Dance

‘Halloweekend’ Event at the Irvington Theater Promises a Livestream of Spooky Surprises

October 13, 2020 by Inside Press

It started on Halloween six years ago…

That’s when Douglas McClure, John Malone, and a few of their friends dressed up as the Ramones and performed on North Dutcher Street where they live. Since then, the ritual has joyfully multiplied into a treasured Irvington tradition: community bands providing their neighbors with a rock and roll soundtrack (and the accompanying light show) while trick-or-treaters and their families crowd the Village side streets to sing and dance along.

“We’ve got architects, psychologists, veterinarians, teachers, and technology professionals,” said McClure of the musicians who comprise each act. “It runs the gamut.”

Half Halloween concert finale at Irvington Theater on April 26, 2019, featuring local bands Wild Thyme, Lennon + Friends, Evil Eckar with special guest the Dirty Irv Horns, and the North Dutcher All Stars.

“The Cure” performing on North Dutcher Street, Halloween 2018.

The audience was captivated by “Tom Tom Club” and “Talking Heads” at Irvington Theater’s Half Halloween Concert.

“Devo” (fronted by Doug McClure) at Irvington Theater’s Half Halloween Concert.

Downtown Irvington, just before Halloween’s musical magic begins.

The Halloween Bands (as they’ve been collectively dubbed) don’t let their moniker dictate their performance schedule; last spring, they came together for “Half Halloween,” a spectacular concert fundraiser on the Irvington Theater stage that thoroughly enchanted audience members of all ages. For the first time, four beloved bands were all in one place: Lennon + Friends, Wild Thyme, Evil Eckar, and the North Dutcher All-Stars. Local resident Rich Lobel made a wildly entertaining Master of Ceremonies, and the whole evening was replete with uncanny impersonations, impromptu aisle dancing, spooky surprises, and a karaoke contest that brought down the house. The Village of Irvington was abuzz for weeks, basking in the afterglow of such palpable community spiritedness and intergenerational celebration.

“Ever since that magical night, people always ask us if we made a movie of the show,” said participating musician Miyuki Furtado, who also serves on the Irvington Theater Commission. “Folks who missed it were so disappointed, and anyone who was there wishes they could see it again.”

That wish is about to come true. For the first time ever, Irvington Theater will stream this legendary concert for a one-night-only Halloweekend event – from their stoops to our stage, and now directly to you! Costumes, candy, and household watch parties are strongly encouraged.

Furtado says it’s the perfect time to revisit such a cathartic, live event: “Especially now, with so much uncertainty in the air, that night takes us back to a feeling not so long ago… when we could all gather together and share an incredible, creative community bond that made everyone on the stage and in the audience feel so welcomed, close, and inspired.”

This world premiere concert film will stream at 7:30pm on Friday, October 30. Purchase your ticket ($12 per household) to receive the viewing link and password at irvingtontheater.com/irvingtonanywhere.

Irvington Theater is home to a diverse range of innovative programming that entertains, enlightens, and inspires, establishing itself over its 118-year history as the cultural heart of the Rivertowns. The theater continues its tradition with unprecedented reach with “Irvington Anywhere,” their entirely virtual fall season of short films, lively concerts, and classic celebrations. Irvington Anywhere is made possible thanks to the generous support of Eric Bernstein of Compass, Dobbs Ferry.

PHOTOS BY Paula Romanow Etzel

20 Local Dancers to Appear in 19th Year of MCD’s Nutcracker

December 1, 2019 by The Inside Press

Twenty students from the Armonk Center for Dance will appear in MCD’s 19th annual Nutcracker at The Riverside Theatre in New York City December 6-8th, 2019.

Local dancers include Lily Auster, Dani Eder, Abby Eickelbeck, Kourtney Gann, Jillian Gendal, Ella Horowitz, Zoe Horowitz, Grace Kretzmer, Phoebe Miles, Jordyn Ogilvie, Brooklyn Ogilvie, Olivia Peters, Finnley Silverstein, Skylar Silverstein, Ainsley Sorenson, Kendall Sorenson, Charlotte Thielmann, Alexa Tusiani, Abbie Varco, and Emma Zhu will appear alongside an international cast of professional dancers in MCD’s Nutcracker! The dancers range in age from six- to 18-years old.

