality which will protect New Yorkers from hostile laws aimed at severely limiting abortion access providers.

 

 https://www.facebook.com/pg/InsideChappaquaMagazine/photos/?tab=album&album_id=10154891703608669

 

 

Filed Under: Armonk Community Tagged With: Comedy, Comedy Night, night, Planned Parenthood of Hudson Peconic, special, Susan Chatzky

Trade Secrets of Stand-up Comics

March 5, 2013 by The Inside Press

authorBy John DeBellis

Whether you’re a would-be stand-up comic, a public speaker or just telling jokes to friends many of these tips will help you get bigger laughs:

10. Don’t be too audience conscious, which means do not grade yourself by your audience’s reaction. There are times I’d be working to a tired audience, or one that’s way too drunk, or one that really likes me, but are listeners rather than laughers. Woody Allen said that some of his best sets were ones where he didn’t get many laughs, but afterwards audience members told him how much they enjoyed his show.

9. Whenever possible, we always video recorded our sets and watched them no matter how painful, especially the bad ones. This way we could compare what worked and didn’t worked. Sometimes, the difference in getting a laugh or not is just a syllable or an added word, a look, or you waited just a beat too long in the delivery of the punch line or set up.

8. If I’m rolling alone, getting steady laughs and suddenly a joke doesn’t get a laugh (it’ll feel like an hour of silence), I never comment on it. Most of the time, the audience won’t even notice. There have been times, when a prolonged silence caused me to bring attention to it, but I always made sure what I said was funny. The audience wants the comic to be in control.

7. I was taught never to use vulgarity to deal with a tough situation, like a heckler or an unusual interruption. I’ve worked through black outs and fights in the audience. It’s best to stay clean and original. By closing off the easy avenues it opens up better avenues. You learn to think creatively on your feet and find smarter ways to turn a bad situation into a good one.

6. I was told early on from comedians like Elayne Boosler and Richard Lewis to watch other comics–especially your peers–not to emulate, but to see what works or doesn’t work and to help your fellow comics with advice or even a punch line. It’s one of the fastest ways to learn.

5. For comics it’s important to let the laughs breathe and not to step on them by going into your next joke too quickly. At the same time you also don’t want to wait too long and leave too much space between jokes. Finding the correct timing every time comes with experience.

4. This can also apply to public speakers. Don’t worry about hecklers. Most young comics, unnecessarily, fear them more than any single thing. You naturally learn to deal with hecklers as you gain confidence. You’ll relax more and become even more confident; at that point hecklers can even become tools rather than hindrances.

3. Don’t be afraid of failure. This can apply to other walks of life, but it’s imperative for comedians. Most newbie comics almost always bomb. Although it’s tough to stand there (you feel your life forces being squeezed out of your sweating paws) and not get laughs, you have to realize that bombing helps you determine what’s funny or not. Because of the pain you build a tough crust that will give you the strength to turn a bad audience into a good one.

bookjacket2. For a comedian, it’s important to go on stage as much as possible–even if there’s only one person in the audience. It is still stage time and subconsciously it counts. From a wide range of situations we develop the tools we need in order to be a good comedian. In most cases stage persona takes time to develop. Jerry Seinfeld says it takes ten years.

1. As in many professions, growth as a stand-up comic comes in stages. I’ll be having great sets, and then suddenly I’ll bomb for a week or more. All that meant was that I was between levels ready to break through a wall to advance to the next stage in my development. Knowing that can be the difference between quitting, or becoming a success. I was taught by Rodney Dangerfield never to compare my growth to that of other comics. We all learn at our own pace.

John DeBellis’ STANDUP GUYS: A Generation of Laughs is a comic’s memoir that puts the reader on and off stage with a unique group of young comedians: Larry David, Richard Lewis, Richard Belzer, Bill Maher, Gilbert Gottfried, Elayne Boosler, Rita Rudner, Larry Miller, Joe Piscopo, Robert Wuhl, Paul Reiser, Jerry Seinfeld and several of the most neurotic, lovable characters who survived and thrived due to talent, passion, and, most importantly, camaraderie. It’s a memoir rich in humor, pathos, and insight.

STANDUP GUYS

“A Generation of Laughs”

John DeBellis

johndebellis@gmail.com

201-286-4083
www.920spot.com

Twitter@misterpitiful

 

 

 

 

Filed Under: Top Ten Anything! Tagged With: Comedy, stand up

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