music

Ossining Jazz Festival: The Improvisor’s Art

May 31, 2019 by The Inside Press

The third annual Ossining Jazz Festival will take place on the evenings of Friday and Saturday June 8 and June 9. The event, which will feature four different musical acts performing at the Ossining Elks Lodge, is an excellent opportunity for audiences to enjoy a range of top-notch practitioners of jazz, a.k.a. America’s Great Musical Idiom and the Improvisor’s Art, in an intimate setting.

This year’s Ossining Jazz Festival features a night each of Contemporary and Latin jazz, two crowd-pleasing styles.

Ted Daniel, a renowned jazz trumpeter, Ossining native and Artistic Director of the OJF comments “Ossining has a rich musical heritage, and so it is only fitting that we showcase a spectrum of the artists and sounds that have inspired us. The only way we keep this wonderful musical art alive is by giving audiences a chance to experience it right as often as possible.” Michelle Concha Herko, Executive Director of the OJF adds “Our festival is one way of accomplishing this, and we’re pleased to back for our third year.”

The double bill on Friday, June 7 at the Elks Club, dedicated to hard bop or straight-ahead jazz, will feature the Rory Stuart Quartet at 7:30 PM and drummer Abe Speller and his band at 9 PM. The lineup on Saturday, June 8 includes Michael Tate and 3D Rhythm of Life at 7:30 PM and Nelson Riveros at 9 PM. Tickets are $20 for one band only, $35 for a one-night festival pass and $60 for a two-day festival pass.

The Friday night performances of the Ossining Jazz Festival are sponsored by the Cortlandt School of Performing Arts in Croton-on-Hudson, NY.

More information can be found at the festival’s website, ossiningjazzfestival.com

Ossining’s Westchester Collaborative Theater: Where New Plays Take Flight

May 31, 2019 by Ella Ilan

ABOVE: WCT’s intimate black box theater at 23 Water Street opened in the spring of 2017 with an exuberant ribbon-cutting ceremony attended by Ossining Mayor Victoria Gearity (center, holding ribbon), Ossining Town Supervisor Dana Levenberg (far left), WCT Executive Director Alan Lutwin (next to Levenberg, with tie), WCT board members and persons from the community.

One need not travel to the city to see experimental theater that is cutting-edge. Simply a hop skip and a jump away in neighboring Ossining, the aptly named Westchester Collaborative Theater (“WCT”), a new play development company and performing arts center, is an amazing place where new plays are introduced and collaboration reigns supreme. This intimate “black box” theatre in Ossining, previously housing a cabinet-making factory, has been transformed over the last two years into a cool little theatre with an industrial feel.

Lot’s Wife, by WCT member Albi Gorn, featuring WCT member actors Donna James and Kurt Lauer, was the first full-length play to run in WCT’s new space in 2017.
Photo by Gregory Perry

At WCT, member playwrights, actors, and directors participate in a workshop process where new plays are read, critiqued, and improved upon. Actors receive scripts in advance, come to the readings with an interpretation of character, and do an unrehearsed reading. Feedback is provided to the playwrights and they are welcome to rewrite and return with new material.

Once a month, through WCT’s Play in the Box program, playwrights are afforded an opportunity to present their plays to the public, followed by a talkback session where the audience provides feedback to the playwright.

WCT also produces fully staged readings of selected works throughout the season, typically for a full weekend of public performances. Besides providing a crew, set design, and lighting, a director is assigned to help advance the work.

The third tier of development is a mainstage production, usually spanning a four weekend run, which receives their full cadre of production behind it in terms of set, lighting, costumes and sound. A “dramaturg” is assigned to work with the writer and director before rehearsals to fine-tune the play. This entire process is geared towards getting plays in front of the public, giving writers a chance to have their works seen and improved upon. WCT has been very successful in launching plays to be produced all over the world.

Last month, WCT presented The Legend by Rick Apicella, an original play about a young boxer ranked a 2018 ‘commended new play’ by the BBC in a multi-lingual international playwriting competition.

The WCT Jazz Masters series, here featuring Ray Blue and his quartet in a recent 2019 appearance, is a vital part of WCT’s regular offerings.

The Mission

“We are committed to developing new work and being kind of an incubator for new plays, allowing artists to collaborate together to grow the plays,” explains Founder and Executive Director Alan Lutwin. “We try to create a nurturing atmosphere – not to say we don’t criticize; we do, but it’s in a constructive way to try and further the work.”

Audiences are an integral part of the process. “We have a very loyal following of subscribers,” says Lutwin. “We only do new work so our audience really has to trust us and support our mission. We’ve cultivated that carefully, inviting people who enjoy seeing something new and being involved in the talkback sessions.

The audience is actually a collaborator with us in moving the play forward.”

Engaging the Community

Fostering a strong commitment to being grassroots oriented and giving the community a chance to participate, WCT partners with Ossining, taking advantage of its racial and ethnic diversity, to be a diverse multi-ethnic theater company. They have an ongoing relationship with the school district, working with high school students who want to act or provide technical support in their productions. Partnering with the Ossining Arts Council last year, they presented a series of productions called the Living Art Event, a docent led tour of a gallery where actors appeared and performed plays inspired by works of art displayed at the event.

Further engaging with the community, WCT strives to take every production to senior centers and perform for the residents so they can appreciate the theatre despite being limited in their mobility.

Sustaining the Dream

Without a home base for the first seven years, WCT did plays at the village library theatre, art galleries, and wherever else they could find a home. They are thrilled to have their current space, which accommodates about fifty seats.

