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Theatre

Greeley Theater Company: Growing a New Generation of Thespians and Fans

April 24, 2017 by Stacey Pfeffer

The Horace Greeley Theater Company under the direction of Mr. Jonathan Gellert has had an incredible 2016-2017 season and shows no signs of slowing down. The musical Into the Woods kicked off the season this fall and this past month the students performed the play, The Laramie Project. The senior musical Grease performed the last week in March had a record breaking 200+ seniors participating in the show. In total, the theater program will put on a total of six productions for the school year!

Gellert admits that it is “an ambitious high school program and I see no reason of changing that.” In the spring of 2018, he hopes to include a second musical–a children’s show geared to a younger audience to bring in the community and also gives students the opportunity to participate more.

“We want kids in the community to be really excited about Greeley theater,” said Gellert. He also hopes to offer some plays by Shakespeare and more mentoring to students who show promise as directors next season.

The Laramie Project, a play which addresses the brutal murder of openly gay teenager Matthew Shepard in the small town of Laramie, Wyoming, sparked national debate in the late 1990s. Gellert chose the show because it could “maximize student potential and growth. It provides many opportunities for student exploration of character and place. It is about the celebration of what makes us all human and what happens when an event causes us to reflect as a community, and personally of who we are and what we are. This is the very nature of all drama.”

The performance was sold-out and extremely well received by the audience. Grace Bennett, Publisher and Editor of the Inside Press, who attended, stated: “Bravo to the entire cast! Through powerful, passionate performances, anyone watching could see that the kids understood so many nuances of human behavior and were deeply empathetic to the heart wrenching subject matter.”

Violet Gautreau, a junior who played several roles in The Laramie Project enjoyed working with a smaller cast because it “allowed us to really forge bonds and make deeper emotional connections with each other, which came through onstage. I’ve never had such an emotional experience onstage before. It was incredibly rewarding to be in such an important show about human rights.”

Gellert’s goal of the theater program is to “offer a variety of productions and classes that serve all kids who want to explore and express themselves in theatre work during their times here at Greeley.

That includes both students who want to get on stage for the first time and feel more comfortable doing so, along with those who strongly desire an additional four years of pre-college or career training so that they can be competitive and continue to grow as they pursue the theater.”

Gellert also takes pride in offering stagecraft classes and opportunities for students who wish to work in set design and building. Jake O’Donovan, a junior who has worked on set design for several shows enjoys the fact that “Mr. Gellert gives myself and the crew a lot of independence on how we organize ourselves and work.”

The senior musical Grease funded by the Chappaqua PTA was directed by a former student of Gellert’s, Lee Kasper, who most recently served as an associate director for the Broadway revival of You Can’t Take it with You.The senior musical has been a yearly tradition at Greeley and proceeds from the show benefit the Horace Greeley Scholarship Fund.

Ilene Benjamin, an audience member at Grease, commented on Chappaqua Moms that “we do not have a senior in it, but we do have a strong sense of community spirit to keep the arts going in our schools. These students, all talented in their own right, worked very hard and the audience gave back the love with loud cheering and a standing ovation… Go ahead, the world is really your stage!”

Filed Under: Cover Stories Tagged With: Chappaqua PTA, Grease, Greeley Theater Company, High School Theater, Horace Greeley High School, Horace Greeley Theater, play, Plays, Senior Musical, The Laramie Project, Theatre, Thespians

Byram Hills High School Theater Program Celebrates its Golden Anniversary with New ‘Theater Honors Wall’

April 23, 2017 by Stacey Pfeffer

The entire cast of Les Misérables at Byram Hills High School
PRESTIGE PORTRAITS BY LIFETOUCH

 

For the past five decades, Byram Hills Theater Program has been churning out an impressive array of students who have eventually pursued successful careers in movies, television and stage productions.

Alumni of the program were honored this past March and were invited to partake in an unveiling ceremony of a new Theater Honors Wall displayed outside the high school’s theater.

The ceremony took place before the current theater group’s matinee production of Les Misérables which several of the honorees attended.

Faculty and current members of the theater group recognized 26 honorees–24 alumni plus two former directors of the program and included actor Eddie Cahill of the shows CSI: NY and Friends; Bryce Dallas Howard, one of the leads in the 2015 blockbuster Jurassic World; and David Harbour, who played Police Chief Jim Hopper in the Netflix hit Stranger Things.

They also include producers, lighting designers, composers, arts educators and people involved in regional theater across the U.S. Each year the wall will have additional alumni added to it.