This holiday classic features dolls coming to life and soldiers and mice battling. Watch Clara journey through the land of Snowflakes to a land of Sweets where she meets the Sugar Plum Fairy. This show is sure to get you in the holiday spirit! Tickets are available by calling 212-870-6784 or by logging onto trtnyc.org/upcoming-shows.

PHOTOS BY RICHARD CONDE PHOTOGRAPHY

Why Westchester Dancers Have Thrived at Logrea Dance Academy for More Than Three Decades

October 26, 2019 by Christine Pasqueralle

Talented faculty member Vivian Freking instructs students

A child’s first foray into the world of dance is a big milestone. Choosing the right studio is an important decision, depending on what type of training they wish to receive. Logrea Dance Academy in Ossining teaches not only dance skills, but also skills that will help children as they navigate their way through life.

Founded in 1986 by Beth Fritz-Logrea and Jean Logrea, the academy provides training in ballet, tap, jazz and modern dance. The two came about opening the studio in a serendipitous way. While home in NYC on vacation from dancing with the Graz Opera House in Austria, they noticed the name of Jean’s former ballet teacher on a building marquee. Stopping in to see her, she told the pair that a company and school in Westchester was in danger of closing unless it could find new directors. After much discussion, Beth and Jean decided to stay, become Artistic Directors of the Westchester Ballet Company (WBC) and open their own dance school – Logrea Dance Academy, which is the school of the WBC.

Classes Tailored to Each Student’s Strengths

Logrea offers classes to students as young as 3, with its Pre-Ballet program. Students 8 years and older are offered a brief evaluation to ensure proper class placement – with or without prior dance training. Private instruction is also available for new students so that they may be brought up to the level of their age group. As was the case for the daughter of Tara Bernzweig who said, “We had private lessons from Jean Logrea over the summer. He was kind enough to do this so she could catch up to girls closer to her age group. My daughter is now signed up for three classes this fall. Jean was amazingly patient and sees potential in her.”

Having danced her whole life, Fritz-Logrea always strives to instill the love of dance in her students. “In dance, you have to express emotion through the body without words. You have to interpret and tell the story through the music and choreography alone. Our students carry this kind of creativity and imagination into their own lives, no matter what the forum,” she states.

Training with Talented Faculty

The academy has a superb faculty of 19 including the Logrea’s son Nick. In the spring, Logrea Dance Academy presents a series of performances at SUNY Purchase Performing Arts Center. In addition, WBC performances of the Nutcracker take place at the Westchester County Center each year (December 14 and 15, 2019). These in particular are a wonderful way to bring dance to children. “The audience is filled with many students who have never been exposed to the arts, or seen a live show before. You could hear a pin drop in the audience filled with well over 1,500 students – they are so enthralled. Especially in this age of technology and social media, it’s important to expose our children to the arts. Not just as participants, but as supporters and audience members. The impact of both is enormous,” says Fritz-Logrea.

Studies have shown that dance lessons have a positive impact on many facets of a child’s life including their confidence, discipline, creativity and development. As Fritz-Logrea says, “They acquire so many skills that greatly impact their academic school success — and make them into more well-rounded adults. As we tell our parents, whether your child wants a career in dance, or just wants to dance for the joy of it, he or she will learn life-skills at Logrea that will last a lifetime.”

When speaking with Fritz-Logrea, you really feel that she and Jean share a passion of teaching dance to children and watching them succeed in dance and in life. As she reflects on the decision to open the academy on that day in 1986 she says, “That one moment totally changed our lives in extraordinary ways – and, hopefully, the lives of our many students, who have walked through our doors for the last 33 years.”