Besides developing new works, WCT runs a jazz series twice a month where they bring in notable artists to perform. Since seating and staging in the theater is portable, the space is easily converted from a theatre into a jazz club with lighting and tablecloths. They also run acting programs and classes.

Between ArtsWestchester grants, private donations, member dues, ticket sales, and an annual fall fundraiser, WCT works hard to maintain a revenue stream.

Upcoming Performances

Playwrights will present their work in upcoming Play in the Box programs on June 21st and July 26th. A ten-minute play festival called “Brand New Shorts,” featuring a series of short plays that come out of the workshop process, is scheduled for performances July 19th through July 28th. The plays will be followed by talkback sessions. For a calendar of events, tickets to upcoming shows and jazz performances, and directions, please visit www.wctheater.org

Erev Yom HaShoah Concert

April 18, 2019 by The Inside Press

On Wednesday night, May 1, 7 p.m., Temple Shaaray Tefila is sponsoring a unique Erev Yom HaShoah concert with musicians from the Boston Symphony. Mark Ludwig, Executive Director of the Terezin Music Foundation, will be narrating a multi-media presentation with music and archival video of the composers of Terezin and an examination of life/survival/death in the so-called Model Ghetto. Free attendance.

shaaraytefila.org

The Making of the Pleasantville Music Festival

March 8, 2019 by David Propper

Managing ‘a zillion moving parts’ to create an all-day music extravaganza

Save the Date: July 13, 2019

When longtime Pleasantville resident Bruce Figler attended his first ever Pleasantville Music Festival, it was in 2005. That happened to be the inaugural year for the event, and Figler, who has been in the radio business, helped the original founders hook in a music station to be part of the all-day affair.

“I was perfectly happy sitting backstage with a beer hanging out with the radio station people, with the bands, going on stage introducing an act, hanging out with my family in the field for awhile,” Figler said.

“That was my life, it was a pretty easy life.”

Fast-forward more than a decade later, and Figler, who owns Creative Sound Works on Wheeler Avenue, is now the executive director of the yearly music festival that brings about 4,000 people to Parkway Field to hear a jam packed lineup of musical talent perform. His life is a little busier now than back in 2005 with months of planning going into the creation of the festival.

Figler works with an executive staff of about ten people and a volunteer base of more than 100 that live in the region (mostly Pleasantville and Chappaqua). Each year, he and staff members discuss what worked and what didn’t work that year with the desire to be more efficient the following year. A survey is also sent to attendees so Figler can receive feedback.

Once a review of the previous year is over, finding a new set of bands gets underway as early as December. Figler said he and the other staff members try to nail down different musicians that will please a wide range of demographics with Figler compiling a “wish list” of about 30 bands and musicians he’d love to go after.

But because the festival is a municipally run–rather than private–event, there are limitations Figler has to grapple with. Other festivals can offer more money to performers and some festivals have exclusivity rights, which means a band can’t perform within a certain radius within a certain time frame. He estimated that for every ten more prominent bands/musicians he reaches out to, seven reject him.

For the bigger bands, Figler said he tells them if they come to Pleasantville, it would be “an easier festival, it’s very manageable, you can be in and out pretty quickly.”

Additionally, because the festival is involved with a radio station (107.1 The Peak), that station supports the booked musicians which result in airtime for them leading up to the festival. A band could find a new base of fans in the suburbs, Figler said.

While the pursuit of big acts can be an arduous task, the festival also needs to find smaller bands and musicians, which begins two or three months before the festival.

Up and coming bands can submit through the festival’s website with staff members taking trips to hear different contending bands. “We’re becoming very diverse musically so I try to find something for everyone,” Figler said.

Pleasantville resident Jim Zimmerman, who founded the music festival in 2005 with Bernie Gordon and the late Lisa Wenzel, said the first year he helped put it together, it was like a second full-time job. Part of his motivation to start the festival was to give smaller bands and musicians a larger stage to perform. Some bands have gone on to bigger and better things, he pointed out.

“I had to develop all the systems and recruit so it was quite a project nevertheless,” Zimmerman said. “Everything had to be done by scratch.” Figler joked he doesn’t have to create the wheel like Zimmerman did, only keep it spinning.

While the music lineup is the most significant set to put together, Figler has to secure sponsors and vendors, many of which are eateries from Pleasantville and surrounding towns. There is also a push by a recycling group to ensure it is a zero waste event. Law enforcement and the department of public works are conferred with considering this is the largest public gathering in the small village each year.

The day of the event, Figler said weather is always an uncontrolled variable that has to be monitored. The last three years there has either been rain or a threat of a storm so the village recreational offices become a makeshift weather station. Said Figler: “There’s a zillion moving parts to this thing.”

The Chappaqua Orchestra’s 2018 Chamber Series – Brahms Sextets

October 13, 2018 by The Inside Press

TCO Chamber Players perform two educational concerts focusing on each of the Brahms Sextets for Strings Op 18 & 36.
Educational Commentary throughout w/Q & A.

Opus 36
Saturday October 27, 2018 – 3pm

Uli Speth, Violin

David Restivo, Violin

Nicole Peragine, Viola

Greg Williams, Viola

Bernie Tamosaitis, Cello

Seth Jacobs, Cello

Opus 18
Saturday November 10, 2018 – 3pm

Uli Speth, Violin

Clare Detko, Violin

Nicole Peragine, Viola

Greg Williams, Viola