Many of the alumni credit the strong theater program with helping propel them towards a career in the arts. Grant Sturiale (Class of 1975) who attended the ceremony and is now a Broadway conductor and composer reminisced about how he participated in Byram Hills productions every year while in high school under the direction of theater teacher Gene Bissell. Commented Sturiale: “Bissell was a life force in the theater. He directed shows like we were opening at the Winter Garden Theater on Broadway. It imbued on all of us this tremendous sense of responsibility. He was a dynamic man and teacher.”

Byram Hills Theater Honorees stand by the new ‘Theater Honors Walls.’ Alumni (L-R): Grant Sturiale, Christopher Cummings, Michael Cummings, Sobha Kavanakudiyil and Stephanie Failing Saletan with her son
PHOTO BY PUTNAM-NORTHERN WESTCHESTER BOCES

 

Another alumni Christopher Cummings (Class of 1995) who is now an exhibit designer for museums, visitor centers and aquariums loved working under the tutelage of director Joy Varley. “Byram Hills had such strong theater productions and all the shows were top-notch. That feeling of the show must go on and the stress and anticipation of everyone working together left an impression on me.”

Stellar theater productions continue to live on at Byram Hills. The latest show, Les Misérables, under the direction of John Lopez, received thunderous applause and a nightly standing ovation by the audience including, the alumni honorees in attendance.

Inside Press Editor Grace Bennett, who attended opening night, stated effusively, “I’ve seen Les Misérables on Brodaway, and believe it or not, I found this production every bit as enjoyable. Kudos to all the kids, Mr. Lopez and all involved in bringing Les Misérables to Byram Hills.”

She added that “the high caliber show showcases incredible high school acting and singing talent that is so obviously being nurtured at Byram Hills. It was a thoroughly professional, impressive and ultimately, moving evening of theater! I think there were not too many dry eyes. Also, the joy at the cast party immediately following the production was palpable!”

At an opening night party (L-R): ‘Marius’ (Michael Ramsey, ‘17) Eponine (Dominique Karanfilian, ‘18) Javert’ (Shae Gordon, ‘19) Valjean’ (Charles Winston, ‘17)
PHOTO BY GRACE BENNETT

Charlie Winston, a senior who played lead Jean Valjean and who plans to study acting in college noted that “one day he hopes to be on the honor wall like the alumni.” With a little luck and successes like this one, that just might happen.

Filed Under: Armonk Community Tagged With: Armonk, Byram Hills Alumni, Byram Hills Theater, Inside Armonk, Inside Press, Les Miserables, Theater Honorees, Theatre

The Small Town Theater Company Presents: Steel Magnolias

April 4, 2017 by The Inside Press

Dates/Locations: May 12 • 13 • 8PM

The Hergenhan Center • Armonk, NY

Reservations

Directions

 

Synopsis

Steel Magnolias met with immediate critical and popular acceptance in its premier New York production. The play is alternately hilarious and touching and, in the end, deeply revealing of the strength and purposefulness which underlies the antic banter of its characters.

The action is set in Truvy’s beauty salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to have their hair done. Helped by her eager new assistant, Annelle, the outspoken, wise-cracking Truvy dispenses shampoos and free advice to the town’s rich curmudgeon, Ouiser; an eccentric millionaire, Miss Clairee; and the local social leader, M’Lynn, whose daughter, Shelby, is about to marry a “good ole boy.”

Laura Donaldson
Shelby

Laura was last seen in our production of Talley’s Folley as well as Dangerous Liaisons. She has performed both professionally and locally for over 20 years. Favorite roles include Fantine in Les Miserables, Doralee in 9 to 5, Florence in Chess, Ellen in Miss Saigon, Gypsy Rose Lee in Gypsy, Cathy in The Last 5 Years, Julie Jordan in Carousel, The Witch in Into the Woods and the title role in Violet.

Colleen Fay
Truvy

Colleen was last seen in The Small Town Theater Company’s production of How I Learned to Drive. She has also been seen in The Vagina Monalogues at the Sandbox Theater.

Irene Howard
Ouiser

Irene has been entertaining audiences for nearly four decades portraying every Broadway belter from Mama Rose to Reno Sweeney to Miss Hannigan on every stage from the “Church Circuit” to the Westchester Broadway Theatre to Lincoln Center. She met husband Jay while starring opposite him in Annie Get Your Gun more than 30 years ago and they are still waging the “Battle of the Sexes” in New Fairfield, CT.