Discovering the True Gift of Dance… in an Operating Room

June 3, 2017 by Ari Brandsdorfer

When I started ballet in the 3rd grade, I was immediately thrust into the two worlds of dance: the world of practice and the world of performance. Practice consisted of endless classes and day long rehearsals where skills could be honed in the privacy of a studio. Mistakes were acceptable but promptly corrected and mastery of technique directly correlated with hours of hard work.

Performance, on the other hand, was different. The music enveloped you, bright lights illuminated you and as you look out on the dimly light audience between movements of carefully set choreography you realized there were hundreds if not thousands of eyes in the room…and they were all looking at you.

And while many people think dancers perform only for the applause, the truth is we perform for the intense, adrenaline-filled rush that accompanies successfully completing painstakingly practiced movements while under extreme pressure.

Although we practiced for months at a time leading up to our shows, inevitably every performance comes with its set of unforeseen errors. Props get dropped, people fall on stage, someone stands on the wrong mark, backstage lighting malfunctions, music starts too early or too late (or recently for our Snow Scene not at all!), but it is in those moments of chaos where true performers shine. Maintaining a calm demeanor when your heart is beating out of your chest, thinking up quick, effective solutions to unexpected snafus, and emotionally dealing with the embarrassment of a mistake cannot be learned in the ballet studio; it can only be learned on stage.

When I hung up my ballet slippers in 2011 after 13 years of dance, I felt a void in my life where performance had once lived; the adrenaline-filled moments I experienced on stage were gone. I resigned myself feeling this loss as the inevitable punishment for those who walked away from dance. But then, in my third year of medical school, I rediscovered the excitement in the most unexpected place: the operating room (OR).

In the OR for the first time, I felt an implacable but eerily familiar feeling. Scrub techs and circulating nurses were busy ensuring the surgeon had proper lighting and securing the patient to the OR table. After the patient was placed under anesthesia and covered with sterile drapes the room quieted as the surgeon and his residents entered. They gowned/ gloved up, the room lights were dimmed, the OR lights were turned on, and it hit me; I was at a performance! The OR had lights, cameras, a stage, and audience members. Principle, soloist, and corps dancers were replaced by surgeons, residents, and medical students. Each surgery had a carefully laid out choreography that required precise technique, impeccable timing, and hours of practice before show time.

In those early moments of my surgical training, I realized the gift ballet had given me–the gift of being able to perform. Thanks to years on the stage, it came naturally to me that I could think quickly while under the OR lights, improvise when something was going awry, and keep a calm demeanor when my heart was racing. In the Operating Room, confidence saves lives, and yet again, the confidence that my body would perform as I wanted it to under intense circumstances was there from day one.

To feel sure that you will actually help someone by cutting them open, inflicting wounds onto their bodies–which in any other setting is considered assault with a deadly weapon–and to believe after you have pieced them back together they will be better off (than if you had never touched them in the first place)…these are not convictions that can be learned in the library.

There are so many pieces of my life I am eternally grateful to dance for giving me: the best moments of my youth, great friends I still love seeing, a work ethic which got me through medical school, and the ability to thrive under the pressure of the OR.

Former dance students don’t say this enough to their instructors, and certainly not years later, but to Mr. Logrea, Mrs. Logrea, Nick and Carol, thank you for all the lessons and time you spent with me, I truly believe I am a better doctor and a better surgeon because of all of you.

From 1997-2007, Ari Bransdorfer, currently a first year Ophthalmology Resident at Montefiore Medical Center/Einstein College of Medicine, studied dance at Ossining’s Logrea Dance Academy www.logreadanceacademy.com He returned as a guest dancer in 2008 and 2010.

Studio Taps into the Fun & Joy that Dance Brings

August 25, 2016 by The Inside Press

A Visit with ‘Ms. Carol’ and ‘Ms. Dina’ inside Chappaqua’s Dance Emotions Studio

dance emo 1 — Ms. Dina (left) & Ms. Carol

By Matt Smith

“Not everybody takes dance to become a dancer–and you don’t have to. [Dancing] is fun and healthy for anyone’s body and mind. If you have the desire within you, you shouldn’t be overlooked.”

Such is the reigning philosophy at Dance Emotions, the Chappaqua-based multi-arts studio nestled on the second floor of a professional building in the center of town. With its wide variety of dance and fitness classes–from Zumba, yoga, barre and core workouts, to tap, jazz, ballet, hip-hop, etc.–the studio prides itself on its inclusivity, opening its classes up to people of all ages, regardless of ability. “[We feel] that everyone is important, and we’re here to give everybody the equal opportunity to develop their skills,” emphasizes Carol Mamara, known affectionately as ‘Ms. Carol’ to students and alumni, and who founded the studio over 30 years ago. “[We’re] a very loving, caring, and accepting place.”

A dancer herself, Mamara trained under ballerina Nina Tinova and famed tap dancer Charles Lowe, to name a few, before heading onto the June Taylor School of Dance and continuing with jazz great Frank Hatchett, among others. She also performed on TV and at such esteemed venues as Carnegie Hall and the Broadway Dance Center.

After moving to the suburbs to raise her family (and while on the Board of the Westchester Dance Council), Mamara sought to create her own company as a way to “bring the professionalism of New York City to Westchester.” She began at a studio in lower Westchester, but felt compelled to move to Chappaqua as “I felt at home here.” Lucky for her, her students felt the same way, and followed her uptown. (“I even had a couple of families who ended up moving into the area,” she laughs.)

“We’re a family place,” Mamara reiterates–and she means that in the fullest sense of the phrase. She caught the bug from her mother, and has successfully passed it on to daughter Dina Michelle, who heads the studio’s Community Outreach division. Hoping Dina will eventually bring in the next generation, Mamara’s happy to report that several alumni have followed suit with their kids: “We have moms that we taught when they were kids [who] are now bringing their daughters and sons to us,” she explains.

And why shouldn’t they? They’ve already experienced everything Dance Emotions has to offer! In addition to the aforementioned programming, dancers perform at a variety of county-wide events and several off-site community centers throughout the year, including BOCES, school enrichment programs, the JCC, and Cerebral Palsy of Westchester. Regional and national competitions round out the season at large, which culminates in an collaborative end-of-year show held in June. And don’t forget The Nutcracker, presented in part by Impact Dance Company, their non-profit organization, and performed with live accompaniment from The Chappaqua Orchestra.

There’s also the fact that several alumni have gone on to prestigious careers in the dance and performing arts fields, appearing in worldwide dance companies, music videos, tours, TV commercials, and even on Dancing with the Stars and So You Think You Can Dance–which, of course, make Ms. Carol and Ms. Dina very proud.

They also take pride in knowing they helped get the students there, and are equally affected when the students recognize them for that. “All our alumni–and even our current students–say to us, ‘If it wasn’t for you and Dance Emotions, [I wouldn’t have] the confidence in myself to do these things,’” shares Mamara.

These “things” in question are, of course, social skills and self-esteem. “You can walk into a room and just feel good about yourself,” states Mamara. It’s exactly this strong and healthy sense of self Mamara aimed to tap into when she first opened the company.

“The studio is called ‘Dance Emotions’ for a reason,” she explains. “There are many emotions in dance.” Mamara’s very happy to know that students walk away having experienced each of them.

And what does Mamara consider the most rewarding news to receive from an alum? “That they [now] use dance as a stress reliever! It’s not a job; it’s just fun.”

Of course, whether the students and their families know it or not, that rewarding feeling is reciprocated: “I feel honored for them to be trusting us,” notes Dina.

Likewise, Mamara wouldn’t have it any other way. “It’s my calling in life,” she says, with a smile. “I’m very grateful for the opportunity of having the world of dance opened to me. If I can be instrumental in bringing this joy, fun, and happiness to others,” she concludes, “I’ll consider myself a lucky girl.” There’s no doubt she has.

Dance Emotions is located on the second floor of 75 South Greeley Avenue. For information on programs and performances, please visit www.danceemotions.net

Matt Smith is a writer and regular contributor to the Inside Press. For further information or inquiry, please visit www.mattsmiththeatre.com.