Liz Harrington
Annelle

Liz Harrington is proud to be making her Small Town Theatre Company debut in a favorite role. Recent roles include: Belle in Beauty and the Beast, Mandy in Time Stands Stills, Esther in Meet Me in St. Louis, and Hodel in Fiddler on the Roof. She first had the privilege of playing Annelle in 2010 with the Harrison Players.

Nellie O’Brien
M’Lynn

Nellie has performed in many national and local venues including the Kennedy Center, Lincoln Center, The Westchester Broadway Theatre, Tarrytown Music Hall, The Emelin Theatre, Salt City Center and The Performing Arts Foundation. She has TV, radio, voiceovers, comedy improv and cabaret to her credit and was a recipient of the Irene Ryan Award for Excellence in Acting.

Misti Tindiglia
Clairee

An award winning actress, Misti works in independent films (three have gone to the Cannes Film Festival), commercials, animated films, voice overs, industrials and appears on stage in theaters throughout the New York area. Favorite role is Katharine Gerad in Mothers and Sons. SAG-AFTRA

Tom Kramer
Director

Tom has acted and directed at The Small Town Theatre Company. Acting roles include Charlotte von Mahlsdorf in I Am My Own Wife, Ben Franklin in 1776, Oscar Wilde in Gross Indecency, Malvolio in Twelfth Night, and The Steward in Into The Woods. Pays Tom directed include Follies, Gypsy, The Grapes of Wrath, Master Class, A Midsummer Night’s Dream, A Little Night Music, Evita, and Fiddler on the Roof.

Filed Under: Gotta Have Arts Tagged With: Armonk, new show, Steel Magnolias, The Old Town Theater Company, Theatre

The Show Must Go On

March 4, 2015 by The Inside Press

Young actors from the Lighthouse Youth Theatre in a production of Armonk’s Standing Ovation Studios
Young actors from the Lighthouse Youth Theatre in a production of Armonk’s
Standing Ovation Studios

By Michall Jeffers

Look closely at the lively theatre scene in our community. In every group, you’ll find shining stars making everything possible.

“I love working with kids!”- John Fanelli’s enthusiasm is catching. He’s more than just the Founder and Artistic Director of Standing Ovation Studios; he’s a man on a mission. “We change lives one show at a time. What we do is all about building self-confidence. We are proud to be Educational Theatre.” While John’s programs are filled with talented youngsters, his goal isn’t to groom future Broadway stars, but rather to teach kids. He tells them, “Trust your talent. You don’t have to be great at singing, dancing, or acting.” And he adds, “Everyone is welcomed with open arms; we insist on it.” But for those who are thinking of a career in theatre, this is also the place to hone the necessary skills. Fanelli provides practical guidance; an audition workshop is vital to learning the business of acting. Another benefit to students is John’s knowledge of what’s going on in New York theatre. He recommends shows on- and Off-Broadway, urging students to see professional theatre work at its finest.

John Fanelli of Standing Ovation Studios. John Warner Photo
John Fanelli of Standing Ovation Studios. John Warner Photo

Theatre is a family affair for the Fanellis. Wife Nannette is Executive Producer; kids Jackson, 16, Ryan, 14, and Grace, 9, are all involved. John understands the pressure to get into the right school, and has become an expert at recommending “theatre rich” colleges. He easily reels off the names of prestigious schools his students attend. He also tracks the progress of former students, including American Idol’s Adam Lambert. John is refreshingly free of ego for a man of his accomplishments. He’s directed, taught and created programs for young people in the arts for 20 years. Lighthouse Youth Theatre, the performance arm of the program, was formed in 2006. In 2013, Fanelli raised money to build his new state-of-the-art musical theatre space called Standing Ovation Studios, in Armonk. This was a giant leap forward. “We always had the teaching skills and now we have the facilities to take our students to the next level.” The space is massive, but fills up quickly with creative energy.

In planning his line-up, John not only confers with his staff, he also appreciates feedback from students and parents. Youngsters come to study “because they hear from friends that we have a program that fosters a positive environment where students can explore their own creativity. All of my teachers and technical staff are theatre professionals who have a passion for teaching the craft.  A large majority of our audience is friends and family of the students, but we’re now getting many people who come to our shows with no connection to the cast because you can see a terrific show with talent and excellent production value for a great price. I truly believe that good youth theatre is the new community theatre,” enthuses John. Spring and summer programs include acting and dance classes for all ages and skill levels.

From The Small Town Theatre Company’s 2013 production of The Shadow Box. Sam Morell Photo
From The Small Town Theatre Company’s 2013 production of The Shadow Box. Sam Morell Photo

Performance is at a fever pitch during spring and summer with several age groups participating: Lollipops (Ages 5-9), Spotlight (Ages 5-12), Main-stage (Ages 8-18) and Protege (audition-only group for serious actors ages 13-18). In addition, there are one week programs using the hottest Musical Theatre shows to teach musical theatre technique, and summer workshops at Standing Ovation Studios in Armonk and at the Ridgefield Playhouse in Connecticut.

“I’m very lucky; I like what I do,” smiles John Fanelli. Students and parents feel lucky, too. For further information: standingovationstudios.org or office@lytshows.org

Sam Morell is a font of knowledge about Armonk; he goes to town meetings, supports candidates, and can suggest the best restaurants in the area. His affection for the town led him to form The Small Town Theatre Company. He and co-founder Donna Garr were out walking one day in 2008. Garr reminisced about the way things used to be, when the village was smaller and cultural events were shared and appreciated by the tight-knit community. “We could do that now,” Sam realized. The Hergenhan Center would be ideal. The idea became a reality with the help of many others who shared the vision. Participants come from various walks of life, and numerous types of entertainment are involved. Sam asserts, “The common denominator is that it has to be quality.”

Sam Morell of The Small Town Theatre Company.  John Warner Photo
Sam Morell of The Small Town Theatre Company. John Warner Photo

The mission is “to work with highly creative, talented, and dedicated people to produce high quality cultural events in the Westchester area.  These include theatrical plays, summer concerts, play readings, variety showcases, as well as theatre and film festivals.” In October, 2010, the group produced its first annual Theatre Festival of short plays, including both comedies and dramas; in the spring of 2011, the first annual Film Festival was organized.

Morell, a highly intelligent chemical engineer and entrepreneur with a curious mind, has learned a great deal from the experience. His work has been helped by his avocation. His acting/directing involvement allows him to balance his “left-brain” engineering activities with a “right-brain” theatrical experience. He “was forced to learn and make use of creative tools (video, photography, motion graphics, audio, editing, etc.) to help promote The Small Town Theatre Company…I now appreciate how to deploy these creative tools on highly technical subjects which makes our technical presentations more interesting.” In return, he’s helped more creative types to successfully market themselves.

From Armonk Players’ 2008 production of Lend Me A Tenor. Pia Haas Photo
From Armonk Players’ 2008 production of Lend Me A Tenor. Pia Haas Photo

The more serious you are about the work, the more important it is to keep a sense of humor. Sam recalls “one time we were doing a mini concert titled, “Three Sopranos and a Piano,” and the pianist forgot to turn off his mobile phone.  One of his family members unexpectedly called him and the loud phone ringing was amplified and broadcasted via his lapel mike to our audience. To lighten up the embarrassing interruption, the pianist blurted out to the caller, ‘I thought I told you to not call me at work!!!’  Naturally, it took some time for the laughter and giggling to stop by both the performers and our audience. I would say it took about a good five minutes before decorum was restored.”

Quality is always at the forefront of Sam’s mind. “You must ask yourself if you feel satisfied that you’re doing justice to your art. You should be your own best critic. All aspects of production are your canvas. Are you proud of your work?” In the case of Sam Morell, the answer must be a resounding ‘Yes!’ Upcoming productions include: Orphans by Lyle Kessler on April 17, 18, 24, 25 and I Am My Own Wife on June 12, 13, 19, 20. For further information: smalltowntheatre.com or info@smalltowntheatre.com

Barbara Simonetti has had a lifelong interest in theatre. Even in Tokyo, she was active in the Tokyo International Players and Tokyo Theatre for Children. So it was only natural that when she, Hal Simonetti, and Susan Geffen were sitting around a kitchen table discussing the new Whippoorwill Hall Theatre at the North Castle Public Library, they got the idea to put on a show.

In Susan’s words: “We started with a reading of Love Letters in 1996… and the idea for a theatre group took seed.  In 1997, we put on 84 Charring Cross Road and The Armonk Players was up and running.” This community theatre is supported by The Friends of the North Castle Library. Talent comes from Rockland County and New York, as well as Westchester.

Hal adds, “When we started the Armonk Players, there was one big risk–we had no idea how much interest we would find; theatrical talent/interest and behind-the-scene workers willing to come in. But, from the start, they came from all directions–people pursuing unrelated careers by day, but loving theatre, and wanting to actually do it as well as see it. They found a ready outlet for their creative energies through the Players. Not to be too dramatic about it, (and no one could see it when this thing began), but a door was opened to enriching the lives of many people with friendship and creative work–quite a few of them in from the start, years ago, still going.”

Barbara recalls, “As our reputation for ‘really good’ community theatre grew, we began to find eager talent from all over Westchester, and soon we had a board. At first, we did comedies and dramas; later, we added musicals to our season. Readings, labelled ‘Simply Theatre,’ were also a great way to feature newer talent and plays. The audience grew from locals to larger as word of mouth and reputation spread.” The Board decides on the presentations; upcoming programs include a Reading in April, and a show, June 4-7.

One of the most exciting aspects of live theatre is that anything can happen–and does. The story that Susan tells provides insight as to how resourceful those brave enough to put on a show must be. “Given that the show must go on…in 2000, we were about to raise the curtain on Octette Bridge Club when the electricity went out in town. We asked the audience to go to their cars and get flashlights. We put on the show by the lights the audience provided. It was a big success and fun for all involved after we got over the shock of the dark theatre.”

Hal is justly proud of what’s been accomplished. “What distinguishes the Armonk Players from other similar groups is that, in addition to bringing outstanding theatre into the community–quality plays, musicals and readings–we offer our members the full theatre experience as well. Anyone from Armonk or the surrounding communities wishing to act, sing, direct, design sets, build and paint them, find props, do lighting and sound, sell tickets or count cash–can come on board, exercise their interests, and have fun and friendship at the same time.”

All this from three crazy kids who simply got together and said, ‘Let’s 
put on a show!’ For further information: armonkplayers.org or inquiries@armonkplayers.org

Michall Jeffers and her husband, photographer John Warner, are long-time residents of Northern Westchester. As a voting member of Drama Desk and Outer Critics Circle, Michall is a card-carrying professional theatre critic.

Filed Under: Armonk Cover Stories Tagged With: Acting, performance, Standing Ovation Studios, Theatre

An Opportunity to Learn From the Best

March 4, 2015 by The Inside Press

Howard Meyer of Axial Theatre
Howard Meyer of Axial Theatre

Axial Theatre is strictly professional. The actors are paid, and many belong to the Equity union. So how does a “civilian” benefit from participating in the teaching arm of the organization, Howard Meyer’s Acting Program? Meyer, a longtime theatre professional who greatly values the opportunity to provide instruction to those interested in putting in the necessary time and effort, explains: “Acting isn’t therapy, but it’s therapeutic. People become more comfortable in their own skin. I have a very particular aesthetic. It has to do with people bringing a deep sense of truth to the stage. You really have to put it on the line. That’s the basis of our training. Plays are composed of highly dramatic events. You have to be able to access very strong emotions from your own life. To succeed at acting, we all have to learn to face our inner fears; that’s a brave thing to do.” To aid in the task, Howard carefully chooses New York trained teachers recognized as some of the finest in the business.

Together, these two branches of the association provide a unique opportunity for Northern Westchester. Audiences can, at a reasonable price, see the highest quality shows and performers here in our own backyard. And classes are available–both for those who want to benefit from what the faculty has to teach for personal improvement, as well as for those serious about pursuing a career in show business.

Meyer remains in touch with the best New York theatre has to offer. In addition to being mentored by Athol Fugard and Kevin Spacey, Howard has enjoyed having celebrities like Art Garfunkel in the audience. Paul Simon has donated money, and TV news broadcaster Roz Abrams was so impressed with her acting class, she went on to join the board.

Success hasn’t changed Howard. His mission remains “to develop new plays.” Playwrights meet twice a month; admission to this unit is a cherished honor. While remaining committed to the ensemble concept of creating exceptional theatre, Meyer always finds room for new people; many a career has started by joining the group. Truth, hard work, and the joy of theatre are the pillars of Howard Meyer’s work with both professionals and students. Who could ask for anything more?

We can look forward to: An April annual benefit at Captain Lawrence Brewery in Hawthorne; Playwright Sarah Ruhl’s Dead Man’s Cell Phone May 1-17; a reading of Howard Meyer’s new play Maybe Never Fell, part of ArtsWestchester’s 50th year anniversary celebration; a student workshop presentation of new Axial one act plays in late August. As always, there are weekly acting classes and workshops for adults and teens, including scene study and improvisation. For further information: axialtheatre.org, HMActing.org, axialtheatre@gmail.com

–Michall Jeffers

Filed Under: Armonk Cover Stories Tagged With: Acting, Axial Theatre, Theatre

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